Published for the Paul Mellon Centre for Studies in British Art.

A major difficulty for those who wish to understand and enjoy Scottish medieval churches is the ecclesiological groundwork was not carried out in the nineteenth century in the way that was done for England and other parts of Europe. In an effort to interpret what they see when visiting Scottish churches, many people attempt to apply techniques of analysis they have learned from English publications but that way madness lies. Even in the twelfth and eleventh centuries, when architectural relationships between Lowland Scotland and England were close, Scotland followed its own course in many respects, while in the fourteenth, fifteenth and sixteenth centuries Scottish architecture followed an almost completely different course from that of England. The present ground-breaking work makes good this deficit and analyses the planning and detailing of Scottish churches from 1120 to 1560 with hundreds of illustrated examples that can be firmly dated. The result is a book that will be welcomed by scholars but, equally importantly, will also be treasured by the hundreds of thousands of ordinary church-crawlers who value this aspect of Scotland's medieval heritage. For them this book, overdue by more than 100 years is a must.

From the first surviving cathedrals of the early twentieth century through to those built for the Episcopalian and Roman Catholic Churches of the modern period, they tell a fascinating story of architectural thought and changing forms of worship over 900 years.This is the first book to study all the cathedrals as a building type, with a guide to understanding their architecture andthe way they served the Church and specially commissioned plans of all the medieval cathedrals.

First extended treatment of the city of St Andrews during the middle ages. St Andrews was of tremendous significance in medieval Scotland. Its importance remains readily apparent in the buildings which cluster the rocky promontory jutting out into the North Sea: the towers and walls of cathedral, castleand university provide reminders of the status and wealth of the city in the Middle Ages. As a centre of earthly and spiritual government, as the place of veneration for Scotland's patron saint and as an ancient seat of learning, St Andrews was the ecclesiastical capital of Scotland. This volume provides the first full study of this special and multi-faceted centre throughout its golden age. The fourteen chapters use St Andrews as a focus for the discussion of multiple aspects of medieval life in Scotland. They examine church, spirituality, urban society and learning in a specific context from the seventh to the sixteenth century, allowing for the consideration of St Andrews alongside other great religious and political centres of medieval Europe. Michael Brown is Professor of Medieval Scottish History, University of St Andrews; Katie Stevenson is Keeper of Scottish History and Archaeology, National Museums Scotland and Senior Lecturer in Late Medieval History, University of St Andrews. Contributors: Michael Brown, Ian Campbell, David Ditchburn, Elizabeth Ewan, Richard Fawcett, Derek Hall, Matthew Hammond, Julian Luxford, Roger Mason, Norman Reid, Bess Rhodes, Catherine Smith, Katie Stevenson, Simon Taylor, Tom Turpie.

The fascinating variety of Scotland's church buildings is rarely appreciated.Many are hidden away in remote country areas, or in parts of towns and cities not often visited. Others are critical to the 'sense of place' that makes settlements recognised and loved. In this book, 184 churches still used for worship are illustrated with line drawings and photographs, with pithy texts drawing out where they fit into the fabric of Scotland, and into nearly a thousand years of church construction. Some are well known and widely loved; others will surprise and delight.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.