habaka's Stone explores and explains many scientific theories on multi-dimensional levels. Shabaka's Stone tells us that we are born with everything we need to solve all of our life's challenges. Every human is born with a Messiah (Asar/Heru) and a Judas (Seten). Judas' job is to stop us from achieving our divine purpose. The Messiah's responsibility is to make sure that Judas is not successful. Life is the result of the balance of this relationship. The Messiah may fall down nine (9) times, but rises ten (10) times. The metaphor of the Asarian Drama. We are the Creator having a human experience. The Nun wanted to come into being. He/She tried countless times. Finally, one of her/his attempts succeeded and Ptah came forward and created Atum. Atum was consciousness and named all and every thing. This trinity began the beginning of time and continues to become to this day. Every day, when you wake up is like Ptah rising out of the Nun (state of unconscious). This energy conversion, waking you up initiates your simple and self-conscious state of thinking, realizing who you are coming up out of your sleep.

Ancient Near Eastern Literature and the Hebrew Scriptures About the Fatherhood of God discusses some of the main «father-god» concepts of the people of the Ancient Near East, then examines the eighteen occurrences of God's fatherhood specifically mentioned in Hebrew Scripture. From these sources, the book develops a theology of God's fatherhood that honors both ancient and modern scrutiny. Although many studies have explored the subject of the fatherhood of God - mostly from the perspective of nonbiblical disciplines, and through the lens of Greco-Roman mythology - this book takes into account the wealth of material from the ancient Near East, the birthplace of the Hebrew Scriptures.

Describes the methods used to make artistic, literary, documentary, and political forgeries and the recent scientific advances in their detection. Includes over 600 objects from the British Museum and many other major collections, from ancient Babylonia to the present day.

According to Vasari, the young Michelangelo often borrowed drawings of past masters, which he copied, returning his imitations to the owners and keeping originals. Half a millennium later, Andy Warhol made a game of "forging" the Mona Lisa, questioning the entire concept of originality. Forged explores art forgery from ancient times to the present. In chapters combining lively biography with insightful art criticism, Jonathon Keats profiles individual art forgers and connects their stories to broader themes about the role of forgeries in society. From the Renaissance master Andrea del Sarto who faked a Raphael masterpiece at the request of his Medici patrons, to the Vermeer counterfeiter Han van Meegeren who duped the avaricious Hermann Göring, to the frustrated British artist Eric Hebborn, who began forging to expose the ignorance of experts, art forgers have challenged "legitimate" art in their own time, breaching accepted practices and upsetting the status quo. They have also provocatively confronted many of the present-day cultural anxieties that are major themes in the arts. Keats uncovers what forgeries—and our reactions to them—reveal about changing conceptions of creativity, identity, authorship, integrity, authenticity, success, and how we assign value to works of art. The book concludes by looking at how artists today have appropriated many aspects of forgery through such practices as street-art stenciling and share-and-share-alike licensing, and how these open-source "copyleft" strategies have the potential to make legitimate art meaningful again. Forgery has been much discussed—and decried—as a crime. Forged is the first book to assess great forgeries as high art in their own right.

A compilation of myths from cultures around the world which have been translated from their original languages.

A firsthand, behind-the-scene account of the controversies surrounding modern explorations at Giza • Investigates the recent scandals at Giza and claims of secret excavations and tunneling inside the Great Pyramid • Reveals the historical evidence in support of secret chambers in the Great Pyramid and beneath the Great Sphinx • Exposes the secret agendas behind the latest explorations on the Giza plateau Since 1993 Robert Bauval has been embroiled in the many controversies involving the search for the lost treasures of the pyramid builders and the quest for the legendary Hall of Records of Atlantis. The strange but true story that he unfolds implicates American business moguls, the prestigious National Geographic Society, several Ivy League universities, the Edgar Cayce Foundation, the Freemasons, Christian fundamentalists, Zionists, and the Egyptian government. In this fully updated edition of Secret Chamber, including new color photographs, Robert Bauval pursues his in-depth investigation of clandestine events at Giza and the role played by the controversial ex-Minister of Antiquities Dr. Zahi Hawass. What lies behind the mysterious doors at the end of the star shafts in the Great Pyramid? What do the mysterious inscriptions found behind the Gantenbrink door mean? What is the real purpose of the Relief Chambers and the red ochre “graffiti” in them? Who is behind the secretly tunneling and excavating in these chambers, and why? Is there really a hidden Hall of Records from Atlantis beneath the Great Sphinx? Is the Great Pyramid just a tomb or does it serve a higher purpose involving a lost science of immortality? Why do the ancient texts ascribe the Pyramid’s design to the supreme god of wisdom Thoth, the writer of the fabled Books of Hermes? Will the Great Pyramid prove to be the “missing link” to our true origins or a “metaphysical machine” to access the world beyond? Providing a firsthand account of the strange events that have taken place at the Giza plateau in the last three decades, Bauval reveals the hidden agendas behind these events and raises important questions about the meaning of Egypt’s ancient structures and the very origins of civilization.

The story of Osiris is one of the central cultural myths of ancient Egypt, a story of dismemberment and religious passion that also exemplifies attitudes about personal identity, sexuality, and the transfer of royal power. It is, moreover, a story of death and the overcoming of death, and in this it lies at the center of our own means of engagement with ancient Egypt. ReMembering Osiris takes as its focus this tale as it is recorded in Egyptian texts and memorialized on the walls of temples and tombs. Since such a focus is attainable only through Egyptian representational systems, especially hieroglyphs, the book also engages broader questions of writing and visual representation: decipherment, controversies about the "ideograph," and the relation between visual images and writing.

Egyptian Light and Hebrew Fire focuses on the cosmology of ancient Egypt and on derived traditions. The book outlines how the ancient Egyptian world view affected Hebrew religion, Greek philosophy, Neoplatonism, Gnosticism, and early Christianity. It traces ideological roots of Western civilization back to its earliest known prototypes in the Pyramid and Coffin texts of ancient Egypt. It challenges us to refocus some of our history of early Greek philosophy, and it positively identifies Neoplatonism as a philosophized and scarcely disguised neo-Egyptian theology.

Dominant World Religions Are Mythical, Violent, Sexist, Misogynistic, Discriminatory and Judgmental (HC) By: Khepra Ka-Re Amente Anu Dominant World Religions Are Mythical, Violent, Sexist, Misogynistic, Discriminatory and Judgmental is a unique account of the actual scriptures of the world's dominant religions to illuminate that these religions are Dogmatic, Mythical, Misogynistic, Sexist, Discriminatory and Judgmental, as well as Fabrications Attributed to an Imaginary God. It uses the extant scriptures of religious books and is not debate or opinion. This book is relevant to anyone who is sick of dogmatic, discriminatory, judgmental, and violent religions. It also shows how the world's dominant religions are copies of older African-Kemetic/Anu (Egyptian/Ethiopian) religious myths. Readers can learn and increase awareness about the mythical, misogynistic, dogmatic, discriminatory, and violent nature of religion.