This volume collects eight recent and innovative studies spanning the breadth of Mesoamerica, from the Early Classic metropolis of Teotihuacan, to Tenochtitlan, the Late Postclassic capital of the Aztec, and from the arid central Mexican highlands in the west to the humid Maya lowlands in the east.

In this collection, prominent scholars provide new interpretations and useful syntheses of many of the most significant Mesoamerican architectural traditions from the Preclassic to the Postclassic periods. The essays examine the built environment as a carrier of cultural meanings. The many pyramid-temples, palaces, and ballcourts comprising Mesoamerican centers were constructed in the context of hierarchical societies, and provided monumental expressions of elite authority. The design of individual buildings, as well as the layout of site plans, often embodied Mesoamerican beliefs about the structure of the cosmos, natural forces, or the numinous power of landscape forms, thus providing sanction for the sociopolitical order.

Maya "palaces" have intrigued students of this ancient Mesoamerican culture since the early twentieth century, when scholars first applied the term "palace" to multi-room, gallery-like buildings set on low platforms in the centers of Maya cities. Who lived in these palaces? What types of ceremonial and residential activities took place there? How do the physical forms and spatial arrangement of the buildings embody Maya concepts of social organization and cosmology? This book brings together state-of-the-art data and analysis regarding the occupants, ritual and residential uses, and social and cosmological meanings of Maya palaces and elite residences. A multidisciplinary team of senior researchers reports on sites in Belize (Blue Creek), Western Honduras (Copan), the Peten (Tikal, Dos Pilas, Aguateca), and the Yucatan (Uxmal, Chichen-Itza, Dzibilchaltun, Yaxuna). Archaeologist contributors discuss the form of palace buildings and associated artifacts, their location within the city, and how some palaces related to landscape features. Their approach is complemented by art historical analyses of architectural sculpture, epigraphy, and ethnography. Jessica Joyce Christie concludes the volume by identifying patterns and commonalties that apply not only to the cited examples, but also to Maya architecture in general.

Identities of power and place, as expressed in paintings from the periods before and after the Spanish conquest of Mesoamerica, are the subject of this book of case studies from Central Mexico, Oaxaca, and the Maya area. These sophisticated, skillfully rendered images occur with architecture, in manuscripts, on large pieces of cloth, and on ceramics.

Mesoamerica is one of the few places to witness the independent invention of writing. Bringing together new research, papers discuss the writing systems of Teotihuacan, Mixteca Baja, the Epiclassic period and Aztec writing of the Postclassic. These writing systems represent more than a millennium of written records and literacy in Mesoamerica.

Bringing the often-neglected topic of migration to the forefront of ancient Mesoamerican studies, this volume uses an illuminating multidisciplinary approach to address the role of population movements in Mexico and Central America from AD 500 to 1500, the tumultuous centuries before European contact. Clarifying what has to date been chiefly speculation, researchers from the fields of archaeology, biological anthropology, linguistics, ethnohistory, and art history delve deeply into the causes and impacts of prehistoric migration in the region. They draw on evidence including records of the Nahuatl language, murals painted at the Cacaxtla polity, ceramics in the style known as Coyotlatelco, skeletal samples from multiple sites, and conquest-era accounts of the origins of the Chichén Itzá Maya from both Native and Spanish scribes. The diverse datasets in this volume help reveal the choices and priorities of migrants during times of political, economic, and social changes that unmoored populations from ancestral lands. Migrations in Late Mesoamerica shows how migration patterns are vitally important to study due to their connection to environmental and political disruption in both ancient societies and today’s world. A volume in the series Maya Studies, edited by Diane Z. Chase and Arlen F. Chase

The Adorned Body is the first truly comprehensive book on what the ancient Maya wore, a systematic survey of dress and ornaments, from head to toe and everything in between.

