The Church Musician presents a step-by-step approach to the fundamentals of music through the use of familiar and new sacred music. Additional supplementary materials include Repertoire, Theory, and Hymn Playing books. Along with basic music theory fundamentals, students learn many familiar songs. Titles: * I've Got the Joy, Joy, Joy * Jesus Loves Me * Praise Him, Praise Him * Holy, Holy, Holy * I'll Be a Sunbeam * Jesus Shall Reign * and many more

The Church Musician, Level 1 expands on major concepts and skills taught at the Primer Level. The 5-finger approach using Middle C position, C Major 5-finger position, G Major 5-finger position, and F Major 5-finger position is presented in a fresh, musically appealing way using familiar and new sacred music. Students are introduced to all the notes of the grand staff, elementary chord playing, eighth notes, transposition, and technic exercises. Musicianship is built through the use of dynamics, coloristic experimentation with the pedal, and motivating and exciting pieces. Titles: * God Is So Good * Give Me Oil in My Lamp * He Is Lord * Now the Day Is Over * When I Survey the Wondrous Cross * Amazing Grace * Stand Up, Stand Up for Jesus * Near to the Heart of God * Now Thank We All Our God * Christ the Lord Is Risen Today * Go Tell It on the Mountain and many more hymns of faith. Harmonically interesting teacher duet parts are featured for many of the hymns.

The Church Musician, Level 2 expands on major concepts and skills taught at Level One. A position-based approach using the Keys of C Major, G Major, F Major, D Major, and A Major is presented in a fresh, musically appealing way using familiar and new sacred music. Students are introduced to all notes of the Grand Staff up to high A, I, IV, and V chords with inversions, eighth notes, transposition, and technic exercises. Musicianship is built through the use of dynamics, coloristic experimentation with the pedal, and motivating and exciting pieces. Titles: * Jesus Lover of My Soul * Oh, How I Love Jesus * Jesus Saves * Near to the Heart of God * More Love to Thee * I Love Thy Kingdom, Lord * Praise God, from Whom All Blessings Flow * Stand Up, Stand Up for Jesus * All Hail the Power * Wonderful Words of Life * Almost Persuaded * Jesus Shall Reign * Take Time to be Holy * Over the River and Through the Woods * Joy to the World * Scale and chord exercises, and technic studies

This manual gives musicians and other performers practical insights on every aspect of performance. Through real life examples and pre-performance exercises, Gordon also offers detailed and workable suggestions for solving the issues and problems associated with live performance.

The countryside, towns and cities of Britain are full of churches. They represent some of the most iconic, beautiful and occasionally bizarre buildings in the country. They have a lot to say about our history, our art and our ideas. But how do you read them? Through charming illustrations, Rice's Church Primer reveals the basic grammar and vocabulary of church architecture throughout the United Kingdom. As Matthew Rice says, 'Once you can speak any language, conversations can begin, but without it communications can only be brief and brutish. The same is the case with Architecture: an inability to describe the component parts of a building leaves one tongue-tied and unable to begin to discuss what is or is not exciting, dull or peculiar about it.' Rice's Church Primer explains the language of architecture in churches, from the restrained Norman style of William the Conqueror to the gilded excesses of the Baroque. The primer begins with an explanation of the basic 'Grammar' of churches: elevation, plan, fronts, vaults and towers. This allows the reader to easily understand what follows. Next comes the 'Vocabulary' of styles in chronological order, from ancient Saxon churches to modern cathedrals. Each period covers component parts like doors, windows, towers, pews, panelling and pulpits. Finally, there is a map pinpointing some of the best churches around the country, so you can practise your newfound fluency in real life. With Matthew Rice's elegant and witty illustrations to guide you, suddenly you'll understand why naves are necessary, why towers are built as tall as possible and why sometimes even the most respectable church needs a good flying buttress.

"Our music is a cantus firmus ('a fixed melody')," to quote Carl Schalk at the beginning of this selected collection of essays of the celebrated composer, teacher, and writer for and to the Church. This cantus firmus, the Church's song, is "the unavoidable result of the new life in Christ," he writes. And so it is the living song of Christ in the Chruch to which Schalk invites the reader in these essays. From dust jacket.

The period covered by this volume is one of the most eventful and fruitful in the history of English music. This selection - embracing the motet, festal psalm, anthem, canticle and devotional song - has been edited according to modern scholarly standards, but with the needs of practical performance in mind. The choice of music gives a comprehensive picture of the period, with many well-known works included as outstanding examples of their kind. Less familiar compositions are also featured, and they fill important gaps in the available repertory - notably settings of the Nunc dimittis by Tye, Robert Parsons and Thomas Tomkins, a festal psalm by Tallis, verse anthems by William Mundy and Walter Porter, and full anthems by Amner, Batten, Thomas Tomkins and William Child. A general historical introduction and a calendar of events are supplied, together with notes on each piece and a list of the sources used.