What happened to Greek tragedy after the death of Euripides? This book provides some answers, and a broad historical overview.

"In defining rapturous superabundance, Gordon explicates the tension between Apollonian principles of preservation and orderly boundaries (Exemplified in Aristotle's theory of tragedy) and an ecstatic Dionysian energy (essentially a manifestation of will) that ruptures boundaries. Aristotle denied this disruptive element by focusing on tragedy as a rational framework for redefining moral boundaries. Nietzsche seized on it as the core of his theory of tragedy."--BOOK JACKET.

While there is a tacit appreciation that freedom from violence will lead to more prosperous relations among peoples, violence continues to be deployed for various political and social ends. Yet the problem of violence still defies neat description, subject to many competing interpretations. Histories of Violence offers an accessible yet compelling examination of the problem of violence as it appears in the corpus of canonical figures – from Hannah Arendt to Frantz Fanon, Michel Foucault to Slavoj Žižek – who continue to influence and inform contemporary political, philosophical, sociological, cultural, and anthropological study. Written by a team of internationally renowned experts, this is an essential interrogation of post-war critical thought as it relates to violence.

Agent Orange, the 9/11 Victim Compensation Fund, the Virginia Tech massacre, the 2008 financial crisis, and the Deep Horizon gulf oil spill: each was a disaster in its own right. What they had in common was their aftermath -- each required compensation for lives lost, bodies maimed, livelihoods wrecked, economies and ecosystems upended. In each instance, an objective third party had to step up and dole out allocated funds: in each instance, Presidents, Attorneys General, and other public officials have asked Kenneth R. Feinberg to get the job done. In Who Gets What?, Feinberg reveals the deep thought that must go into each decision, not to mention the most important question that arises after a tragedy: why compensate at all? The result is a remarkably accessible discussion of the practical and philosophical problems of using money as a way to address wrongs and reflect individual worth.

The story of American Jewry is inextricably entwined with the awesome defeat of the Holocaust and the rebirth of the state of Israel. However, for Michael Berenbaum, and others of his generation, whose adult consciousness included the war in Lebanon and the Palestinian Uprisings, the tale is more anguished, for the Jewish People are now divided, uncertain about the implications of the past and the direction of their future. Berenbaum explores the Jewish identity of this generation, the first to mature after tragedy and triumph. He probes the Holocaust's impact on Jewish consciousness and the imprint of American culture on Jewish identity. Challenging Zionism's conventional assumptions, he details American Jews' changing relationship to Israel as he examines the tensions created within Jewish tradition between a history of victimization and the empowerment of Jews. While demonstrating that the security of victory is one step from the anguish of victims, even when the victors have recently emerged from the fire, Berenbaum holds out the hope of liberation for Judaism, maintaining that five thousand years of history, with its chapter of Holocaust and empowerment, provide a unique foundation upon which to build a future. Michael Berenbaum is Hymen Goldman Professor of Theology at Georgetown University and Project Director of the United States Holocaust Memorial Museum in Washington, DC. He is the author or editor of several books, including The Vision of the Void: Theological Reflections on the Works of Elie Wiesel and The Holocaust: Religious and Political Implications (with John Roth).

A new account of tragedy and its fundamental position in Western culture In this compelling account, eminent literary critic Terry Eagleton explores the nuances of tragedy in Western culture—from literature and politics to philosophy and theater. Eagleton covers a vast array of thinkers and practitioners, including Nietzsche, Walter Benjamin, and Slavoj Žižek, as well as key figures in theater, from Sophocles and Aeschylus to Shakespeare and Ibsen. Eagleton examines the political nature of tragedy, looking closely at its connection with periods of historical transition. The dramatic form originated not as a meditation on the human condition, but at moments of political engagement, when civilizations struggled with the conflicts that beset them. Tragedy, Eagleton demonstrates, is fundamental to human experience and culture.

A “brilliant” examination of American complacency and how it puts the nation’s—and the world’s—security at risk (The Wall Street Journal). The ancient Greeks hard-wired a tragic sensibility into their culture. By looking disaster squarely in the face, by understanding just how badly things could spiral out of control, they sought to create a communal sense of responsibility and courage—to spur citizens and their leaders to take the difficult actions necessary to avert such a fate. Today, after more than seventy years of great-power peace and a quarter-century of unrivaled global leadership, Americans have lost their sense of tragedy. They have forgotten that the descent into violence and war has been all too common throughout human history. This amnesia has become most pronounced just as Americans and the global order they created are coming under graver threat than at any time in decades. In a forceful argument that brims with historical sensibility and policy insights, two distinguished historians argue that a tragic sensibility is necessary if America and its allies are to address the dangers that menace the international order today. Tragedy may be commonplace, Brands and Edel argue, but it is not inevitable—so long as we regain an appreciation of the world’s tragic nature before it is too late. “Literate and lucid—sure to interest to readers of Fukuyama, Huntington, and similar authors as well as students of modern realpolitik.” —Kirkus Reviews

From the tragedy of 9/11 to the farce of the financial meltdown.

Will it happen again, Mama? After the Ant Hill School is destroyed, a little boy ant is afraid to go back to school. His mom caringly explains to him that sometimes things happen in life over which we have no control, but we have to find a way to keep living and growing. To do that, "We breathe in and breathe out, and hold onto each other. We shed a lot of tears, and we love one another. We all come together as a strong team of ONE, and then we rebuild, and get things done!" The Ant Hill Disaster thoughtfully addresses fears associated with both natural and man-caused disasters. It models effective parenting and teaching responses. This book can help assure children that through love, empathetic understanding, preparation, and effective communication, they can stand strong, even in the midst of uncontrollable events.

Explores Brecht's complex relationship with Greek tragedy and the tragic tradition, including significant archival material not seen before.