Depiction of widow in the novels in various Indian languages.

In recent years American readers have been thrilling to the work of such Indian writers as Salman Rushdie and Vikram Seth. Now this extravagant and wonderfully discerning anthology unfurls the full diversity of Indian literature from the 1850s to the present, presenting today’s brightest talents in the company of their distinguished forbearers and likely heirs. The thirty-eight authors collected by novelist Amit Chaudhuri write not only in English but also in Hindi, Bengali, and Urdu. They include Rabindranath Tagore, arguably the first international literary celebrity, chronicling the wistful relationship between a village postal inspector and a servant girl, and Bibhuti Bhushan Banerjee, represented by an excerpt from his classic novel about an impoverished Bengali childhood, Pather Panchali. Here, too, are selections from Nirad C. Chaudhuri’s Autobiography of an Unknown Indian, R. K. Narayan’s The English Teacher, and Salman Rushdie’s Midnight’s Children alongside a high-spirited nonsense tale, a drily funny account of a pre-Partition Muslim girlhood, and a Bombay policier as gripping as anything by Ed McBain. Never before has so much of the subcontinent’s writing been made available in a single volume.

Presents the Indian literatures, not in isolation in one another, but as related components in a larger complex, conspicuous by the existence of age-old multilingualism and a variety of literary traditions. --

Comparing the variant ideologies of the representations of India in seventeenth-century European travelogues, India in Early Modern English Travel Narratives concerns a relatively neglected area of study and often overlooked writers. Relating the narratives to contemporary ideas and beliefs, Rita Banerjee argues that travel writers, many of them avid Protestants, seek to negativize India by constructing her in opposition to Europe, the supposed norm, by deliberately erasing affinities and indulging in the politics of disavowal. However, some travelogues show a neutral stance by dispassionate ethnographic reporting, indicating a growing empirical trend. Yet others, influenced by the Enlightenment ideas of diversity, demonstrate tolerance of alien practices and, occasionally, acceptance of the superior rationality of the other's customs.

In early modern Europe, the circulation of visual and verbal transmissions of sati, or Hindu widow burning, not only informed responses to the ritualized violence of Hindu culture, but also intersected in fascinating ways with specifically European forms of ritualized violence and European constructions of gender ideology. European accounts of women being burned in India uncannily commented on the burnings of women as witches and criminal wives in Europe. When Europeans narrated their accounts of sati, perhaps the most striking illustration of Hindu patriarchal violence, they did not specifically connect the act of widow burning to a corresponding European signifier: the gruesome ceremonial burnings of women as witches. In examining early modern representations of sati, the book focuses specifically on those strategies that enabled European travellers to protect their own identity as uniquely civilized amidst spectacular displays of 'Eastern barbarity'.

"The language [takes] on a musicality that is in sharp contrast to the bleak setting . . . refreshing . . . a strong debut." —New York Times Book Review “Subramanian writes with empathy and exuberance, offering a much-needed glimpse into a world that too many of us don't even know exists. This is a book to give your little sister, your mother, your best friend, yourself, so together you can celebrate the strength of women and girls, the tenacity it takes to survive in a world that would rather have you disappear.”—Nylon In the tight-knit community known as Heaven, a ramshackle slum hidden between luxury high-rises in Bangalore, India, five girls on the cusp of womanhood forge an unbreakable bond. Muslim, Christian, and Hindu; queer and straight; they are full of life, and they love and accept one another unconditionally. Whatever they have, they share. Marginalized women, they are determined to transcend their surroundings. When the local government threatens to demolish their tin shacks in order to build a shopping mall, the girls and their mothers refuse to be erased. Together they wage war on the bulldozers sent to bury their homes, and, ultimately, on the city that wishes that families like them would remain hidden forever. Elegant, poetic, and vibrant, A People’s History of Heaven takes a clear-eyed look at adversity and geography--and dazzles in its depiction of these women’s fierceness and determination not just to survive, but to triumph.

A Major Activity Of The Sahitya Akademi Is The Preparation Of An Encyclopaedia Of Indian Literature. The Venture, Covering Twenty-Two Languages Of India, Is The First Of Its Kind. Written In English, The Encyclopaedia Gives A Comprehensive Idea Of The Growth And Development Of Indian Literature. The Entries On Authors, Books And General Topics Have Been Tabulated By The Concerned Advisory Boards And Finalised By A Steering Committee. Hundreds Of Writers All Over The Country Contributed Articles On Various Topics. The Encyclopaedia, Planned As A Six-Volume Project, Has Been Brought Out. The Sahitya Akademi Embarked Upon This Project In Right Earnest In 1984. The Efforts Of The Highly Skilled And Professional Editorial Staff Started Showing Results And The First Volume Was Brought Out In 1987. The Second Volume Was Brought Out In 1988, The Third In 1989, The Fourth In 1991, The Fifth In 1992, And The Sixth Volume In 1994. All The Six Volumes Together Include Approximately 7500 Entries On Various Topics, Literary Trends And Movements, Eminent Authors And Significant Works. The First Three Volume Were Edited By Prof. Amaresh Datta, Fourth And Fifth Volume By Mohan Lal And Sixth Volume By Shri K.C.Dutt.

This book examines how urban narratives explore the complexities of city life, including the diversity of its inhabitants, the challenges of urbanization, and the impact of social and economic disparities. They may delve into such topics as crime, poverty, gentrification, and the struggle for identity and belonging in different bustling metropolis settings like Delhi, Mumbai, Kolkata, Benaras, Edinburgh and Glasgow. This monograph provides a lens through which authors and storytellers examine and reflect upon the complexities, challenges, and opportunities of urban life. It seeks to reiterate how the discourse of urban narratives refers to the specific language, themes, and ideas that are commonly found in stories set in urban environments, and encompasses the ways in which urban spaces are portrayed, the issues and conflicts that arise within these settings, and the social, cultural, and political commentary that is often embedded in these narratives.