This volume offers an integrated and comparative approach to the Popol Vuh, analyzing its myths to elucidate the ancient Maya past while using multiple lines of evidence to shed light on the text. Combining interpretations of the myths with analyses of archaeological, iconographic, epigraphic, ethnohistoric, ethnographic, and literary resources, the work demonstrates how Popol Vuh mythologies contribute to the analysis and interpretation of the ancient Maya past. The chapters are grouped into four sections. The first section interprets the Highland Maya worldview through examination of the text, analyzing interdependence between deities and human beings as well as the textual and cosmological coherence of the Popol Vuh as a source. The second section analyzes the Precolumbian Maya archaeological record as it relates to the myths of the Popol Vuh, providing new interpretations of the use of space, architecture, burials, artifacts, and human remains found in Classic Maya caves. The third explores ancient Maya iconographic motifs, including those found in Classic Maya ceramic art; the nature of predatory birds; and the Hero Twins’ deeds in the Popol Vuh. The final chapters address mythological continuities and change, reexamining past methodological approaches using the Popol Vuh as a resource for the interpretation of Classic Maya iconography and ancient Maya religion and mythology, connecting the myths of the Popol Vuh to iconography from Preclassic Izapa, and demonstrating how narratives from the Popol Vuh can illuminate mythologies from other parts of Mesoamerica. The Myths of the Popol Vuh in Cosmology, Art, and Ritual is the first volume to bring together multiple perspectives and original interpretations of the Popol Vuh myths. It will be of interest not only to Mesoamericanists but also to art historians, archaeologists, ethnohistorians, iconographers, linguists, anthropologists, and scholars working in ritual studies, the history of religion, historic and Precolumbian literature and historic linguistics. Contributors: Jaime J. Awe, Karen Bassie-Sweet, Oswaldo Chinchilla Mazariegos, Michael D. Coe, Iyaxel Cojtí Ren, Héctor Escobedo, Thomas H. Guderjan, Julia Guernsey, Christophe Helmke, Nicholas A. Hopkins, Barbara MacLeod, Jesper Nielsen, Colin Snider, Karl A. Taube

Introducing the social skins of the head in ancient Mesoamerica and the Andes / Vera Tiesler and María Cecilia Lozada -- What was being sealed? : cranial modification and ritual binding among the Maya / William N. Duncan and Gabrielle Vail -- Head shapes and group identity on the fringes of the Maya lowlands / Vera Tiesler and Alfonso Lacadena -- Head shaping and tooth modification among the classic Maya of the Usumacinta River kingdoms / Andrew K. Scherer -- Cultural modification of the head : the case of Teopancazco in Teotihuacan / Luis Adrián Alvarado-Viñas and Linda R. Manzanilla -- Face painting among the classic Maya elites : an iconographic study / María Luisa Vázquez de Ágredos Pascual, Cristina Vidal Lorenzo, and Patricia Horcajada Campos -- The importance of visage, facial treatment, and idiosyncratic traits in Maya royal portraiture during the reign of K'inich Janaab' Pakal of Palenque, 615-683 CE / Laura Filloy Nadal -- The representation of hair in the art of Chichén Itzá / Virginia E. Miller -- Effigies of death : representation, use, and reuse of human skulls at the Templo Mayor of Tenochtitlan / Ximena Chávez Balderas -- Emic perspectives on cultural practices pertaining to the head in Mesoamerica : a commentary and discussion of the chapters in part one / Gabrielle Vail -- Afterlives of the decapitated in ancient Peru / John W. Verano -- Head processing among La Ramada tradition of Southern Peru / María Cecilia Lozada, Alanna Warner-Smith, Rex C. Haydon, Hans Barnard, Augusto Cardona Rosas, and Raphael Greenberg -- From Wawa to "Trophy Head" : meaning, representation, and bioarchaeology of human heads from ancient Tiwanaku / Deborah E. Blom and Nicole C. Couture -- Cranial modification in the central Andes : person, language, political economy / Bruce Mannheim, Allison R. Davis, and Matthew C. Velasco -- Violence, power, and head extraction in the Kallawaya Region, Bolivia / Sara K. Becker and Sonia Alconini -- Semiotic portraits : expressions of communal identity in Wari faceneck vessels / Andrea Vazquez de Arthur -- Using their heads : the lives of crania in the Andes / Christine A. Hastorf

The Routledge History of Monarchy draws together current research across the field of royal studies, providing a rich understanding of the history of monarchy from a variety of geographical, cultural and temporal contexts. Divided into four parts, this book presents a wide range of case studies relating to different aspects of monarchy throughout a variety of times and places, and uses these case studies to highlight different perspectives of monarchy and enhance understanding of rulership and sovereignty in terms of both concept and practice. Including case studies chosen by specialists in a diverse array of subjects, such as history, art, literature, and gender studies, it offers an extensive global and interdisciplinary approach to the history of monarchy, providing a thorough insight into the workings of monarchies within Europe and beyond, and comparing different cultural concepts of monarchy within a variety of frameworks, including social and religious contexts. Opening up the discussion of important questions surrounding fundamental issues of monarchy and rulership, The Routledge History of Monarchy is the ideal book for students and academics of royal studies, monarchy, or political history.