This handbook introduces general principles of translation while focusing on translating French and Spanish into English within a conference setting. General principles are elucidated in an introduction, in a postlude entitled &"The Elements of Good Translation,&" and throughout the French and Spanish parts. Part I, Translating from French into English, is organized alphabetically to cover French words and phrases that cannot be translated literally (absence, abuser, adapt&é &à . . .), English locutions with connotations differing from those of their French counterparts (actually, analyze, as well as, also . . . and special problems (abstract nouns, ambiguity, archaisms). Part II, Translating from Spanish into English, has the same alphabetical organization, covering tricky Spanish terms (abordaje, acciones, actitudes. . .), problematic English translations (alternate, although, aspect . . .) and special problems (ambiguity, Anglicisms, dictionaries . . . ). Part II also has an entry under Portuguese, dispelling the assumption that facility in translating Spanish guarantees capability to handle Portuguese.

This is a complete guide for translation students, professional translators, and lovers of language in general.

A practical guide to translation as a profession, this book provides everything translators need to know, from digital equipment to translation techniques, dictionaries in over seventy languages, and sources of translation work. It is the premier sourcebook for all linguists, used by both beginners and veterans, and its predecessor, The Translator's Handbook, has been praised by some of the world's leading translators, such as Gregory Rabassa and Marina Orellana.

Since 1997, this translator's guide has been the worldwide leader in its field and has elicited high praise from some of the world's best translators. It has been fully updated in the 2006 edition.

This handbook, like others in this series, concentrates on exegetical matters that are of prime importance for translators, and it attempts to indicate possible solutions for translational problems that may arise because of language or culture. In this respect the Handbook attempts to deal with the full range of information important to translators. However, the authors do not attempt to provide help that other theologians and scholars may be seeking but which is not directly useful for the task of translating. It is assumed that such information is available elsewhere.

The community of translator trainers is growing constantly, as new courses are set up in diverse contexts throughout the world. After a brief overview of current approaches to translator training, this book offers practical guidance to sound training practices in different contexts. Given the very wide variety of backgrounds translator trainers come from, the text aims to be equally of use to language teachers new to translation, to professional translators new to teaching or training, to recent graduates in translation intending to embark on academic careers in translation studies, and to more experienced trainers wishing to reflect on their activity or to train new trainers. For that reason, no specific prior knowledge or experience of training is taken for granted. A systematic approach to curriculum and syllabus design is adopted, guiding readers from the writing of learning outcomes or objectives through to the design of teaching and learning activities, to the assessment of learning and course evaluation, all this applied throughout in detail to the field of translation. Chapters contain exercises and activities designed to promote reflection on practice and to help trainers to develop their teaching skills, as well as their own course material. These activities are suitable both for self-learners and for groups on trainer training and staff development courses.

The Routledge Handbook of Literary Translation provides an accessible, diverse and extensive overview of literary translation today. This next-generation volume brings together principles, case studies, precepts, histories and process knowledge from practitioners in sixteen different countries. Divided into four parts, the book covers many of literary translation’s most pressing concerns today, from teaching, to theorising, to translation techniques, to new tools and resources. Featuring genre studies, in which graphic novels, crime fiction, and ethnopoetry have pride of place alongside classics and sacred texts, The Routledge Handbook of Literary Translation represents a vital resource for students and researchers of both translation studies and comparative literature.

A Linguistic Handbook of French for Translators and Language Students offers the reader an in-depth contrastive study of French and English based on recent theories of linguistics and discourse analysis. At the same time it is a practical manual for the advanced language student or the translator with dozens of exercises in analyzing and translating French along with detailed corrections. Organized in three sections – Structure, Perspective and Coherence – the handbook first explores French word formation and syntax, then moves on to the use of tense and aspect, illocution and speech styles in various text types. Finally, problems concerning textual coherence and cohesion in both languages are discussed: anaphora and ellipsis, relevance and equivalence and information structure. Each chapter is followed by a list of suggested readings for further discussion and a detailed glossary at the end of the book explains all technical terms used. The handbook is designed to be used either as a textbook or for individuals working at home.