A Companion to the Reformation in Scotland deals with the making, shaping, and development of the Scottish Reformation. 28 authors offer new analyses of various features of a religious revolution and select personalities in evolving theological, cultural, and political contexts.

A Companion to Scottish Literature offers fresh readings of major authors and periods of Scottish literary production from the first millennium to the present. Bringing together contributions by many of the world’s leading experts in the field, this comprehensive resource provides the historical background of Scottish literature, highlights new critical approaches, and explores wider cultural and institutional contexts. Dealing with texts in the languages of Scots, English, and Gaelic, the Companion offers modern perspectives on the historical milieux, thematic contexts and canonical writers of Scottish literature. Original essays apply the most up-to-date critical and scholarly analyses to a uniquely wide range of topics, such as Gaelic literature, national and diasporic writing, children’s literature, Scottish drama and theatre, gender and sexuality, and women’s writing. Critical readings examine William Dunbar, Robert Burns, Walter Scott, Robert Louis Stevenson, Muriel Spark and Carol Ann Duffy, amongst others. With full references and guidance for further reading, as well as numerous links to online resources, A Companion to Scottish Literature is essential reading for advanced students and scholars of Scottish literature, as well as academic and non-academic readers with an interest in the subject.

During the Scottish Revolution (1637-1651), royalists and Covenanters appealed to Scottish law, custom and traditional views on kingship to debate the limits of King Charles I's authority. But they also engaged with the political ideas of sixteenth- and seventeenth-century Protestant and Catholic intellectuals beyond the British Isles. This book explores the under-examined European context for Scottish political thought by analysing how royalists and Covenanters adapted Lutheran, Calvinist, and Catholic political ideas to their own debates about church and state. In doing so, it argues that Scots advanced languages of political legitimacy to help solve a crisis about the doctrines, ceremonies and polity of their national church. It therefore reinserts the importance of ecclesiology to the development of early modern political theory.

The ‘humble petition’ was ubiquitous in early modern society and featured prominently in crucial moments such as the outbreak of the civil wars and in everyday local negotiations about taxation, welfare and litigation. People at all levels of society – from noblemen to paupers – used petitions to make their voices heard and these are valuable sources for mapping the structures of authority and agency that framed early modern society. The Power of Petitioning in Early Modern Britain offers a holistic study of this crucial topic in early modern British history. The contributors survey a vast range of sources, showing the myriad ways people petitioned the authorities from the sixteenth to the eighteenth centuries. They cross the jurisdictional, sub-disciplinary and chronological boundaries that have otherwise constrained the current scholarly literature on petitioning and popular political engagement. Teasing out broad conclusions from innumerable smaller interventions in public life, they not only address the aims, attitudes and strategies of those involved, but also assesses the significance of the processes they used. This volume makes it possible to rethink the power of petitioning and to re-evaluate broad trends regarding political culture, institutional change and state formation.

The first volume of The Oxford History of British & Irish Catholicism explores the period 1530-1640, from Henry VIII's break with Rome to the outbreak of the civil wars in Britain and Ireland. It analyses the efforts to create Catholic communities after the officially implemented change in religion, as well as the start of initiatives that would set the course of British and Irish Catholicism, including the beginning of the missionary enterprise and the formation of a network of exile religious institutions such as colleges and convents. This work explores every aspect of life for Catholics in both islands as they came to grips with the constant changes in religious policies that characterised this 110-year period. Accordingly, there are chapters on music, on literature in the vernaculars, on violence and martyrdom, and on the specifics of the female experience. Anxiety and the challenges of living in religiously mixed societies gave rise to new forms of creativity in religious life which made the Catholic experience much more than either plain continuity or endless endurance. Antipopery, or the extent to which Catholics became a symbolic antitype for Protestants, became in many respects a kind of philosophy about which political life in England, Scotland, and colonised Ireland began to revolve. At the same time the legal frameworks across both Britain and Ireland which sought to restrict, fine, or exclude Catholics from public life are given close attention throughout, as they were the daily exigencies which shaped identity just as much as devotions, liturgy, and directives emanating from the Catholic Reformation then ongoing in continental Europe.

The first volume of The Oxford History of British & Irish Catholicism explores the period 1530-1640, from Henry VIII's break with Rome to the outbreak of the civil wars in Britain and Ireland. It analyses the efforts to create Catholic communities after the officially implemented change in religion, as well as the start of initiatives that would set the course of British and Irish Catholicism, including the beginning of the missionary enterprise and the formation of a network of exile religious institutions such as colleges and convents. This work explores every aspect of life for Catholics in both islands as they came to grips with the constant changes in religious policies that characterised this 110-year period. Accordingly, there are chapters on music, on literature in the vernaculars, on violence and martyrdom, and on the specifics of the female experience. Anxiety and the challenges of living in religiously mixed societies gave rise to new forms of creativity in religious life which made the Catholic experience much more than either plain continuity or endless endurance. Antipopery, or the extent to which Catholics became a symbolic antitype for Protestants, became in many respects a kind of philosophy about which political life in England, Scotland, and colonised Ireland began to revolve. At the same time the legal frameworks across both Britain and Ireland which sought to restrict, fine, or exclude Catholics from public life are given close attention throughout, as they were the daily exigencies which shaped identity just as much as devotions, liturgy, and directives emanating from the Catholic Reformation then ongoing in continental Europe.

In his portrait of Duke George of Saxony (1471–1539) Christoph Volkmar offers a fresh perspective on the early Reformation in Germany. Long before the Council of Trent, this book traces the origins of Catholic Reform to the very neighborhood of Wittenberg. The Dresden duke, cousin of Frederick the Wise, was one of Luther's most prominent opponents. Not only did he fight the Reformation, he also promoted ideas for renewal of the church. Based on thousands of archival records, many of them considered for the first time, Christoph Volkmar is mapping the church politics of a German prince who used the power of the territorial state to boost Catholic Reform, marking a third way apart from both Luther and Trent. This book was orginally published in German as Reform statt Reformation. Die Kirchenpolitik Herzog Georgs von Sachsen, 1488-1525.

Like music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.