Published for the Paul Mellon Centre for Studies in British Art.

A major difficulty for those who wish to understand and enjoy Scottish medieval churches is the ecclesiological groundwork was not carried out in the nineteenth century in the way that was done for England and other parts of Europe. In an effort to interpret what they see when visiting Scottish churches, many people attempt to apply techniques of analysis they have learned from English publications but that way madness lies. Even in the twelfth and eleventh centuries, when architectural relationships between Lowland Scotland and England were close, Scotland followed its own course in many respects, while in the fourteenth, fifteenth and sixteenth centuries Scottish architecture followed an almost completely different course from that of England. The present ground-breaking work makes good this deficit and analyses the planning and detailing of Scottish churches from 1120 to 1560 with hundreds of illustrated examples that can be firmly dated. The result is a book that will be welcomed by scholars but, equally importantly, will also be treasured by the hundreds of thousands of ordinary church-crawlers who value this aspect of Scotland's medieval heritage. For them this book, overdue by more than 100 years is a must.

Exploring the medieval heritage of Aberdeenshire and Moray, the essays in this volume contain insights and recent work presented at the British Archaeological Association Conference of 2014, based at Aberdeen University. The opening, historical chapters establish the political, economic and administrative context of the region, looking at both the secular and religious worlds and include an examination of Elgin Cathedral and the bishops’ palaces. The discoveries at the excavations of the kirk of St Nicholas, which have revealed the early origins of religious life in Aberdeen city, are summarized and subsequent papers consider the role of patronage. Patronage is explored in terms of architecture, the dramas of the Reformation and its aftermath highlighted through essentially humble parish churches, assailed by turbulent events and personalities. The collegiate church at Cullen, particularly its tomb sculpture, provides an unusually detailed view of the spiritual and dynastic needs of its patrons. The decoration of spectacular ceilings, both carved and painted, at St Machar’s Cathedral, Provost Skene’s House and Crathes Castle, are surveyed through the eyes of their patrons and the viewers below. Saints and religious devotion feature in the last four chapters, focusing on the carved wooden panels from Fetteresso, which display both piety and a rare glimpse of Scottish medieval carnal humour, the illuminated manuscripts from Arbuthnott, the Aberdeen Breviary and Historia Gentis Scotorum. The medieval artistic culture of north-east Scotland is both battered by time and relatively little known. With discerning interpretation, this volume shows that much high-quality material still survives, while the lavish illustrations restore some glamour to this lost medieval world.

The first systematic study of the financing and management of parish church construction in England in the Middle Ages.

A Companion to the Reformation in Scotland deals with the making, shaping, and development of the Scottish Reformation. 28 authors offer new analyses of various features of a religious revolution and select personalities in evolving theological, cultural, and political contexts.

Essays centred on the methods, pleasures, and pitfalls of architectural interpretation. Architecture affects us on a number of levels. It can control our movements, change our experience of our own scale, create a particular sense of place, focus memory, and act as a statement of power and taste, to name but a few. Yet the ways in which these effects are brought about are not yet well understood. The aim of this book is to move the discussion forward, to encourage and broaden debate about the ways in which architecture is interpreted, with aview to raising levels of intellectual engagement with the issues in terms of the theory and practice of architectural history. The range of material covered extends from houses constructed from mammoth bones around 15,000 years ago in the present-day Ukraine to a surfer's memorial in Carpinteria, California; other subjects include the young Michelangelo seeking to transcend genre boundaries; medieval masons' tombs; and the mythographies of early modern Netherlandish towns. Taking as their point of departure the ways in which architecture has been, is, and can be written about and otherwise represented, the editors' substantial Introduction provides an historiographical framework for, and draws out the themes and ideas presented in, the individual contributors' essays. Contributors: Christine Stevenson, T. A. Heslop, John Mitchell, Malcolm Thurlby, Richard Fawcett, Jill A. Franklin, StephenHeywood, Roger Stalley, Veronica Sekules, John Onians, Frank Woodman, Paul Crossley, David Hemsoll, Kerry Downes, Richard Plant, Jenifer Ní Ghrádraigh, Lindy Grant, Elisabeth de Bièvre, Stefan Muthesius, Robert Hillenbrand, AndrewM. Shanken, Peter Guillery.

"Excavations and surveys adjacent to Hirsel House, Coldstream, have revealed a remarkably detailed history of a proprietory church and its cemetery for a period when the parochial structure in Scotland was in course of development, and when very little is known about the fate of estate churches after they were donated to support the newly founded monasteries of the 12th century. The church is set in a landscape with evidence for settlement from the Neolithic to the establishment of Hirsel House, the seat of the Earl of Home. Here, in an estate the boundaries of which has changed very little since the Middle Ages, a small unicellular drystone structure developed into a well-built Romanesque church with a rare example of its bell founding structure intact. The subsequent history when the church was burnt, robbed of stone and used for domestic purposes, then finally destroyed and covered over in the late Middle Ages is graphically illustrated by the wealth of artefacts from the site. There are traces of other medieval buildings to the north of the site and the cemetery-one of the largest rural cemeteries in Scotland- provides an interesting range of burial modes, as well as, together with the environmental evidence from the site, an insight into the community which the church and cemetery served."

First extended treatment of the city of St Andrews during the middle ages. St Andrews was of tremendous significance in medieval Scotland. Its importance remains readily apparent in the buildings which cluster the rocky promontory jutting out into the North Sea: the towers and walls of cathedral, castleand university provide reminders of the status and wealth of the city in the Middle Ages. As a centre of earthly and spiritual government, as the place of veneration for Scotland's patron saint and as an ancient seat of learning, St Andrews was the ecclesiastical capital of Scotland. This volume provides the first full study of this special and multi-faceted centre throughout its golden age. The fourteen chapters use St Andrews as a focus for the discussion of multiple aspects of medieval life in Scotland. They examine church, spirituality, urban society and learning in a specific context from the seventh to the sixteenth century, allowing for the consideration of St Andrews alongside other great religious and political centres of medieval Europe. Michael Brown is Professor of Medieval Scottish History, University of St Andrews; Katie Stevenson is Keeper of Scottish History and Archaeology, National Museums Scotland and Senior Lecturer in Late Medieval History, University of St Andrews. Contributors: Michael Brown, Ian Campbell, David Ditchburn, Elizabeth Ewan, Richard Fawcett, Derek Hall, Matthew Hammond, Julian Luxford, Roger Mason, Norman Reid, Bess Rhodes, Catherine Smith, Katie Stevenson, Simon Taylor, Tom Turpie.

The proceedings of the first conference of the Construction History Society, which took place on 11 and 12 April 2014 at Queens' College, Cambridge, featuring 48 peer-reviewed papers covering a wide variety of subjects on the theme of construction history.