The Treasury of English Church Music 1545-1650

The Treasury of English Church Music 1545-1650
Author :
Publisher : Cambridge University Press
Total Pages : 292
Release :
ISBN-10 : 0521248892
ISBN-13 : 9780521248891
Rating : 4/5 (92 Downloads)

Synopsis The Treasury of English Church Music 1545-1650 by : Peter le Huray

The period covered by this volume is one of the most eventful and fruitful in the history of English music. This selection - embracing the motet, festal psalm, anthem, canticle and devotional song - has been edited according to modern scholarly standards, but with the needs of practical performance in mind. The choice of music gives a comprehensive picture of the period, with many well-known works included as outstanding examples of their kind. Less familiar compositions are also featured, and they fill important gaps in the available repertory - notably settings of the Nunc dimittis by Tye, Robert Parsons and Thomas Tomkins, a festal psalm by Tallis, verse anthems by William Mundy and Walter Porter, and full anthems by Amner, Batten, Thomas Tomkins and William Child. A general historical introduction and a calendar of events are supplied, together with notes on each piece and a list of the sources used.

Humanism and the Reform of Sacred Music in Early Modern England

Humanism and the Reform of Sacred Music in Early Modern England
Author :
Publisher : Routledge
Total Pages : 298
Release :
ISBN-10 : 9781317119586
ISBN-13 : 1317119584
Rating : 4/5 (86 Downloads)

Synopsis Humanism and the Reform of Sacred Music in Early Modern England by : Hyun-Ah Kim

John Merbecke (c.1505-c.1585) is most famous as the composer of the first musical setting of the English liturgy, The Booke of Common Praier Noted (BCPN), published in 1550. Not only was Merbecke a pioneer in setting English prose to music but also the compiler of the first Concordance of the whole English Bible (1550) and of the first English encyclopaedia of biblical and theological studies, A Booke of Notes and Common Places (1581). By situating Merbecke and his work within a broader intellectual and religio-cultural context of Tudor England, this book challenges the existing studies of Merbecke based on the narrow theological approach to the Reformation. Furthermore, it suggests a re-thinking of the prevailing interpretative framework of Reformation musical history. On the basis of the new contextual study of Merbecke, this book seeks to re-interpret his work, particularly BCPN, in the light of humanist rhetoric. It sees Merbecke as embodying the ideal of the 'Christian-musical orator', demonstrating that BCPN is an Anglican epitome of the Erasmian synthesis of eloquence, theology and music. The book thus depicts Merbecke as a humanist reformer, through re-evaluation of his contributions to the developments of vernacular music and literature in early modern England. As such it will be of interest, not only to church musicians, but also to historians of the Reformation and students of wider Tudor culture.

Victorian Cathedral Music in Theory and Practice

Victorian Cathedral Music in Theory and Practice
Author :
Publisher : Cambridge University Press
Total Pages : 248
Release :
ISBN-10 : 0521268087
ISBN-13 : 9780521268080
Rating : 4/5 (87 Downloads)

Synopsis Victorian Cathedral Music in Theory and Practice by : William J. Gatens

This is a critical assessment of Victorian cathedral music, unique in its detailed treatment of the cultural intellectual, philosophical and religious issues that shaped the composer's creative world and so influenced compositional practice. Among the issues investigated by William Gatens are the status of music in Church and society, the Victorians' views on the moral dimension of music, the aesthetic implications of Christian orthodoxy and notions of stylistic propriety. The careers and works of seven eminent composers - Thomas Attwood, T. A. Walmisley, John Goss, S. S. Wesley, F. A. G. Ouseley, John Stainer and Joseph Barnby - are discussed in some detail with emphasis on anthems and fully composed service settings. These provide specific illustrations of stylistic trends and the practical effects of theoretical principles. The study seeks to correct some of the misunderstandings and distortions that were common among earlier twentieth-century writers on the subject.

