Postcards sent by men on the front, and to them by their families, are among the most numerous, and most telling, surviving artefacts of the Great War. They tell us much about attitudes towards the war, and provide a great insight into men's lives, and into the thoughts and emotions of those left behind. Very different in their illustration, and in their writing, between the beginning of the war and the end, postcards provide a social history of the war in microcosm. Illustrated with a wide range of postcards, this is a fascinating look into the response of the British people to the horrors of the war.

Postcards sent by men on the front, and to them by their families, are among the most numerous, and most telling, surviving artefacts of the Great War. They tell us much about attitudes towards the war, and provide a great insight into men's lives, and into the thoughts and emotions of those left behind. Very different in their illustration, and in their writing, between the beginning of the war and the end, postcards provide a social history of the war in microcosm. Illustrated with a wide range of postcards, this is a fascinating look into the response of the British people to the horrors of the war.

A fascinating selection of postcards encapsulates the war to end all wars.

Almost three hundred postcards are reproduced in this book to reflect responses to World War I.

Postcards from the Front 1914–1919 captures the essence of this medium in a unique and fascinating way, bringing to life the pathos, the trauma and the mud and the blood of Flanders and France as the embattled Tommies wrote home to their loved ones.

This is a new edition of this classic book which includes, in its over 700 postcards, many new, powerful propaganda images from nations on both sides of this epic conflict. Here are cards from the Queen's Collection, cards from America, Australia, Austria, Belgium, Britain, Bulgaria, Canada, Czechoslovakia, Egypt, France, Germany, Holland, Italy, Rumania, Salonika, Serbia... All are faithfully reproduced from the original, whether in dramatic black and white or in exuberant colour and they are all at least 100 years old. But this is not just a picture book.??Here is a rich treasure trove to be dipped into for dilettante pleasure or to be read seriously as a thematic and contemporary history of the war. These cards have been collected over many years and a good number are rare and extremely valuable, both intrinsically and for the fascinating information contained in the informative running text and in the thoughtful captions (an example appears below, just one of the over 700). ??This is essential reading for anyone who wishes to sense the feelings and emotions of those who lived through, and fought in, the First World War; readers will appreciate the Twitter-like brevity of the captions, the power of the images and enjoy the chase to understand what lies behind them.???This handsome and fascinating book uses hundreds of the immensely popular picture postcards of the '14-'18 period to document the course and effects of the Great War, with all its dramatis personae, its humour, suffering, patriotism, sentimentality and fervour.

During World War I, the picture postcard was the most important means of communication for the soldiers in the field and their loved ones at home, with an estimated 30 billion of them sent between 1914 and 1918. A Postcard from home offered the soldier in the trenches a short escape from their daily hell, while receiving a postcard from the man on the front-line was literally a sign of life. These postcards create a vivid record of life at home and abroad during the Great War, both from the messages they carries and the pictures on the cards themselves. The dipiction of war on the contemporary postcards is extremely diverse: The ways in which the postcards depict the war differs greatly; from simple enthusiasm, patriotism and propaganda to humour, satire and bitter hatred. Other portray the wishes and dreams (nostalgia, homesickness and pin-ups) of the soldiers, the technological developments of the armies, not to mention the daily life and death on the battlefield, including the horrific reality of piles of bodied and mass-graves Altogether, this extraordinarily vivid contemporary record of the Great War offers a unique and details insight on the minds and mentality of the soldiers and their families who lived and died in the war to end all wars.

She links, for example, the modernist representation of an unstable self to soldiers' familiarity with corpses, the modernist mistrust for fact to the competing nationalist discourses of August 1914, and the modernist description of buildings as having shaken off the past to a desire to forget the war. Booth argues that the dislocations of war often figure centrally in modernist forms even when the war itself seems peripheral to modernist content.

Leo Sidebottom, a clerk in a Birmingham Factory went to war in 1915. This book is a collection of his postcards to his new wife from the trenches of France during the Great War. The images and messages will give you an experience of life in the war which changed the world. It starts with a week from his diary when he gets engaged, enlists, gets married and leaves for war with the Royal Engineers. He talks of the Politics, the topics of the day and the "rumours". With over 200 postcards depicting scenes of the devastation this book will transport you back to a different world.

Artist-drawn humorous postcards were growing considerably in popularity at the start of the 20th century. When war broke out in 1914 trade in them soared as the government utilised them as a widespread means of communication, to bolster morale, stiffen resolve and lift up the spirits in the field, at sea and on the home front from 1914 to 1919. They were also an excellent tool for recording and commenting on military and civilian events as they unfolded. Although the conflict was no laughing matter, humour helped to bring people together and feel stronger during a time of suffering; these postcards helped achieved this and they are therefore considered as significant historical documents. Pack Up Your Troubles is the first book of this kind to focus exclusively on the impact of British humour in the art of the picture postcards of World War One, both in the field and on the home front. The book is divided into themed chapters of the era, from Camp Life and Training to The Western Front through to Women at War and many more in between. Each section shows approximately 20 postcards within that theme, each with an explanatory caption. This book would be an ideal gift for anyone with an interest in war and military history, art and design, cartoons, and anyone who enjoys humour and laughing.