Meet Aimée Leduc, the smart, stylish Parisian private investigator, in her bestselling first investigation Aimée Leduc has always sworn she would stick to tech investigation—no criminal cases for her. Especially since her father, the late police detective, was killed in the line of duty. But when an elderly Jewish man approaches Aimée with a top-secret decoding job on behalf of a woman in his synagogue, Aimée unwittingly takes on more than she is expecting. She drops off her findings at her client’s house in the Marais, Paris’s historic Jewish quarter, and finds the woman strangled, a swastika carved on her forehead. With the help of her partner, René, Aimée sets out to solve this horrendous murder, but finds herself in an increasingly dangerous web of ancient secrets and buried war crimes.

Parisian P.I. Aimée Leduc strives to clear the name of a childhood friend, now a policewoman, who's charged with shooting her partner Aimée Leduc is having a bad day. First, she comes home from work at her Paris detective agency to learn that her boyfriend is leaving her. She goes out for a drink with her friend Laure, a police officer, but Laure’s patrol partner, Jacques, interrupts, saying he needs to talk to Laure urgently. The two leave the bar, and when they don’t return, Aimée follows Laure’s path and finds her sprawled on a snowy rooftop, not far from Jacques, who is bleeding from a fatal gunshot wound. When the police arrive, they arrest Laure for murder. No one is interested in helping Aimée figure out the truth. As she chases down increasingly dangerous leads in the effort to free her friend, Aimée stumbles into a web of Corsican nationalists, separatists, gangsters, and artists. Could Jacques’s murder and Laure’s arrest be part of a much bigger cover-up?

The second Aimée Leduc investigation set in Paris When Anaïs de Froissart calls Parisian private investigator Aimée begging for help, Aimée assumes the woman wants to hire her to do surveillance on her philandering politician husband again. Aimée is too busy right now to indulge her. But Anaïs insists Aimée must come, that she is in trouble and scared. Aimée tracks Anaïs down just in time to see a car bomb explode, injuring Anaïs and killing the woman she was with. Anaïs can’t explain what Aimée just witnessed. The dead woman, Anaïs says, is Sylvie Coudray, her cheating husband’s long-time mistress, but she has no idea who wanted her dead, and Anaïs officially hires Aimée to investigate. As she digs into Sylvie Coudray’s murky past, Aimée finds that the dead woman may not be who Anaïs thought she was. Her Belleville neighborhood, full of North African immigrants, may be hiding clues to Sylvie’s identity. As a prominent Algerian rights activist stages a hunger protest against new immigration laws, Aimée begins to wonder whether Sylvie’s death was an act of terrorism, and who else may be at risk.

Facing a tight deadline on a computer security contract, Aimee responds to a telephone call from a stranger that leads her to an abandoned infant in a courtyard on the Ile St-Louis. She brings the baby home with her, calls her Stella, and awaits contact from the mother. But days pass, and no one reclaims the infant.Meanwhile, a group of environmental protesters is trying to stop the government from entering into a contract with an oil company notorious for pollution. As Aimee attempts to identify the baby's mother, two murders and an abortive bombing involving the protesters lead her - and little Stella - into danger.On the run in the sewers beneath the Seine, Aimee finally finds the woman she has been looking for, only to discover that the man she has fallen in love with is not who she thought he was.

As protesters march in Paris against a government agreement with an oil company suspected of polluting, Aimee Leduc, French-American computer investigator, finds herself with an abandoned infant, a drowned woman, a murdered client and a computer assignment deadline.

A long-lost Modigliani portrait, a grieving brother’s blood vendetta, a Soviet secret that’s been buried for 80 years—Parisian private investigator Aimée Leduc’s current case is her most exciting one yet. The cobbled streets of Montparnasse might have been boho-chic in the 1920s, when artists, writers, and their muses drank absinthe and danced on cafe tables. But to Parisian private investigator Aimée Leduc, these streets hold darker secrets. When an old Russian man named Yuri hires Aimée to protect a priceless painting that just might be a Modigliani, she learns how deadly art theft can be. Yuri is found tortured to death in his atelier, and the painting is missing. Every time Aimée thinks she's found a new witness, the body count rises. What exactly is so special about this painting that so many people are willing to kill—and die—for it?

Cara Black’s riveting 19th installment in her New York Times bestselling Parisian detective series entangles private investigator Aimée Leduc in a dangerous web of international spycraft, post-colonial Franco-African politics, and neighborhood secrets in Paris’s 12th arrondissement. Parisian private investigator Aimée Leduc is about to go onstage to deliver the keynote address at a tech conference that is sure to secure Leduc Detective some much-needed business contracts when she gets an emergency phone call from her daughter’s playgroup: Aimée’s own mother, who was supposed to pick Chloe up, never showed. Abandoning her hard-won speaking gig, Aimée rushes to get Chloe, annoyed that her mother has let her down yet again. But as Aimée and Chloe are leaving the playground, Aimée witnesses the body of a homeless woman being wheeled away from the neighboring convent, where nuns run a soup kitchen. The last person anyone saw the dead woman talking to was Aimée’s mother, who has vanished. Trying to figure out what happened to Sydney Leduc, Aimée tracks down the dead woman’s possessions, which include a huge amount of cash. What did Sydney stumble into? Is she in trouble?

FULLY REVISED NEW EDITION Danger and intrigue follow him wherever he goes. France, 1963. It's a time of great change, not least for Inspector Lucas Rocco. As part of a nationwide initiative to broaden police operations, he finds himself moved from the Paris metropolis to a small village. His new patch might be rural, but it's certainly not uneventful: on his first day, he finds a murdered woman wearing a Gestapo uniform, lying in a British military cemetery. When the body is removed by order of a magistrate from the police mortuary before Rocco can finish his investigation, he realises he's up against a formidable enemy. An enemy who will go to any lengths – even murder – to stop his investigation. A pulse-pounding historical crime thriller, perfect for fans of Martin Walker, Maigret and Mark Billingham.

The eleventh Aimée Leduc investigation set in Paris Business is booming for Parisian private investigator Aimée Leduc. But she finds time to do a favor for her godfather, Commissaire Morbier, who asks her to drop by the gorgeous Passy home of his girlfriend, Xavierre d’Eslay, a haut bourgeois matron of Basque origin. Xavierre has been so busy with her daughter’s upcoming wedding that she has stopped taking Morbier’s calls, and he’s worried something serious is going on. When Aimée crashes the rehearsal dinner, Xavierre is discovered strangled in her own yard, and circumstantial evidence makes Morbier the prime suspect. To vindicate her godfather, Aimée must find the real killer. Her investigation leads her to police corruption, radical Basque terrorists, and a kidnapped Spanish princess.

Mr. Fortune is suspected of murdering his wife. Grijpstra and de Gier begin a search that leads to the unidentified corpse of a man stuffed into the trunk of a stolen Mercedes. But where is the body of Mrs. Fortune? Tracking a killer without a corpse and a corpse without a killer, the Amsterdam cops finally arrive at the bonechilling truth.