Sarah is the youngest of the three Levine sisters. At twenty-five, she is rudderless, caught in a paralysis which keeps her from seizing her own life. When Sarah is fired from her Toronto job, a chance stay in Paris opens her up to new direction and purpose. But when she reads the writing on the wall above her local Métro subway station, “death to the Jews”, shadows from childhood rise again. And as her path crosses that of Laila, a young woman living in an exile remote from the luxuries of 1980s Paris, Sarah stumbles towards to an act of terrorism that may realize her childhood fears. In this new novel by the author of The Knife Sharpener’s Bell, writing that is both sensual and taut creates a tightly woven, compelling narrative.

The Terror of 1793-94, the Paris Commune of 1871, the Dreyfus Affair—explosions of violence punctuated French history from the start of the Revolution until the Liberation at the close of World War II. The distinguished scholar Richard D. E. Burton here offers a stunningly original account of these outbursts, concluding that recourse to political violence was not occasional and abnormal, but rather the usual pattern, in French history. Instead of adhering to conventional chronological lines, Blood in the City is structured topologically around a number of major Parisian "sites of memory," including Place de la Concorde, Sacré Coeur, and the Eiffel Tower. For thirty years Burton has visited and revisited Paris, criss-crossing the streets on foot, and lived with great nineteenth- and twentieth-century literary depictions of the city. Drawing on historical, literary, visual, anthropological, and psychological sources, he develops a wide-ranging account of violence in modern French politics. In so doing, he provides powerful insights into political violence, scapegoating, the idea of sacrifice, and the widespread French obsession with conspiracy. Burton demonstrates that time and again the same basic scenario has been acted out on the streets of Paris: one or more people would be singled out from the community and imprisoned, exiled, or, more often, subjected to violence by the crowd or the state. In particular, he explores how Catholicism—in its extreme, ultrareactionary form—shaped the worldviews of Parisians and how the killing of a sacrificial victim came to be seen as a reenactment of the crucifixion of Christ.

In a knowledgeable, conversational style that conveys (and makes contagious) Karmel's love of his subject, A Corner in the Marais traces the architectural and social development of the City of Lights, from its origins as a Roman settlement, through major redevelopments brought about by Henri IV and Baron Haussmann, to the present renovation of old neighborhoods. Illustrated throughout with photographs and period engravings, A Corner in the Marais is ideal reading for anyone who loves exploring the hidden byways of vieux Paris and experiencing history from a very personal viewpoint.

Annette Gershon’s odyssey from depression-era Winnipeg to Stalinist Russia and back to Canada in the 1950s is both the seldom-told story of those who actually made that hopeful, doomed, journey, and a testament to the tenacity of the human spirit. Ten-year old Annette Gershon is content enough growing up in her father’s delicatessen on Main Street Winnipeg, but for immigrant families scratching out a living in the Dirty Thirties, even subsistence is a delicate balance, easily upset. Everything changes when her parents decide to take the family "home" to the Soviet Union to escape the devastation of the collapsing capitalist economy. Annette struggles to maintain her sense of who she is, first adapting to her life in Stalinist Odessa, then fleeing to Moscow, ahead of the Nazi occupation. But it is in the post-war years that her identity, and her very life, are threatened by the anti-Semitism of Stalinism’s final years. The Knife Sharpener's Bell is the story of a girl who tried to stop a train, but finds herself on the runaway train of historical events. It is a story about loyalty and betrayal, heroism and fear. What is most memorable about it is the empathy we feel for these characters, who must make their way through some of the twentieth century's most tumultuous events. The writing is infused with a poet's sensitivities to rhythm, image, and linguistic energy, yet it is also beautifully restrained – each image and each gorgeous observation is there for a very particular reason; the entire story hums with the tension that arises from the taut, athletic language.

Meet Aimée Leduc, the smart, stylish Parisian private investigator, in her bestselling first investigation Aimée Leduc has always sworn she would stick to tech investigation—no criminal cases for her. Especially since her father, the late police detective, was killed in the line of duty. But when an elderly Jewish man approaches Aimée with a top-secret decoding job on behalf of a woman in his synagogue, Aimée unwittingly takes on more than she is expecting. She drops off her findings at her client’s house in the Marais, Paris’s historic Jewish quarter, and finds the woman strangled, a swastika carved on her forehead. With the help of her partner, René, Aimée sets out to solve this horrendous murder, but finds herself in an increasingly dangerous web of ancient secrets and buried war crimes.

In this vividly written and amply illustrated book, Gay L. Gullickson analyzes the representations of women who were part of the insurrection known as the Paris Commune. The uprising and its bloody suppression by the French army is still one of the most hotly debated episodes in modern history. Especially controversial was the role played by women, whose prominent place among the Communards shocked many commentators and spawned the legend of the pétroleuses, women who were accused of burning the city during the battle that ended the Commune. In the midst of the turmoil that shook Paris, the media distinguished women for their cruelty and rage. The Paris-Journal, for example, raved: "Madness seems to possess them; one sees them, their hair down like furies, throwing boiling oil, furniture, paving stones, on the soldiers." Gullickson explores the significance of the images created by journalists, memoirists, and political commentators, and elaborated by latter-day historians and political thinkers. The pétroleuse is the most notorious figure to emerge from the Commune, but the literature depicts the Communardes in other guises, too: the innocent victim, the scandalous orator, the Amazon warrior, and the ministering angel, among others. Gullickson argues that these caricatures played an important role in conveying and evoking moral condemnation of the Commune. More important, they reveal the gender conceptualizations that structured, limited, and assigned meaning to women as political actors for the balance of the nineteenth and well into the twentieth century.

Bring the French melting pot into your kitchenTake your tastebuds on a global Parisian adventure and cook up 100 easy-to-follow recipes, adapted by famous Parisian chefs to use at home.Get the best of French international haute cuisine with a wealth of world influences from South East Asia, to Morocco and Japan. Recreate mouth watering flavours from Salt and Pepper Shrimp with Cognac to Black Sesame Macaroons.All brought to life with beautiful colour line-drawings from Paris-based illustrator Dinah Diwan.Bon Appetit!

The author, a prominent French philosopher, writes of life under the German occupation

Features biographical information about 11,400 French children who were deported from France to the Nazi death camps, including their names, faces, and addresses.