Richard A. Fazzini has inspired and mentored many scholars of Egyptology through his tireless efforts as curator and then chairman of the Brooklyn Museum's Deptartment of Egyptian, Classical and Ancient Middle Eastern Art (ECAMEA); field archaeologist of the Pricinct of Mut at Karnak; scholar; and teacher, The 35 contributions to this volume in his honor represent the variety of Professor Fazzini's own research interests namely in ancient Egyptian art, religious iconography, and archaeology, particularly of the New Kingdom, Third Intermediate Period, and Late Period. Reflections on Professor Fazzini's scholarship and teaching are accompanied by an extensive bibliography of his works.

Shows how ancient Near Eastern attitudes toward death illumine the Hebrew Bible Death is one of the major themes of First Isaiah, although it has not generally been recognized as such. In this work Christopher Hays offers fresh interpretations of more than a dozen passages in Isaiah 5-38 in light of ancient beliefs about death. What especially distinguishes Hays's study is its holistic approach, as he brilliantly synthesizes both literary and archaeological evidence, resulting in new insights. Hays first summarizes what is known about death in the ancient Near East during the Second Iron Age, covering beliefs and practices in Mesopotamia, Egypt, Syria-Palestine, and Judah/Israel. He then shows how select passages in the first part of Isaiah employ the rhetorical imagery of death that was part of their cultural context; further, he identifies ways in which these texts break new creative ground.

Contains the fantasy, A Journey from This World to the Next, and two plays: the farce Eurydice, and The Wedding Day, a revision of an early intrigue comedy. Volume Three of Henry Fielding's Miscellanies, first published as a three-volume set in 1743, consists in its entirety of a major work of fiction, The History of the life of the Late Mr. Jonathan Wild the Great. Jonathan Wild takes its title from the 'thief-taker' and gangleader of that name who has hanged in 1725, but in Fielding's hands the history of Wild is transformed into a mock-historical work of sustained irony aimed at all who would be 'great men'. The general introduction to this edition sets the novel against its historical and biographical background and argues against the view, common and since the mid-nineteenth century, that it is a personal satire directed at the figure of Sir Robert Walpole. In both the general and the textual introductions, the editors also offer a fresh view on questions about the date and history of the work's composition. Full explanatory notes and commentary place Fielding's allusions and details in their contemporary context. As in previous volumes of the Wesleyan Edition, this provides a critical, unmodernized text, based on the Greg-Bowers 'Rationale of Copy-text'. The version is that of the first edition, with an appendix giving al variants in wording and presentation of the 1754 revision. In his introduction the textual editor lays out the rationale for his choice version. This volume also includes, for the first time in a modern edition, Fielding's list of subscribers to the Miscellanies, along with detailed biographical notes and an analysis of the subscription list by textual author.

Care & Serve is the magazine that connects the Friend of MUT. Published every quarter this provides updates on every project of MUT and recent happenings. You can download the latest issue or browse through the past issue.