Caesarius was a monk at the Cistercian monastery of Heisterbach in Germany, where he served as Master of novices. For their instruction and edification, he composed his lengthy Dialogue on Miracles in twelve sections between 1219 and 1223. The many surviving manuscripts of this and other works by Caesarius attest to his stature in the history of Cistercian letters. This volume contains sections one through six of Caesarius of Heisterbach’s Dialogue on Miracles, the first complete translation into English of an influential representation of exempla literature from the Middle Ages. Caesarius’s stories provide a splendid index to monastic life, religious practices, and daily life in a tumultuous time.

Caesarius was a monk at the Cistercian monastery of Heisterbach in Germany, where he served as Master of novices. For their instruction and edification, he composed his lengthy Dialogue on Miracles in twelve sections between 1219 and 1223. The many surviving manuscripts of this and other works by Caesarius attest to his stature in the history of Cistercian letters. This second volume contains sections seven through twelve of Caesarius of Heisterbach’s Dialogue on Miracles, the first complete translation into English of an influential representation of exempla literature from the Middle Ages. Caesarius’s stories provide a splendid index to monastic life, religious practices, and daily life in a tumultuous time.

In these dialogues, Jesus, now teaching as the fully awakened Christ shares how he awakened to this Reality and clarifies many of his own experiences when he too once experienced the state of mind we now identify as being a separate body in a world.

The Christian, Jewish and Muslim communities of medieval Western Europe conceived of the human body in manifold ways. The body was not a fixed or unmalleable mass of flesh but an entity that changed its character depending on its age, its interactions with its environment and its diet. For example, a slave would have been marked by her language, her name, her religion or even by a sign burned onto her skin, not by her color alone. Covering the period from 500 to 1500 and using sources that range across the full spectrum of medieval literary, scientific, medical and artistic production, this volume explores the rich variety of medieval views of both the real and the metaphorical body. A Cultural History of the Human Body in the Medieval Age presents an overview of the period with essays on the centrality of the human body in birth and death, health and disease, sexuality, beauty and concepts of the ideal, bodies marked by gender, race, class and age, cultural representations and popular beliefs and the self and society.

In the past two centuries hundreds of apparitions of the Virgin Mary have been reported, drawing crowds to the seers and the sites and constituting events of great religious significance for millions of people worldwide. Here Sandra Zimdars-Swartz provides a detective-like investigation of the experiences and interpretations of six major apparitions, including those at La Salette and Lourdes in France during the mid-nineteenth century; at Fatima, Portugal, in 1917; and the more recent ones at San Damiano, Italy; Garabandal, Spain; and Medjugorje, Yugoslavia, where the apparitions continue. Adopting a phenomenological approach to these "encounters with Mary"--one that is neither apologetic nor antagonistic--the author explores the tension between the personal meaning of the events for their subjects and the public appropriation of this meaning by a larger religious community. Along the way she examines the backgrounds of the seers, their willingness or reluctance to talk about the apparitions and their messages, the amount of emotional support they received from family and community as news of the apparitions spread, the reports of miracles at apparition sites, the reactions of local authorities, and the steps taken by the Roman Catholic Church in officially recognizing or rejecting the apparitions as worthy of belief. The author concludes with a survey of religious worldviews based on Marian apparitions, focusing especially on the now-popular transcultural apocalyptic nature of these messages to the modern world. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Mater Misericordiae?Mother of Mercy?emerged as one of the most prolific subjects in central Italian art from the late thirteenth through the sixteenth centuries. With iconographic origins in Marian cult relics brought from Palestine to Constantinople in the fifth century, the amalgam of attributes coalesced in Armenian Cilicia then morphed as it spread to Cyprus. An early concept of Mary of Mercy?the Virgin standing with outstretched arms and a wide mantle under which kneel or stand devotees?entered the Italian peninsula at the ports of Bari and Venice during the Crusades, eventually converging in central Italy. The mendicant orders adopted the image as an easily recognizable symbol for mercy and aided in its diffusion. In this study, the author?s primary goals are to explore the iconographic origins of the Madonna della Misericordia as a devotional image by identifying and analyzing key attributes; to consider circumstances for its eventual overlapping function as a secular symbol used by lay confraternities; and to discuss its diaspora throughout the Italian peninsula, Western Europe, and eastward into Russia and Ukraine. With over 100 illustrations, the book presents an array of works of art as examples, including altarpieces, frescoes, oil paintings, manuscript illuminations, metallurgy, glazed terracotta, stained glass, architectural relief sculpture, and processional banners.

What did Danes and Swedes in the Middle Ages imagine and write about Jews and Judaism? This book draws on over 100 medieval Danish and Swedish manuscripts and incunabula as well as runic inscriptions and religious art (c. 1200-1515) to answer this question. There were no resident Jews in Scandinavia before the modern period, yet as this book shows ideas and fantasies about them appear to have been widespread and an integral part of life and culture in the medieval North. Volume 1 investigates the possibility of encounters between Scandinavians and Jews, the terminology used to write about Jews, Judaism, and Hebrew, and how Christian writers imagined the Jewish body. The (mis)use of Jews in different texts, especially miracle tales, exempla, sermons, and Passion treaties, is examined to show how writers employed the figure of the Jew to address doubts concerning doctrine and heresy, fears of violence and mass death, and questions of emotions and sexuality. Volume 2 contains diplomatic editions of 54 texts in Old Danish and Swedish together with translations into English that make these sources available to an international audience for the first time and demonstrate how the image of the Jew was created in medieval Scandinavia.

This book examines the nature and extent of changes in communal structures and self-definition among Jews and Christians in Germany during the century before the Reformation. It argues that Christian community was restructured along civic and religious lines resulting in the development of a local sacred society that integrated material and spiritual well being into a moral and legal society, stressing the common good and internal peace, while Jewish community, given a variety of factors, came to be defined through regional communal structures and moral and legal discourse that allowed for broader geographical communal identity. Bell draws from a variety of German, Latin, and Hebrew sources and takes into consideration several methods and viewpoints of studying history.