Soundings in Context brings together the second and third University at Buffalo Robert Creeley Lectures in Poetry and Poetics by the renowned literary and textual scholar Jerome McGann, and the innovative, prolific Canadian poet, essayist, and novelist Lisa Robertson, respectively. The volume's first half presents McGann's "Reading (I Mean Articulating) Poetry, a Multi-Player Game," with responses by Nikolaus Wasmoen and Steve McCaffery; the second presents Lisa Robertson's "Dous Chantar: Refrain for a Nightingale," with responses by Shannon Maguire and Liz Howard. Initially given at different moments and since revised, the pieces considered in the lectures range widely, moving from the Romantics and medieval troubadour poetry to T. S. Eliot, Jackson Mac Low, Jacques Rouboud, and far beyond. Still, they are collectively concerned with questions of voice, recitation, and reception in different contexts; with sonic patterning and its modes of significance; and with foregrounding an embodied experience of oral and written language as opposed to its interpretation. McGann, Robertson, and their interlocutors all propose affective, pragmatic approaches to poetry that allow it to surface as materially formative, alive and lived. Reading their contributions together offers an opportunity to see how these values present themselves in differing cultures of poetic scenography across space and time.

“This book is a gorgeous journey…You will be glad you’ve joined her.” —Susan Orlean, author of On Animals and The Library Book In this memoir of motherhood, love, and resilience, a woman and her toddler son follow the grey whale migration from Mexico to northernmost Alaska. In this striking blend of nature writing, whale science, and memoir, Doreen Cunningham interweaves two stories: tracking the extraordinary northward migration of the grey whales with a mischievous toddler in tow and living with an Iñupiaq family in Alaska seven years earlier. Throughout the journey she explores the stories of the whales and their young calves—their history, their habits, and their attempts to survive the changes humans have brought to the ocean. Cunningham’s voice is powerful: sharp, profound, sensitive, and unflinching. A story of courage and resilience, Soundings is about the migrating whales and all we can learn from them as they mother, adapt, and endure, their lives interrupted and threatened by global warming. It is also a riveting journey onto the Arctic Sea ice and into the changing world of Indigenous whale hunters, where Doreen becomes immersed in the ancient values of the Iñupiaq whale hunt and falls in love. For this is Doreen’s story, too—a fierce, feminist tale, touching on her childhood and her time living in a Women’s Refuge with her baby, becoming a mother, just like the whales. Lyrical, brave, and fearlessly honest, Soundings is an unforgettable journey.

In Sounding Composition Steph Ceraso reimagines listening education to account for twenty-first century sonic practices and experiences. Sonic technologies such as audio editing platforms and music software allow students to control sound in ways that were not always possible for the average listener. While digital technologies have presented new opportunities for teaching listening in relation to composing, they also have resulted in a limited understanding of how sound works in the world at large. Ceraso offers an expansive approach to sonic pedagogy through the concept of multimodal listening—a practice that involves developing an awareness of how sound shapes and is shaped by different contexts, material objects, and bodily, multisensory experiences. Through a mix of case studies and pedagogical materials, she demonstrates how multimodal listening enables students to become more savvy consumers and producers of sound in relation to composing digital media, and in their everyday lives.

“A fascinating account of a woman working without much recognition . . . to map the ocean floor and change the course of ocean science.” —San Francisco Chronicle Soundings is the story of the enigmatic woman behind one of the greatest achievements of the 20th century. Before Marie Tharp, geologist and gifted draftsperson, the whole world, including most of the scientific community, thought the ocean floor was a vast expanse of nothingness. In 1948, at age 28, Marie walked into the geophysical lab at Columbia University and practically demanded a job. The scientists at the lab were all male. Through sheer willpower and obstinacy, Marie was given the job of interpreting the soundings (records of sonar pings measuring the ocean’s depths) brought back from the ocean-going expeditions of her male colleagues. The marriage of artistry and science behind her analysis of this dry data gave birth to a major work: the first comprehensive map of the ocean floor, which laid the groundwork for proving the then-controversial theory of continental drift. Marie’s scientific knowledge, her eye for detail and her skill as an artist revealed not a vast empty plane, but an entire world of mountains and volcanoes, ridges and rifts, and a gateway to the past that allowed scientists the means to imagine how the continents and the oceans had been created over time. Hali Felt brings to vivid life the story of the pioneering scientist whose work became the basis for the work of others scientists for generations to come. “Felt’s enthusiasm for Tharp reaches the page, revealing Tharp, who died in 2006, to be a strong-willed woman living according to her own rules.” —The Washington Post

