In response to the contentious process surrounding the selection of a design for the World Trade Center site, the use of spectacular buildings to brand cities and institutions, and the dizzying transformations of the skylines of Shanghai and Dubai, public awareness of architecture and design has perhaps never been higher. At the same time, architecture itself is undergoing an identity crisis as it confronts fundamental issues: the effect of digital technology on design, the pervasive impact of global capitalism, and whether to embrace or resist popular media and taste. The New Architectural Pragmatism collects the most provocative, penetrating, and influential attempts by leading theorists and practitioners in the field to define what architectural practice should be at the beginning of the twenty-first century. Written in the aftermath of modernism’s utopian impulse and postmodernism’s detached playfulness, the essays gathered here express and critique a new spirit of cultural and political engagement with contemporary society. Interrogating the architect’s social responsibility, the contributors deliberate about how much we should ask of architecture and suggest that in the coming century, architecture must be at once flexible and robust, responsive and self-directed. Contributors: Stan Allen; George Baird; Lucy Bullivant; James Corner; Hal Foster; Kenneth Frampton; K. Michael Hays; Dave Hickey; Robert Levit; Evonne Levy; Reinhold Martin; Jorge Silvetti; Robert Somol; Philippe Starck; Roemer van Toorn; Sarah Whiting; Alejandro Zaera-Polo. William S. Saunders is editor of Harvard Design Magazine and assistant dean for external relations at Harvard University’s Graduate School of Design. He is the editor of four previous Harvard Design Magazine Readers, published by Minnesota.

The work of James Gamble Rogers represents a significant chapter in American architectural history. This text covers the entire span of Rogers's career, paying particular attention to his more important buildings such the Harkness mansion and various buildings at Northwestern University.

Architecture is not origami. A drawing cannot be folded in a clever way to make a real building. A picture of a building is no more architecture than a drawing of a sculpture is the sculpture. To exist, the building must be built. A building is the outcome of an idea. Pragmatism is the philosophy that connects an idea with its result. It measures the success of the idea by its its function, its appearance and its contribution to the environment in which it exists. This work examines the relationship between the methods of modern architecture and the philosophy of pragmatism. It discusses how modern architecture and pragmatism developed during the nineteenth century and offers examples of pragmatism within the work and writings of predominant practitioners and theorists of modern architecture.

Founded in Delft in 1984 as a collective for public-housing design, the Mecanoo studio has developed into one of the most significant entities on both the Dutch and international architecture scene. Under the guidance of partners Francine Houben, Henk Doll, Michel Tombal, and Aart Fransen, Mecanoo has developed a personal revision of the modernist approach to architecture, applying experimental design and urbanistic innovations to their projects. The book examines 24 buildings and projects that illustrate Mecanoo's contribution to the creation of new types of collective residences-those geared toward integrating functions other than those of mere living within the home. This extensively illustrated presentation vividly conveys the experimental and functional aspects of Mecanoo's unique vision and offers an affordable introduction to their work.

This follow-up to Kate Nesbitt's best-selling anthology Theorizing a New Agenda collects twenty-eight essays that address architecture theory from the mid-1990s, where Nesbitt left off, through the present. Kristin Sykes offers an overview of the myriad approaches and attitudes adopted by architects and architectural theorists during this era. Multiple themes—including the impact of digital technologies on processes of architectural design, production, materiality, and representation; the implications of globalization and networks of information; the growing emphasis on sustainable and green architecture; and the phenomenon of the 'starchitect' and iconic architecture—appear against a background colored by architectural theory, as it existed from the 1960s on, in a period of transition (if not crisis) that centers around the perceived abyss between theory and practice. Theory's transitional state persists today, rendering its immediate history particularly relevant to contemporary thought and practice. While other collections of recent theoretical writings exist none attempt to address the situation as a whole, providing in one place key theoretical texts of the past decade and a half. This book provides a foundation for ongoing discussions surrounding contemporary architectural thought and practice, with iconic essays by Greg Lynn, Deborah Berke, Sanford Kwinter, Samuel Mockbee, Stan Allen, Rem Koolhaas, William Mitchell, Anthony Vidler, Micahel Hays, Reinhold Martin, Reiser + Umemoto, Glenn Murcutt, William McDonough, Micahael Braungart, Michael Speaks, and many more.

