During World War I, the picture postcard was the most important means of communication for the soldiers in the field and their loved ones at home, with an estimated 30 billion of them sent between 1914 and 1918. A Postcard from home offered the soldier in the trenches a short escape from their daily hell, while receiving a postcard from the man on the front-line was literally a sign of life. These postcards create a vivid record of life at home and abroad during the Great War, both from the messages they carries and the pictures on the cards themselves. The dipiction of war on the contemporary postcards is extremely diverse: The ways in which the postcards depict the war differs greatly; from simple enthusiasm, patriotism and propaganda to humour, satire and bitter hatred. Other portray the wishes and dreams (nostalgia, homesickness and pin-ups) of the soldiers, the technological developments of the armies, not to mention the daily life and death on the battlefield, including the horrific reality of piles of bodied and mass-graves Altogether, this extraordinarily vivid contemporary record of the Great War offers a unique and details insight on the minds and mentality of the soldiers and their families who lived and died in the war to end all wars.

For many the postcard may seem trivial, little more than a mundane souvenir or a way to keep in touch with friends and relatives while on vacation. But if we look carefully, postcards offer valuable insights into the time periods in which they were created and the mentalities of those who bought or sent them. Frank Marhefka, while serving in the U.S. Army Motor Transportation Corps during the First World War, amassed a collection of more than 150 postcards and photographs while in France, and bound them into a souvenir album. Marhefka’s collection provides a diverse and vivid look into a period of history that – in many soldiers’ accounts – is not usually visualized with all its cruelties. Emphasizing the pictorial turn of the Great War, this album offers personal insight into a conflict that caused so much death and destruction. The book begins with an introduction providing a history of postcards and their extensive use by soldiers during the Great War. Then, after a biography of Marhefka, his postcard collection is presented in its entirety. Accompanying the images are brief texts that place them into historical context, as well as suggestions for further reading. As a visual artifact of the First World War and the perspective of one U.S. soldier, this book is aimed at students, scholars, postcard collectors, and general readers alike who have an interest in military history and popular culture.

From the Treaty of Versailles to the 2018 centenary and beyond, the history of the First World War has been continually written and rewritten, studied and contested, producing a rich historiography shaped by the social and cultural circumstances of its creation. Writing the Great War provides a groundbreaking survey of this vast body of work, assembling contributions on a variety of national and regional historiographies from some of the most prominent scholars in the field. By analyzing perceptions of the war in contexts ranging from Nazi Germany to India’s struggle for independence, this is an illuminating collective study of the complex interplay of memory and history.

This is a new edition of this classic book which includes, in its over 700 postcards, many new, powerful propaganda images from nations on both sides of this epic conflict. Here are cards from the Queen's Collection, cards from America, Australia, Austria, Belgium, Britain, Bulgaria, Canada, Czechoslovakia, Egypt, France, Germany, Holland, Italy, Rumania, Salonika, Serbia... All are faithfully reproduced from the original, whether in dramatic black and white or in exuberant colour and they are all at least 100 years old. But this is not just a picture book.Here is a rich treasure trove to be dipped into for dilettante pleasure or to be read seriously as a thematic and contemporary history of the war. These cards have been collected over many years and a good number are rare and extremely valuable, both intrinsically and for the fascinating information contained in the informative running text and in the thoughtful captions (an example appears below, just one of the over 700). This is essential reading for anyone who wishes to sense the feelings and emotions of those who lived through, and fought in, the First World War; readers will appreciate the Twitter-like brevity of the captions, the power of the images and enjoy the chase to understand what lies behind them.This handsome and fascinating book uses hundreds of the immensely popular picture postcards of the '14-'18 period to document the course and effects of the Great War, with all its dramatis personae, its humour, suffering, patriotism, sentimentality and fervour.

The 100th Anniversary of the most publically aware battle of WW1 - the battle of the Somme, will be on 1 July 2016 and every media form will be covering it from January onwards. The book has taken 20 years to mature from its first edition to this new 'Definitive' edition, the Seventh, each time being updated and expanded. It is a legacy that should be on every bookshelf.The book is based upon over 30 years of traveling and writing about battlefields by two people - Major and Mrs Holt - who are credited with having started the modern era of battlefield tours - and were awarded the Somme Centenary Medal for their work in 'opening the doors to the battlefields' with their books.This Guide Book is MORE than a guide book - Sir Martin Gilbert said, ' the Holts have raised the Guide Book to a new high level,' and ' the golden thread that runs through it (the previous Somme Guide) - is the focus that the Holts give to the stories of individuals'. It will therefore appeal both to General and to Specialist readers whether they travel to the battlefields or not.This is not merely a guide book, nor a history book, but it is brimming with human interest stories of veterans' experiences, tales of bravery, comradeship, natural terror, literary illusions to poets who experienced the battles (such a Owen & Sassoon, Seeger and Sorley) ...If you buy just one book about the Battle of the Somme, this is the one that you should have, written by those who know the area and the battlefield better even than the French themselves, and who tell its story from both humanistic and military standpoints

