The ancient Athenians were "quarrelsome as friends, treacherous as neighbors, brutal as masters, faithless as servants, shallow as lovers--all of which was in part redeemed by their intelligence and creativity." Thus writes Philip Slater in this classic work on narcissism and family relationships in fifth-century Athenian society. Exploring a rich corpus of Greek mythology and drama, he argues that the personalities and social behavior of the gods were neurotic, and that their neurotic conditions must have mirrored the family life of the people who perpetuated their myths. The author traces the issue of narcissism to mother-son relationships, focusing primarily on the literary representation of Hera and the male gods and showing how it related to devalued women raising boys in an ambitious society dominated by men. "The role of homosexuality in society, fatherless families, working mothers, women's status, and violence, male pride, and male bonding--all these find their place in Slater's analysis, so honestly and carefully addressed that we see our own societal dilemmas reflected in archaic mythic narratives all the more clearly."--Richard P. Martin, Princeton University Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The volumes published in the series "Beiträge zur Altertumskunde" comprise monographs, collective volumes, editions, translations and commentaries on various topics from the fields of Greek and Latin Philology, Ancient History, Archeology, Ancient Philosophy as well as Classical Reception Studies. The series thus offers indispensable research tools for a wide range of disciplines related to Ancient Studies.

In the "little rebellion" that swept New York's Greenwich Village before World War I, few figures stood out more than Randolph Bourne. Hunchbacked and caped-the "little sparrowlike man" of Dos Passos' U.S.A.-Bourne was an essayist and critic most remembered today for his opposition to U.S. military involvement in Europe and his assertion that "war is the health of the state." A frequent contributor to The New Republic, he died in 1918 at the age of 32, arguing that a "military-industrial" complex would continue to shape the policies of the modern liberal state. Bourne is also recognized as one of the founders of American cultural radicalism, revered in turn by Marxists, anti-fascists, and the New Left. Through his writings, he debated issues that were cultural as well as political from a position he described as "below the battle," rejecting the either/or political options of his day in favor of a viewpoint that argued outside the terms set by the establishment. In her new study of Bourne's political thought, Leslie Vaughan maintains that this position was not, as others have contended, a retreat from politics but rather a different form of political engagement, freed from the suppositions that impede genuine debate and democratic change. Her analysis challenges previous readings of Bourne's politics, showing that he offered non-statist, neighborhood-based politics in America's modern cities as a practical alternative to involvement in the national state and its militarism. By demonstrating Bourne's emphasis on politics as local, multi-ethnic, and intergenerational, Vaughan shows that his thought offered a new political discourse and set of cultural possibilities for American society in an era he was the first to label as "post-modern." Returning to the influence of Nietzsche on his thought, she also explores the role Bourne played in the creation of his own myth. Eighty years later, Bourne can be seen to stand at the cusp of the modern and the post-modern worlds, as he speaks to today's multiculturalist movement. In reexamining Bourne's writings, Vaughan has located the roots of twentieth-century radical thought while repositioning Bourne at the center of debates about the nature and limits of American liberalism.

Ancient China and Greece are two classical civilisations that have exerted far-reaching influence in numerous areas of human experience and are often invoked as the paradigms in East-West comparison. This book examines gender relations in the two ancient societies as reflected in convivial contexts such as family banquets, public festivals, and religious feasts. Two distinct patterns of interpersonal affinity and conflict emerge from the Chinese and Greek sources that show men and women organising themselves and interacting with each other in social occasions intended for collective pursuit of pleasure. Through an analysis of the two different patterns, Yiqun Zhou illuminates the different socio-political mechanisms, value systems, and fabrics of human bonds in the two classical traditions. Her book will be important for readers who are interested in the comparative study of societies, gender studies, women's history, and the legacy of civilisations.

One of the reasons for the study of the Greek and Roman classics is their perpetual relevance. In no area can this position be more clearly defended than in the investigation of the feminine condition, for it was here that basic attitudes derogatory to the sex were molded by legal and social systems, by philosophers and poets, and by the thinking of men long since gone. Women in the Ancient World brings together essays that examine philosophy, social history, literature, and art, and that extend from the early Greek period through the Roman Empire. Their wide range of critical perspectives throws new light on the personal, political, socio-economic, and cultural position of women.

"Faas has written a provocative book, challenging the familiar literary and philosophical theories of tragedy from Aristotle onwards. His judicious use of nietzschean insights both stimulates and compels assent. Exuberant scholarship from first page to last." Irving Layton.

Classical Myth and Culture in the Cinema is a collection of essays presenting a variety of approaches to films set in ancient Greece and Rome and to films that reflect archetypal features of classical literature. The diversity of content and theoretical stances found in this volume will make it required reading for scholars and students interested in interdisciplinary approaches to text and image, and for anyone interested in the presence of Greece and Rome in modern popular culture.