Preaching Apocrypha in Anglo-Saxon England is the first examination of Christian apocrypha in Anglo-Saxon England, focusing on the use of biblical narratives in Old English sermons. This work demonstrates that apocryphal media are a substantial part of the apparatus of Christian tradition inherited by Anglo-Saxons.

Edition and translation of prognostic guides and calendars, intended as an effort to foretell the future.

The Gospel of Pseudo-Matthew is one of the most important witnesses in Western Europe to apocryphal stories about the lives of Mary, Joseph, Jesus, and Mary’s parents, Anna and Joachim. As a bestseller of mainstream medieval Christianity, this Latin apocryphon is a keystone in the explosion of apocryphal literature in the Middle Ages. Despite its apocryphal status, the Gospel of Pseudo-Matthew remained both popular and influential throughout the Middle Ages and into the early modern period, as its popularity and influences may be traced in Christian literature, visual arts, liturgy, and theological perspectives still revered by Roman Catholic theologians. The gospel is also a significant work for considering the history of monasticism and the cult of the Virgin Mary. This book presents the first English translation of the Gospel of Pseudo-Matthew with a full introduction and commentary, as well as translations of related works with accompanying commentaries.

"Preaching Apocrypha in Anglo-Saxon England is the first in-depth study of Christian apocrypha focusing specifically on the use of extra-biblical narratives in Old English sermons. The work contributes to our understanding of both the prevalence and importance of apocrypha in vernacular preaching, by assessing various preaching texts from Continental and Anglo-Saxon Latin homiliaries, as well as vernacular collections like the Vercelli Book, the Blickling Book, Ælfric's Catholic Homilies and other manuscripts from the tenth through twelfth centuries. Vernacular sermons were part of a media ecology that included Old English poetry, legal documents, liturgical materials, and visual arts. Situating Old English preaching within this network establishes the range of contexts, purposes, and uses of apocrypha for diverse groups in Anglo-Saxon society: cloistered religious, secular clergy, and laity, including both men and women. Apocryphal narratives did not merely survive on the margins of culture, but thrived at the heart of mainstream Anglo-Saxon Christianity."--

"The Blickling Homilies, which date from the end of the tenth century, are one of the earliest extant collections of English vernacular homiletic writings. The homiletic texts survive in a composite codex consisting of Municipal Entries for the Council of Lincoln (fourteenth to seventeenth century), a Calendar (mid-fifteenth century), Gospel Oaths (early fourteenth century) and the eighteen homiletic texts that are based on the annual liturgical cycle. The Blickling Homilies are an important literary milestone in the early evolution of English prose." "The manuscript, in the William H. Scheide collection which is housed in Princeton University Library (MS. 71, s.x/xi), was edited in facsimile by Rudolph Willard and published as Volume 10 of Early English Manuscripts in Facsimile (Copenhagen, 1960). The previous edition of The Blickling Homilies is by Richard Morris, published as three volumes in 1874, 1876 and 1880 (reprinted as one volume in 1967) by the Early English Texts Society (London), though individual items from the collection have also been published in readers and anthologies." "This new edition makes certain corrections to Morris's editing of the manuscript and the translations are modernized and made more exact. It also formats both the original text and facing-page translation into paragraphs based on the considered opinion of the editor, which makes it easier to comprehend the flow of the prose. Finally, the text and translation are accompanied with a general introduction, textual notes, tables and charts, select bibliography and index."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The Anonymous Old English Homily: Sources, Composition, and Variation offers important essays on the origins, textual transmission, and (re)use of early English preaching texts between the ninth and the late twelfth centuries. Associated with the Electronic Corpus of Anonymous Homilies in Old English project, these studies provide fresh insights into one of the most complex textual genres of early medieval literature. Contributions deal with the definition of the anonymous homiletic corpus in Old English, the history of scholarship on its Latin sources, and the important unedited Pembroke and Angers Latin homiliaries. They also include new source and manuscript identifications, and in-depth studies of a number of popular Old English homilies, their themes, revisions, and textual relations. Contributors are: Aidan Conti, Robert Getz, Thomas N. Hall, Susan Irvine, Esther Lemmerz, Stephen Pelle, Thijs Porck, Winfried Rudolf, Donald G. Scragg, Robert K. Upchurch, Jonathan Wilcox, Charles D. Wright, Samantha Zacher. See inside the book.

Images and texts tell various stories about the Virgin Mary in Byzantium, reflecting an important cult with strong doctrinal foundations.

This acclaimed volume explores and unravels the contexts, readings, genres, intertextualities and debates within Anglo-Saxon studies. Brings together specially-commissioned contributions from a team of leading European and American scholars. Embraces both the literature and the cultural background of the period. Combines the discussion of primary material and manuscript sources with critical analysis and readings. Considers the past, present and future of Anglo-Saxon studies

Most studies of Jews in medieval England begin with the year 1066, when Jews first arrived on English soil. Yet the absence of Jews in England before the conquest did not prevent early English authors from writing obsessively about them. Using material from the writings of the Church Fathers, contemporary continental sources, widespread cultural stereotypes, and their own imaginations, their depictions of Jews reflected their own politico-theological experiences. The thirteen essays in Imagining the Jew in Anglo-Saxon Literature and Culture examine visual and textual representations of Jews, the translation and interpretation of Scripture, the use of Hebrew words and etymologies, and the treatment of Jewish spaces and landmarks. By studying the “imaginary Jews” of Anglo-Saxon England, they offer new perspectives on the treatment of race, religion, and ethnicity in pre- and post-conquest literature and culture.