Architecture is not origami. A drawing cannot be folded in a clever way to make a real building. A picture of a building is no more architecture than a drawing of a sculpture is the sculpture. To exist, the building must be built. A building is the outcome of an idea. Pragmatism is the philosophy that connects an idea with its result. It measures the success of the idea by its its function, its appearance and its contribution to the environment in which it exists. This work examines the relationship between the methods of modern architecture and the philosophy of pragmatism. It discusses how modern architecture and pragmatism developed during the nineteenth century and offers examples of pragmatism within the work and writings of predominant practitioners and theorists of modern architecture.

"This book addresses the topic of software design: how to decompose complex software systems into modules (such as classes and methods) that can be implemented relatively independently. The book first introduces the fundamental problem in software design, which is managing complexity. It then discusses philosophical issues about how to approach the software design process and it presents a collection of design principles to apply during software design. The book also introduces a set of red flags that identify design problems. You can apply the ideas in this book to minimize the complexity of large software systems, so that you can write software more quickly and cheaply."--Amazon.

The work of James Gamble Rogers represents a significant chapter in American architectural history. This text covers the entire span of Rogers's career, paying particular attention to his more important buildings such the Harkness mansion and various buildings at Northwestern University.

"Foqué establishes a general design theory based on the axioms of pragmatic thinking, a crucial unity between experience and the process of learning, and between conceptual thought and situational consciousness. Building Knowledge develops a theoretical framework and practical instrumentation to establish a knowledge base for the discipline of architecture. Part one of the book presents design methods as a third way of investigating reality apart from scientific methods or the conception of art. By describing thescience-philosophical context, Foqué extensively analyses the nature of design activity and the design process, its inherent characteristics, and the differences between science and art. As such, it is argued that design processes have a research dimension an sich, which are essentially contextual and action driven. Foqué offers an integrated and comprehensive perspective to understand design activity both from an epistemological and practical standpoint. This results in an expanded discourse about the true nature of architectural design processes. Within this theoretical framework, part two explains how case study research is a primordial means to establish a knowledge base for the discipline and profession of architecture. From this premise, Foqué compares case study research in law, medicine and business administration and develops a practical and comprehensive approach to case studies in architecture. The methodology offers a solid and general framework wherein a consistent body of knowledge regarding architectural design processes can be generated. This promotes deeper insight in the complex relationship between context, product and process, which governs every design process on the one hand, and between the several stakeholders involved on the other hand."--Publisher.

- Critical analysis of 60 projects from 60 architects in China - Highly illustrated throughout with rich technical details Architectural exhibition is an important aspect in the study and transmission of architectural culture. The academic thoughts and design styles that influence the trends of global architecture are all established through one or a series of important architectural exhibitions. This book is produced based on the GSD (Harvard Graduate School of Design) autumn exhibition: 'Towards a Critical Pragmatism: Contemporary Chinese Architecture'. It reveals a unique perspective of contemporary Chinese architecture by showcasing 60 works from 60 contemporary architects within five thematic categories: cultural, residential, regeneration, rural, and digital. The selected architects attempt to maintain, from the earliest moments of the design process to its finished outcome, a certain level of critical thinking and quality. It is a record of the continuous evolution and growth of contemporary Chinese architecture and hopes to open up a new avenue from which to encourage further conversation regarding both the present and future state of China's architecture culture.

This book does much to disple the old canard that John Dewey was guilty of "scientism" and a reverent worship of technological progress. Indeed, Dewey predated the Frankfurt school in his warnings about the dangers inherent in a machine culture. With new advances come new problems, and these can only be dealt with through an instrumentalist approach. Dewey also argued that we have no guarantee of success. Natural events can terminate human life and human greed, laziness, or error could have the same result.

Pragmatic Enterprise Architecture is a practical hands-on instruction manual for enterprise architects. This book prepares you to better engage IT, management, and business users by equipping you with the tools and knowledge you need to address the most common enterprise architecture challenges. You will come away with a pragmatic understanding of and approach to enterprise architecture and actionable ideas to transform your enterprise. Experienced enterprise architect James V. Luisi generously shares life cycle architectures, transaction path analysis frameworks, and more so you can save time, energy, and resources on your next big project. As an enterprise architect, you must have relatable frameworks and excellent communication skills to do your job. You must actively engage and support a large enterprise involving a hundred architectural disciplines with a modest number of subject matter experts across business, information systems, control systems, and operations architecture. They must achieve their mission using the influence of ideas and business benefits expressed in simple terms so that any audience can understand what to do and why. Pragmatic Enterprise Architecture gives you the tools to accomplish your goals in less time with fewer resources. - Expand your Enterprise Architecture skills so you can do more in less time with less money with the priceless tips presented - Understand the cost of creating new Enterprise Architecture disciplines and contrast those costs to letting them go unmanaged - Includes 10 life cycle architectures so that you can properly assess the ROI of performing activities such as outsourcing, insourcing, restructuring, mergers and acquisitions, and more - Complete appendix of eight transaction path analysis frameworks provide DBA guidelines for proper physical database design

This important work provides a clear analysis of the nature of many of today's design problems, identifying their causes in history and suggesting a basis for co-ordinated solutions.

The pragmatism of Charles Peirce and William James and John Dewey exists as it moved, absorbing and absorbed. Conclusions remain provisions, time riding on, perpetually unsettled, nocturnal, opaque. Many questions and conditions remain. They will recur. The future has not eased. In our own lifetime there have been stakes, some old, some new, in continuing to write about the time and place and point of art. It is important to mark them. Pragmatism is above all a way of working, it starts from the present. The Pragmatism in the History of Art traces the questions that modern art history has used to make sense of the changes overtaking both art and life. A genealogy emerges naturally, elliptically. Several generations cross back and forth over the Atlantic. The questions combine with case studies as a story unfolds: the work of Meyer Schapiro, Henri Focillon, Alexander Dorner, George Kubler, Robert Herbert, T. J. Clark and Linda Nochlin is scrutinized; the philosophy of Michel Foucault and Gilles Deleuze and the films of Chris Marker and Jean-Luc Godard show distinctly pragmatic effects; artists discussed include Vincent Van Gogh, Isamu Noguchi, Lawrence Weiner and Gordon Matta-Clark. The relevance of this material for the art and art-writing of our own time becomes increasingly clear.