“This book is a gorgeous journey…You will be glad you’ve joined her.” —Susan Orlean, author of On Animals and The Library Book In this memoir of motherhood, love, and resilience, a woman and her toddler son follow the grey whale migration from Mexico to northernmost Alaska. In this striking blend of nature writing, whale science, and memoir, Doreen Cunningham interweaves two stories: tracking the extraordinary northward migration of the grey whales with a mischievous toddler in tow and living with an Iñupiaq family in Alaska seven years earlier. Throughout the journey she explores the stories of the whales and their young calves—their history, their habits, and their attempts to survive the changes humans have brought to the ocean. Cunningham’s voice is powerful: sharp, profound, sensitive, and unflinching. A story of courage and resilience, Soundings is about the migrating whales and all we can learn from them as they mother, adapt, and endure, their lives interrupted and threatened by global warming. It is also a riveting journey onto the Arctic Sea ice and into the changing world of Indigenous whale hunters, where Doreen becomes immersed in the ancient values of the Iñupiaq whale hunt and falls in love. For this is Doreen’s story, too—a fierce, feminist tale, touching on her childhood and her time living in a Women’s Refuge with her baby, becoming a mother, just like the whales. Lyrical, brave, and fearlessly honest, Soundings is an unforgettable journey.

“A fascinating account of a woman working without much recognition . . . to map the ocean floor and change the course of ocean science.” —San Francisco Chronicle Soundings is the story of the enigmatic woman behind one of the greatest achievements of the 20th century. Before Marie Tharp, geologist and gifted draftsperson, the whole world, including most of the scientific community, thought the ocean floor was a vast expanse of nothingness. In 1948, at age 28, Marie walked into the geophysical lab at Columbia University and practically demanded a job. The scientists at the lab were all male. Through sheer willpower and obstinacy, Marie was given the job of interpreting the soundings (records of sonar pings measuring the ocean’s depths) brought back from the ocean-going expeditions of her male colleagues. The marriage of artistry and science behind her analysis of this dry data gave birth to a major work: the first comprehensive map of the ocean floor, which laid the groundwork for proving the then-controversial theory of continental drift. Marie’s scientific knowledge, her eye for detail and her skill as an artist revealed not a vast empty plane, but an entire world of mountains and volcanoes, ridges and rifts, and a gateway to the past that allowed scientists the means to imagine how the continents and the oceans had been created over time. Hali Felt brings to vivid life the story of the pioneering scientist whose work became the basis for the work of others scientists for generations to come. “Felt’s enthusiasm for Tharp reaches the page, revealing Tharp, who died in 2006, to be a strong-willed woman living according to her own rules.” —The Washington Post

Originally published in 1989. In New World Soundings, cultural historian Richard Morse takes a series of sharply focused looks at the Americas. He inquires into the ways in which speech and poetry evoke the common historical experience of North and South America and examines the transatlantic "sea changes" of European languages. He uses political ideology to contrast the traditions of Anglo and Latin America, while surveying contemporary pressures for ideological change. In the book's final sections, he addresses the North-South transaction from yet three more angles, ruminating on the problems involved in conveying the Latin American experience to U.S. students, considering the impediments to U.S.-Puerto Rican understanding, and recounting the mythic adventures of McLuhanaima, "the world's first Brazilianist," as he travels through the exotic land he has chosen for definitive research.

What becomes of a deep space explorer once a long-settled land is reached? Astronaut Linien Primae arrives on Aesop, a human colony 4000 years in the making. For most arrivals, conforming to the leisure classes is a way of life, all watched over and entertained by Cybernet's Neural Swarm. But a society of docile unquestioning citizens makes for a sickly sort of equality. It's too much like voluntary servitude for Linien... and he wants none of it. Irish author Rod Dunne unleashes the third of his science-fiction series featuring the autonomous anti-hero Linien Primae. Other books in the series include (1) Terra Swarm and (2) Erebus

Soundings was first published in 1969. It was intended as an 'interim' anthology of poetry for the Leaving Certificate until such time as a more permanent volume could be devised. Twenty six years later it was replaced. In the meantime it had passed through the hands of hundreds of thousands of students in Ireland. Soundings might have been replaced but it was never fully forgotten. Old copies ended up with an individual personality honed out of manual annotations and thoughts, not all of them provided by the teacher. Scrawls in biro or pencil testified to the thoughts and daydreams many users. A surprising number of copies ended up in attics only to be rediscovered with delight many years later and to be given treasured status in new homes. One former student recalled how Soundings was the first school book to treat her as an adult. It made no concessions to the 'teenager'. It didn't patronise. Its imagery was entirely in the poetry. The typography was appalling but the cover design still resonates. A decade after its demise, second hand copies of Soundings were fetching surprising prices. It was widely discussed in chat-rooms on the web. There were increasing demands for a reprint. So here is Soundings, in its original form just as you remember it. The same stony grey soil of Patrick Kavanagh's Monaghan; T.S.Eliot's same women who come and go talking of Michaelangelo. Please enjoy once more!

This is a cutting-edge collection of original essays on the connections and structures that made the Atlantic world a coherent regional entity.

This book draws on the lived experience of sounds capacity to move and shake us in direct, subtle and profound ways through speech, location sound, and music in documentary film. The associative, connotative and sheer emotive power of sound has the capacity to move and shake us in a myriad of direct, subtle and often profound ways. The implications of this for its role as speech, location sound, and music in documentary film are far-reaching. The writers in this book draw on the lived experience of sounds resounding capacity as primary motivation for exploring these implications, united by the overarching theme of how listening is connected with acts of making sense both on its own terms and in conjunction with viewing. The resulting thirteen essays of Soundings: Documentary Film and the Listening Experience cover films made from WWII to the present day in locations across Europe and the Americas, and in styles ranging from political propaganda, industrial promotion and educative exposition, to more aesthetically-driven films taking their bearings from avant-garde art. The authors draw on their experience in scholarly research, practice-as-research, and in the aesthetic and technical practice of documentary filmmaking. This mix of perspectives aims to widen and deepen the outlook of the recent and growing academic interest in the topic of documentary film sound.

Catalog of an exhibition held at the Museum of Modern Art, New York, Aug. 10-Nov. 3, 2013.