This book interweaves an examination of Vietnamese folk culture, cultural nationalism, and cultural heritage since 1945 with an ethnographic account of the changing social practice of quan ho folk song. The author demonstrates how the discourses on cultu

Looking like a Language, Sounding like a Race examines the emergence of linguistic and ethnoracial categories in the context of Latinidad. The book draws from more than twenty-four months of ethnographic and sociolinguistic fieldwork in a Chicago public school, whose student body is more than 90% Mexican and Puerto Rican, to analyze the racialization of language and its relationship to issues of power and national identity. It focuses specifically on youth socialization to U.S. Latinidad as a contemporary site of political anxiety, raciolinguistic transformation, and urban inequity. Jonathan Rosa's account studies the fashioning of Latinidad in Chicago's highly segregated Near Northwest Side; he links public discourse concerning the rising prominence of U.S. Latinidad to the institutional management and experience of raciolinguistic identities there. Anxieties surrounding Latinx identities push administrators to transform "at risk" Mexican and Puerto Rican students into "young Latino professionals." This institutional effort, which requires students to learn to be and, importantly, sound like themselves in highly studied ways, reveals administrators' attempts to navigate a precarious urban terrain in a city grappling with some of the nation's highest youth homicide, dropout, and teen pregnancy rates. Rosa explores the ingenuity of his research participants' responses to these forms of marginalization through the contestation of political, ethnoracial, and linguistic borders.

The city of Carchemish in the valley of the Euphrates river can be regarded as one of the iconic sites in the Middle East, a mound complex known both for its own intrinsic qualities as the seat of later Hittite power and Neo-Hittite kings, but also because its history of excavations included well known historical figures such as Leonard Woolley and T. E. Lawrence. However, because of its location within the military zone of the Turkish-Syrian border the site itself has been inaccessible to archaeologists for more than 90 years. Carchemish in Context summarises the results of regional investigations conducted within the Land of Carchemish Project in Syria, as well as other archaeological surveys in the region, in order to provide a regional, historical and archaeological context for the development of the city. A synthesis of the history of Carchemish is presented and a regional overview of the Land of Carchemish as it is defined by archaeological features and key historical references through to the early Iron Age. Insightful snapshots of the dynamics of an ancient state are revealed which can now be seen to have fluctuated dramatically in size throughout 700-800 years, in part depending upon the power of the king of Carchemish or the aggressions of external powers. The results from the Project provide an overview of the main trends of settlement in the region over 8000 years, using a combination of survey databases to both north and south of the Syrian-Turkish border and with a focus on the earlier phases of settlement from the Neolithic until the end of the Bronze Age when Carchemish became an outpost of the Hittite empire. The Iron Age is a period blessed by numerous historical records some of which can be traced in the modern landscape. Further chapters explore site-specific aspects of the regional archaeology, including a series of important sites on the Sajur river, some of which were positioned along the main campaign routes of the Assyrian kings. The close relationship between the nearby Early Bronze Age site of Tell Jerablus Tahtani and Carchemish are examined and the results from the 40 ha Carchemish Outer Town survey described, providing important new data sources regarding the layout, defenses and dates of occupation of this significant part of the city. The Classical, Roman, Byzantine and Early Islamic occupations are also discussed in relation to what is known of occupation in the surrounding region.

This first full length, and long overdue, study of Kawabata, Japans first Nobel laureate for literature and the most widely known for his novels Snow Country (1960) and Sound of the Mountain (1970).

In The Sounding of the Whale, D.