"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 24 MARCH, 1963 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 64 VOLUME NUMBER: Vol. XXVIII. No. 12 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 11-64 ARTICLE: 1. On the Home Front 2. China's Population Problem. 3.China's Imperialism 4. Individual Liberty in Democracy 5. Book on My Self AUTHOR: 1. Balwantray Mehta 2. Dr. S. Chandrasekhar 3. Frank Thakur Dass 4. N. V. Gadgil 5. Dr. P. M. Joshi KEYWORDS : 1. For the Young, Labourers and Peasants, women duty 2. Peace and Population,Dr.Thomson's view.Simply jealous of India 3. Force and Fraud,Traditional xenophobia,In Mangolia,Tributary system 4. Basic Difference,Consciousness of Responsibility 5. First-India Chinacontact, Shocked Awakening Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.

Farmers' Rights are essential for maintaining crop genetic diversity, which is the basis of all food and agricultural production in the world. The International Treaty on Plant Genetic Resources for Food and Agriculture recognizes Farmers' Rights and provides for relevant measures. However, implementation is slow, and in many countries there is resistance. This book shows the necessity of realizing Farmers' Rights for poverty alleviation and food security, the practical possibilities of doing so, and the potential gains for development and society at large. It provides decision-makers and practitioners with a conceptual framework for understanding Farmers’ Rights and success stories showing how each of the elements of Farmers' Rights can be realized in practice. The success stories have brought substantial achievements as regards one or more of the four elements of Farmers' Rights: the rights of farmers to save, use, exchange and sell farm-saved seed; the protection of traditional knowledge; benefit- sharing; and participation in decision-making. This does not mean that these examples are perfect. Challenges encountered on the way are conveyed and offer important lessons. The stories represent different regions and localities, including Europe, Asia, Africa and Latin America, as well as various categories of stakeholders and types of initiatives and policies.

What do the TV shows we’re watching tell us about ourselves? Television is the single most powerful and dynamic agent of change in India today. It is also the country’s most popular and accessible form of entertainment. Remote Control examines three kinds of programming—24x7 news, soap operas and reality shows—that have changed Indian television forever, and analyzes how these three genres, while drawing on different sources, are hybridized, indigenized and manage to ultimately project a distinctively Indian identity. Shoma Munshi’s book shows us how everyday reality in India in the twenty-first century shapes television; and how television, in turn, shapes us.

What if the wrong girl is the one right for you? On a sultry night, on a deserted lawn overlooking a moonlit Taj Mahal, two strangers make passionate love and promise never to meet again... But promises are meant to be broken, right? This is the story of Dushyant Singh Rathore - the 30-something bestselling author of Kinda Cliched, a blockbuster romance novel based on his one night of bliss with a girl whose name he does not know. Under pressure to produce a money-spinning sequel - from his obsessive fans, his hit-seeking publisher and a sceptical journalist ready to expose the true-story angle as a marketing gimmick - he sets off, three years on, to find the elusive girl whom he had promised never to seek out... When his quest, many twists and turns later, leads him to the unlikeliest of places, Dushyant discovers there's a little more to this love story than he had anticipated. Will Dushyant get a second chance at love? What if the wrong girl was really always the right one for him?

On his second adventure, Bhrigu Mahesh is called to help by a hapless, retired clerk, Nataraj Bhakti, who thinks he is being haunted by the spirit of his dead wife. As he investigates, the mystery deepens and takes a sinister turn when a woman gets brutally murdered and the great detective faces the challenge to either catch the killer or risk the destruction of many innocent lives.

Jannat is an anthalogy Compiled by Kavita Goyal and Harkirat Singh. This anthalogy is a collection of poem, short stories and letter.This anthalogy is all about the reason of our existence i.e. our mother. The love she give throughout her life to her child is priceless. So through this anthalogy we are showing a thank gesture For all the beautiful mothers of this universe. Love to all the mothers....

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION : 18 APRIL, 1965 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 69 VOLUME NUMBER: Vol. XXX. No. 16 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 14-68 ARTICLE: 1. In Quest of Cerebral Power 2. Biorhythm 3. In Quest of Adulation 4. The Darkening Shadow of Violence AUTHOR: 1. Jagjit Singh 2. D. N. Koul 3. V. A. Devasenapati 4. S. A. Sastri KEYWORDS : 1. Problem of substitute,the resemblances,two views, 2. Ups and downs,recurrent process,three rhythms,find your rhythm, 3. Praise and flattery,everyone likes flattery,corrupts both,most insidious form,uses of flattery,praising god 4. Sign of hope,dimension of discourtesy, exploiting the young, students ignored elders Document ID : APE-1965 (A-J) Vol-II-03 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.

Depiction of widow in the novels in various Indian languages.

His real name was Dhanpat Rai but he is better known by his pen name Munshi Premchand. He has been read and studied both in India and abroad as one of the greatest writers of the century. Premchand's literary career started as a freelancer in Urdu. In his initial short stories he has depicted the patriotic upsurge that was sweeping the country in the first decade of the 19th century. In 1914, Premchand started writing in Hindi. Premchand was the first Hindi author to introduce realism in his writings. He pioneered the new art form of fiction with a social purpose. He wrote of the life around him and made his readers aware of the problems of the urban middle-class and the country's villages. Besides being a great novelist, Premchand was also a social reformer and thinker. Pratigya is the story about a young idealist who takes on himself the task of social upliftment and progress. It gives a vivid description of the society during that era and the obstructions that were faced by the few who believed in a new and better country by the removal of social evils prevalent during those times.