This monograph offers a novel investigation of the Edwardian picture postcard as an innovative form of multimodal communication, revealing much about the creativity, concerns and lives of those who used postcards as an almost instantaneous form of communication. In the early twentieth century, the picture postcard was a revolutionary way of combining short messages with an image, making use of technologies in a way impossible in the decades since, until the advent of the digital revolution. This book offers original insights into the historical and social context in which the Edwardian picture postcard emerged and became a craze. It also expands the field of Literacy Studies by illustrating the combined use of posthuman, multimodal, historic and linguistic methodologies to conduct an in-depth analysis of the communicative, sociolinguistic and relational functions of the postcard. Particular attention is paid to how study of the picture postcard can reveal details of the lives and literacy practices of often overlooked sectors of the population, such as working-class women. The Edwardian era in the United Kingdom was one of extreme inequalities and rapid social change, and picture postcards embodied the dynamism of the times. Grounded in an analysis of a unique, open access, digitized collection of 3,000 picture postcards, this monograph will be of interest to researchers and postgraduate students in the fields of Literacy Studies, sociolinguistics, history of communications and UK social history.

Postcards sent by men on the front, and to them by their families, are among the most numerous, and most telling, surviving artefacts of the Great War. They tell us much about attitudes towards the war, and provide a great insight into men's lives, and into the thoughts and emotions of those left behind. Very different in their illustration, and in their writing, between the beginning of the war and the end, postcards provide a social history of the war in microcosm. Illustrated with a wide range of postcards, this is a fascinating look into the response of the British people to the horrors of the war.

German art student Otto Schubert was 22 years old when he was drafted into the Great War. As the conflict unfolded, he painted a series of postcards that he sent to his sweetheart, Irma. During the battles of Ypres and Verdun, Schubert filled dozens of military-issued 4” x 6” cards with vivid images depicting the daily realities and tragedies of war. Beautifully illustrated with full-color reproductions of his exquisite postcards, as well as his wartime sketches, woodcuts, and two lithograph portfolios, Postcards from the Trenches is Schubert's war diary, love journal, and life story. His powerful artworks illuminate and document in a visual language the truths of war. Postcards from the Trenches offers the first full account of Otto Schubert, soldier-artist of the Great War, rising art star in the 1920s, prolific graphic artist and book illustrator, one of the “degenerate” artists defamed by the Nazis, and a man shattered by the Second World War and the Cold War. Created in the midst of enormous devastation, Schubert's haunting visual missives are as powerful and relevant today as they were a century ago. His postcards are both a young man's token of love and longing and a soldier's testimony of the Great War.

Soon after the start of the Great War, work hastily began on a series of hutted camps in Wiltshire for more than 100,000 men, and during the course of the war it became home to troops from Canada, Australia and New Zealand as well as Britain. With soldiers forming a third of the population the effect on the businesses, farms, and indeed the morals of the county was dramatic. Even after the Armistice peace did not return, with mutinies and rioting in the camps because of frustration at delays in demobilization. Wiltshire and the Great War describes this turbulent, fascinating period in depth. It describes pre-war training, showing how inappropriate it was to future warfare, outlines the pioneering of military aviation in the county and describes the role of railways in moving tens of thousands of troops. There are accounts of shirkers, spies, escaped prisoners of war, prostitutes, the 'landship' that clanked across the county and the wireless station that pinpointed the position of Zeppelins. Also described are advances in military technology, the camp-building scandals that led to an inquiry by a Royal Commission, press censorship, and the blighting of the Stonehenge landscape.

The military toll of World War I is widely known: millions of Britons were mobilised, many thousands killed or wounded, and the landscape of British society changed forever. But how was the conflict experienced by the people of Surrey on the home front? Surrey Heritage's project Surrey in the Great War: A County Remembers has, over the four-year centenary commemoration, explored the wartime stories of Surrey's people and places. The project's discoveries are here captured through text, case studies and images. This book chronicles the mobilisation of Surrey men, the training of foreign troops in the county, objection to military service, defence against invasion, voluntary work and fundraising, the experiences of women and children, shortages, industrial supply to the armed forces and the commemoration of Surrey's dead. Drawing heavily on the rich archives of Surrey Heritage, it is an engaging exploration of a county in the shadow of the first globalised war between industrialised nations.