O Sing Unto the Lord

O Sing Unto the Lord
Author :
Publisher : University of Chicago Press
Total Pages : 481
Release :
ISBN-10 : 9780226469621
ISBN-13 : 022646962X
Rating : 4/5 (21 Downloads)

Synopsis O Sing Unto the Lord by : Andrew Gant

In this expansive cultural history, Andrew Gant traces English sacred music from the Latin chant of late antiquity to the great proliferation and diversification of styles seen in contemporary repertoires. The book explores church music in its great variety of forms and performance contexts: cathedral music and music performed at small country parishes, hymns sung in church and at gatherings, all the way up to today’s mixture and hybridization of the traditional and contemporary styles. Most of all, it illuminates how political battles and sweeping changes in worship affected the church music profession; how musicians, clergy, and worshipers responded; and how the repertory was reinvented many times over as a result. This work was first brought out by Profile Books in 2015. The author has contributed a new preface for our edition, offering reflections on English church music in its American contexts.

Henry Lawes

Henry Lawes
Author :
Publisher : Oxford Monographs on Music
Total Pages : 200
Release :
ISBN-10 : 0198165560
ISBN-13 : 9780198165569
Rating : 4/5 (60 Downloads)

Synopsis Henry Lawes by : Ian Spink

Henry Lawes (1596-1662) has long been acknowledged as the leading English songwriter of the period of Charles I. He collaborated with Milton in Comus (1634) and among his hundreds of songs are settings of many famous lyrics by Cavalier poets such as Carew, Herrick, and Suckling. New recordings and musical editions of his work reflect his continued and increasing importance. This study, the first published since 1940, combines an account of his life with an analysis of his development as a songwriter.

Sourcebook for Research in Music, Third Edition

Sourcebook for Research in Music, Third Edition
Author :
Publisher : Indiana University Press
Total Pages : 518
Release :
ISBN-10 : 9780253014566
ISBN-13 : 0253014565
Rating : 4/5 (66 Downloads)

Synopsis Sourcebook for Research in Music, Third Edition by : Allen Scott

Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.

Collected Works

Collected Works
Author :
Publisher : A-R Editions, Inc.
Total Pages : 301
Release :
ISBN-10 : 9780895798466
ISBN-13 : 0895798468
Rating : 4/5 (66 Downloads)

Synopsis Collected Works by : Walter Porter

This volume brings together, for the first time in a critical edition, the complete works of the English composer Walter Porter (ca. 1587/ca. 1595–1659). One of a small number of English composers from the first half of the seventeenth century who embraced “progressive” Italianate methods of composition, Porter is further worthy of mention in histories of music for two reasons: he was the composer of the last book of English madrigals, and he claimed to have been the pupil of Claudio Monteverdi. His works survive primarily in two printed collections: Madrigales and Ayres (1632) and Mottets of Two Voyces (1657). Six of the 1657 Mottets also appear in York Minster Library, MS M. 5/1–3(S). One strophic song and three catches may also be attributed to Walter Porter and are included in an appendix.

Diegetic Music in Opera and Film

Diegetic Music in Opera and Film
Author :
Publisher : BRILL
Total Pages : 376
Release :
ISBN-10 : 9789004652279
ISBN-13 : 9004652272
Rating : 4/5 (79 Downloads)

Synopsis Diegetic Music in Opera and Film by : Robbert van der Lek

Music History During the Renaissance Period, 1520-1550

Music History During the Renaissance Period, 1520-1550
Author :
Publisher : Bloomsbury Publishing USA
Total Pages : 550
Release :
ISBN-10 : 9780313072826
ISBN-13 : 0313072825
Rating : 4/5 (26 Downloads)

Synopsis Music History During the Renaissance Period, 1520-1550 by : Blanche M. Gangwere

This annotated chronology of western music is the third in a series of outlines on the history of music in western civilization. It contains a 120-page annotated bibliography, followed by a detailed, documented outline that is divided into ten chapters. Each chapter is written in chronological order with every line being documented by means of abbreviations that refer to the annotated bibliography. There are short biographies of the theorists and detailed discussions of their works. The information on music is organized by classes of music rather than by composer. Also included are lists of manuscripts with descriptions of their contents and notations as to where they may be found. The material for the outline has been taken from primary and secondary sources along with articles from periodicals. Like the other two volumes in this series, Music History from the Late Roman through the Gothic Periods, 313-1425 and Music History During the Renaissance Period, 1425-1520, this volume will be an important research tool for anyone interested in music history.