Visitors to the battlefields of France and Belgium expressed pain and anguish, pride and nostalgia, and wonder and surprise at what they saw. Postcards from the Western Front chronicles the many ways in which these sites were perceived and commemorated by British people, both during the First World War and in the twenty years following the Armistice. Mark Connelly’s definitive and engaging study of the former Western Front examines how different and distinctive sub-communities – regional, ethnic and religious, civilian and armed forces – influenced the depth and strength of the visiting public’s relationship with the battlefields, all the while comparing and contrasting this relationship with the viewpoint of the French and Belgian inhabitants of the devastated regions. Connelly draws from a vast archive a number of interlocking themes, including the lingering presence of the battlefields in the British domestic imagination, the often fraught experience of visiting the battlefields, memorials and cemeteries functioning as part of a historical testimony to wartime realities, and the interactions between visitors and the people living in these former fighting zones. Focusing on French and Belgian sites, Connelly nevertheless provides insight into other major battlefields fought over by troops from the British Empire. Extensively illustrated with black and white photographs, Postcards from the Western Front offers a groundbreaking perspective on landscapes that rarely left anyone – whether tourist, inhabitant, veteran, or pilgrim – unmoved.

This study addresses the relation of people to divine beings in contemporary and historical communities, as exemplified in three strands. One is a long tradition of visions of mysterious wayfarers in rural Spain who bring otherworldly news and help, including recent examples. Another treats the seeming vivification of religious images—statues, paintings, engravings, and photographs apparently exuding blood, sweat and tears in Spanish homes and churches in the early modern period and the revival of the phenomenon throughout Europe in the twentieth century. Of special interest is the third strand of the book: the transposition of medieval and early modern representations of the relations between humans and the divine into the modern art of photography. Christian presents a pictorial examination of the phenomenon with a large number of religious images, commercial postcards and family photographs from the first half of past century Europe.

Postcards from the Front 1914–1919 captures the essence of this medium in a unique and fascinating way, bringing to life the pathos, the trauma and the mud and the blood of Flanders and France as the embattled Tommies wrote home to their loved ones.

Examines postcards as images that are carriers of text, and textual correspondence that circulate images across boundaries of class, gender, nationality and race. Discusses issues concerning the concrete practices of production, consumption, collection and appropriation.

Following in their best-selling series of Battlefield Guides this is a companion volume to the Holts Western Front South Guide. Between the two, they cover the main WW1 Western Front battlefields. This book covers 15 of the most significant battles of the northern area from Nieuwport to just north of The Somme.Whether travelling on the ground or in the mind, the reader is carefully guided through the battlefields with a mixture of succinct military history, cameo memories and stories of VCs and other personalities, interspersed with references to the literature and poetry of the war.This guidebook is based on Tonie and Valmai Holt's 30 years experience of researching, guiding tours and writing about the area, with their unique blend of male and female points of view. It is written to the high standards that have come to be expected of these highly respected authors who are credited with pioneering the modern battlefield tour and whose guide books are referred to as 'The Bibles' . This new edition contains: Brief Historical Background and Summary of each battle, Opening Moves and What Happened, with appropriate quotations Sketch Map for each battle showing battle lines, routes etc and all points of interest described on each timed itinerary Large Sketch Map putting the battlefields (north and south) into perspective Memorials, Museums, Sites of Interest (bunkers, craters etc) War Grave Cemeteries Allied and German GPS Location for every recommended stop War Graves and Commemorative Associations Cameos about individual personalities Useful Tourist Information Where to stay and eat

German art student Otto Schubert was 22 years old when he was drafted into the Great War. As the conflict unfolded, he painted a series of postcards that he sent to his sweetheart, Irma. During the battles of Ypres and Verdun, Schubert filled dozens of military-issued 4” x 6” cards with vivid images depicting the daily realities and tragedies of war. Beautifully illustrated with full-color reproductions of his exquisite postcards, as well as his wartime sketches, woodcuts, and two lithograph portfolios, Postcards from the Trenches is Schubert's war diary, love journal, and life story. His powerful artworks illuminate and document in a visual language the truths of war. Postcards from the Trenches offers the first full account of Otto Schubert, soldier-artist of the Great War, rising art star in the 1920s, prolific graphic artist and book illustrator, one of the “degenerate” artists defamed by the Nazis, and a man shattered by the Second World War and the Cold War. Created in the midst of enormous devastation, Schubert's haunting visual missives are as powerful and relevant today as they were a century ago. His postcards are both a young man's token of love and longing and a soldier's testimony of the Great War.

Following in their best-selling series of Battlefield Guides this is a companion volume to the Holts Western Front South Guide. Between the two, they cover the main WW1 Western Front battlefields. This book covers 15 of the most significant battles of the northern area from Nieuwport to just north of The Somme.Whether travelling on the ground or in the mind, the reader is carefully guided through the battlefields with a mixture of succinct military history, cameo memories and stories of VCs and other personalities, interspersed with references to the literature and poetry of the war.This guidebook is based on Tonie and Valmai Holt's 30 years experience of researching, guiding tours and writing about the area, with their unique blend of male and female points of view. It is written to the high standards that have come to be expected of these highly respected authors who are credited with pioneering the modern battlefield tour and whose guide books are referred to as 'The Bibles' . This new edition contains: Brief Historical Background and Summary of each battle, Opening Moves and What Happened, with appropriate quotations Sketch Map for each battle showing battle lines, routes etc and all points of interest described on each timed itinerary Large Sketch Map putting the battlefields (north and south) into perspective Memorials, Museums, Sites of Interest (bunkers, craters etc) War Grave Cemeteries Allied and German GPS Location for every recommended stop War Graves and Commemorative Associations Cameos about individual personalities Useful Tourist Information Where to stay and eat

Postcards sent by men on the front, and to them by their families, are among the most numerous, and most telling, surviving artefacts of the Great War. They tell us much about attitudes towards the war, and provide a great insight into men's lives, and into the thoughts and emotions of those left behind. Very different in their illustration, and in their writing, between the beginning of the war and the end, postcards provide a social history of the war in microcosm. Illustrated with a wide range of postcards, this is a fascinating look into the response of the British people to the horrors of the war.

During World War I, the picture postcard was the most important means of communication for the soldiers in the field and their loved ones at home, with an estimated 30 billion of them sent between 1914 and 1918. A Postcard from home offered the soldier in the trenches a short escape from their daily hell, while receiving a postcard from the man on the front-line was literally a sign of life. These postcards create a vivid record of life at home and abroad during the Great War, both from the messages they carries and the pictures on the cards themselves. The dipiction of war on the contemporary postcards is extremely diverse: The ways in which the postcards depict the war differs greatly; from simple enthusiasm, patriotism and propaganda to humour, satire and bitter hatred. Other portray the wishes and dreams (nostalgia, homesickness and pin-ups) of the soldiers, the technological developments of the armies, not to mention the daily life and death on the battlefield, including the horrific reality of piles of bodied and mass-graves Altogether, this extraordinarily vivid contemporary record of the Great War offers a unique and details insight on the minds and mentality of the soldiers and their families who lived and died in the war to end all wars.

Published to high praise--"groundbreaking . . . a landmark" (Poets and Writers)--this was the first anthology to celebrate the diversity of women who write.