The story of Osiris is one of the central cultural myths of ancient Egypt, a story of dismemberment and religious passion that also exemplifies attitudes about personal identity, sexuality, and the transfer of royal power. It is, moreover, a story of death and the overcoming of death, and in this it lies at the center of our own means of engagement with ancient Egypt. ReMembering Osiris takes as its focus this tale as it is recorded in Egyptian texts and memorialized on the walls of temples and tombs. Since such a focus is attainable only through Egyptian representational systems, especially hieroglyphs, the book also engages broader questions of writing and visual representation: decipherment, controversies about the "ideograph," and the relation between visual images and writing.

"The scholarship in this book is superior, revealing a depth of insight and a scope of knowledge possible only from a scholar who has lived with the concerns of feminist theology for decades. Ruether is a gifted storyteller, and lucidly translates complex ideas and debates. This work is of the highest importance, and Ruether asks the right questions at the right time. The text is groundbreaking."—Nancy Pineda-Madrid, Saint Mary's College of California "Ruether has provided a valuable introduction to an important feminist topic: what can we know about sacred female imagery in Western culture? She guides us through contemporary feminist scholarship, providing engaging narrative, and venturing her own interpretations. Ruether calls for feminists to move beyond divisions created by our different interpretations of prehistory and work together towards our common project of a more peaceful, just, and ecological world."—Carol Hepokoski, Meadville Lombard Theological School

Richard A. Fazzini has inspired and mentored many scholars of Egyptology through his tireless efforts as curator and then chairman of the Brooklyn Museum's Deptartment of Egyptian, Classical and Ancient Middle Eastern Art (ECAMEA); field archaeologist of the Pricinct of Mut at Karnak; scholar; and teacher, The 35 contributions to this volume in his honor represent the variety of Professor Fazzini's own research interests namely in ancient Egyptian art, religious iconography, and archaeology, particularly of the New Kingdom, Third Intermediate Period, and Late Period. Reflections on Professor Fazzini's scholarship and teaching are accompanied by an extensive bibliography of his works.

The Erichs, a family with a war-torn history, fighting a life long battle against their enemies, the Vulpes. Timothy, a man doing his best to make his way in life, but who soon catches the eyes of the Erichs. Be it for business, or love, Timothy Howell will be the catalyst for the next chapter in the Erich's existence, be it for better or for worst. But while he does his best to belong, what will become of those he has left behind?

The texts and visual arts of ancient Egypt reveal a persistent and sophisticated engagement with problems of language, the body, and multiplicity. This innovative book shows how these issues were represented in ancient Egypt and how Egyptian approaches to them continue to influence the way we think about them today. The story of Osiris is one of the central cultural myths of ancient Egypt, a story of dismemberment and religious passion that also exemplifies attitudes about personal identity, sexuality, and the transfer of royal power. It is, moreover, a story of death and the overcoming of death, and in this it lies at the center of our own means of engagement with ancient Egypt. This book focuses on the story of Osiris as it is recorded in Egyptian texts and memorialized on the walls of temples and tombs. Since such a focus is attainable only through Egyptian representational systems, especially hieroglyphs, the book also engages broader questions of writing and visual representation: decipherment, controversies about the "ideograph," and the relation between visual images and writing. This analysis of Egyptian representation leads to a consideration of the phallic body and the problem of multiplicity in Egyptian religion, two nets of Egyptian discourse that, though integrated into the writing system itself, reach toward broader Egyptian discourses of gender, subjectivity, piety, and cosmogenesis. The concluding chapter considers, in specific terms, the question of a persisting Egyptian legacy in the West, from the Greeks and Israelites to Augustine, Hegel, and Lacan.

Completely revised and updated to reflect the latest developments in the field, this second edition of Barry J. Kemp's popular text presents a compelling reassessment of what gave ancient Egypt its distinctive and enduring characteristics. Ranging across Ancient Egyptian material culture, social and economic experiences, and the mindset of its people, the book also includes two new chapters exploring the last ten centuries of Ancient Egyptian civilization and who, in ethnic terms, the ancients were. Fully illustrated, the book draws on both ancient written materials and decades of excavation evidence, transforming our understanding of this remarkable civilization. Broad ranging yet impressively detailed, Kemp’s work is an indispensable text for all students of Ancient Egypt.

An A-Z reference providing concise and accessible information on Ancient Egypt from its predynastic cultures to the suicide of Cleopatra and Mark Anthony in the face of the Roman conquest. Annotation. Bunson (an author of reference works) has revised her 1991 reference (which is appropriate for high school and public libraries) to span Egypt's history from the predynastic period to the Roman conquest. The encyclopedia includes entries for people, sites, events, and concepts as well as featuring lengthy entries or inset boxes on major topics such as deities, animals, and the military. A plan and photograph are included for each of the major architectural sites.

Why do certain works of art make it into the canon while others just enjoy a brief moment of recognition, if at all? How do moments produce monuments, and why are monuments erased from our cultural memory in only a moment? - Taking into account these cultural processes of creating, storing, remembering and forgetting that are omnipresent and have an immense influence on how we perceive artefacts and cultural events, the articles in this collection analyze the phenomenon of cultural production, transmission and reception from various angles, drawing on approaches from both literary and cultural studies. With its transdisciplinary approach, this book uniquely responds to an everyday cultural phenomenon that so far has not received such wide-ranging attention.

Who among us has not wished for eternal life? In Healing Into Immortality, Gerald N. Epstein, MD, a pioneer in mindbody medicine for 25 years, offers a prescription that extends life and prevents illness.In this revolutionary book, Dr. Epstein shows the practical meaning of these laws in our daily life. How many of us realize that we steal time when we are late; that we murder ourselves when we feel depressed; that we commit adultery when we mix business with pleasure?