This important work provides a clear analysis of the nature of many of today's design problems, identifying their causes in history and suggesting a basis for co-ordinated solutions.

Thirty-three leading thinkers discuss topics such as place and citizenship, technology and its impact on perception, and pragmatist aesthetics.

"Offers an intense scholarly experience in its comprehensiveness, its variety of voices and its formal organization... the editors took a risk, experimented and have delivered a much-needed resource that upends the status-quo." - Architectural Histories, journal of the European Architectural History Network "Architectural theory interweaves interdisciplinary understandings with different practices, intentions and ways of knowing. This handbook provides a lucid and comprehensive introduction to this challenging and shifting terrain, and will be of great interest to students, academics and practitioners alike." - Professor Iain Borden, UCL Bartlett School of Architecture "In this collection, architectural theory expands outward to interact with adjacent discourses such as sustainability, conservation, spatial practices, virtual technologies, and more. We have in The Handbook of Architectural Theory an example of the extreme generosity of architectural theory. It is a volume that designers and scholars of many stripes will welcome." - K. Michael Hays, Eliot Noyes Professor of Architectural Theory, Harvard University The SAGE Handbook of Architectural Theory documents and builds upon the most innovative developments in architectural theory over the last two decades. Bringing into dialogue a range of geographically, institutionally and historically competing positions, it examines and explores parallel debates in related fields. The book is divided into eight sections: Power/Difference/Embodiment Aesthetics/Pleasure/Excess Nation/World/Spectacle History/Memory/Tradition Design/Production/Practice Science/Technology/Virtuality Nature/Ecology/Sustainability City/Metropolis/Territory. Creating openings for future lines of inquiry and establishing the basis for new directions for education, research and practice, the book is organized around specific case studies to provide a critical, interpretive and speculative enquiry into the relevant debates in architectural theory.

Don't engineer by coincidence-design it like you mean it! Filled with practical techniques, Design It! is the perfect introduction to software architecture for programmers who are ready to grow their design skills. Lead your team as a software architect, ask the right stakeholders the right questions, explore design options, and help your team implement a system that promotes the right -ilities. Share your design decisions, facilitate collaborative design workshops that are fast, effective, and fun-and develop more awesome software! With dozens of design methods, examples, and practical know-how, Design It! shows you how to become a software architect. Walk through the core concepts every architect must know, discover how to apply them, and learn a variety of skills that will make you a better programmer, leader, and designer. Uncover the big ideas behind software architecture and gain confidence working on projects big and small. Plan, design, implement, and evaluate software architectures and collaborate with your team, stakeholders, and other architects. Identify the right stakeholders and understand their needs, dig for architecturally significant requirements, write amazing quality attribute scenarios, and make confident decisions. Choose technologies based on their architectural impact, facilitate architecture-centric design workshops, and evaluate architectures using lightweight, effective methods. Write lean architecture descriptions people love to read. Run an architecture design studio, implement the architecture you've designed, and grow your team's architectural knowledge. Good design requires good communication. Talk about your software architecture with stakeholders using whiteboards, documents, and code, and apply architecture-focused design methods in your day-to-day practice. Hands-on exercises, real-world scenarios, and practical team-based decision-making tools will get everyone on board and give you the experience you need to become a confident software architect.

If the 20th century can be characterised by theories and manifestoes, which emanated across every sphere of life from politics to the fine arts, the beginning of the 21st century can be distinguished by its very break from theory. This effective ‘theoretical meltdown’ has manifested itself in a period of uncertainty, which can be perceived in the way disciplines coalesce with each other and blur their parameters: fine art becoming indistinct from advertising imagery; architecture incorporating communication techniques; and sculpture dealing with living spaces; while architecture reshapes fragments of the natural environment. The issue topically calls the contemporary situation in architecture to account. Features writings by and interviews with some of the most remarkable protagonists of the debate: Ole Bouman, Ricardo Diller & Elizabeth Scofidio, Neil Leach, Bernard Tschumi and Robert Venturi and Denise Scott Brown. Acts as a barometer to architectural design, inviting 10 international critics to highlight the most relevant current work.