In a knowledgeable, conversational style that conveys (and makes contagious) Karmel's love of his subject, A Corner in the Marais traces the architectural and social development of the City of Lights, from its origins as a Roman settlement, through major redevelopments brought about by Henri IV and Baron Haussmann, to the present renovation of old neighborhoods. Illustrated throughout with photographs and period engravings, A Corner in the Marais is ideal reading for anyone who loves exploring the hidden byways of vieux Paris and experiencing history from a very personal viewpoint.

Nebenkarten und Stadtpläne: Alice Springs Environs1 : 1,500,000Detailkarte; Brisbane City1 : 30,000Stadtplan; Canberra1 : 50,000Stadtplan; Central Adelaide1 : 20,000Stadtplan; Central Melbourne1 : 30,000Stadtplan; Central Perth1 : 20,000Stadtplan; Central Sydney1 : 25,000Stadtplan; Greater Melbourne1 : 1,000,000Detailkarte; Greater Perth1 : 300,000Detailkarte; Greater Sydney1 : 600,000Detailkarte; Mt. Olga / Ayers Rock1 : 300,000Detailkarte; Sunshine Coast / Gold Coast1 : 1,000,000Detailkarte;

Knox’ in-situ studies present 50 especially significant city districts from the whole of Europe in words and pictures. His field research focuses on typologically outstanding city districts that have developed a high degree of individuality. Cities are the symbiosis of diverse districts: the smaller units serve to provide an important identity function: business centers and amusement districts such as the City and the West End in London, technology and science quarters (Adlershof in Berlin), designer districts such as the Zona Tortona in Milan and the Fashion District in New York. Two other factors that play a major role are the conversion of industrial wastelands and new districts colored by a supranational capitalism or a sustainable or dubious planning – such as the Vauban residential quarter in Freiburg in South Germany or the Lower Ninth District in New Orleans. Paul Knox also always analyzes how and why these districts have turned out the way they are: outlining their visible and also their hidden and often blurred "biography". A fascinating journey through space and time!

FULLY REVISED NEW EDITION Danger and intrigue follow him wherever he goes. France, 1963. It's a time of great change, not least for Inspector Lucas Rocco. As part of a nationwide initiative to broaden police operations, he finds himself moved from the Paris metropolis to a small village. His new patch might be rural, but it's certainly not uneventful: on his first day, he finds a murdered woman wearing a Gestapo uniform, lying in a British military cemetery. When the body is removed by order of a magistrate from the police mortuary before Rocco can finish his investigation, he realises he's up against a formidable enemy. An enemy who will go to any lengths – even murder – to stop his investigation. A pulse-pounding historical crime thriller, perfect for fans of Martin Walker, Maigret and Mark Billingham.

A comprehensive exploration of Paris through the texts and experiences of a vast and vibrant range of authors.

Every word and photograph is filled with the love and passion of two travellers in a country that is not their own. They discover the soul of Namibia in their adventure and decide to share this with anyone who is lucky enough to delve into this book. - Mail and Guardian

Includes decisions in the Irish courts, 1876-June 1886, and Indian appeals, 1876-1877.

A one-act play about the South African Border Wars Somewhere on the Border was written by Anthony Akerman while in exile more than two decades ago. The play was intercepted in the post and banned as a publication by the apartheid censors because the language was considered 'offensive' and the portrayal of the South African Armed Forces 'prejudicial to the safety of the state'. This publication of a one-act version of the play brings the South African Border War back into public discourse and pierces through the armour of silence, secrecy and shame that still surrounds it. The script is complemented by an author's preface and an afterword by historian Gary Baines, as well as photographs of its 2011 production.