The sensuous human form-elegant and eye-catching-is the dominant feature of premodern Indian art. From the powerful god Shiva, greatest of all yogis and most beautiful of all beings, to stone dancers twisting along temple walls, the body in Indian art is always richly adorned. Alankara (ornament) protects the body and makes it complete and attractive; to be unornamented is to invite misfortune. In The Body Adorned, Vidya Dehejia, who has dedicated her career to the study of Indian art, draws on the literature of court poets, the hymns of saints and acharyas, and verses from inscriptions to illuminate premodern India's unique treatment of the sculpted and painted form. She focuses on the coexistence of sacred and sensuous images within the common boundaries of Buddhist, Jain, and Hindu "sacred spaces," redefining terms like "sacred" and "secular" in relation to Indian architecture. She also considers the paradox of passionate poetry, in which saints praised the sheer bodily beauty of the divine form, and nonsacred Rajput painted manuscripts, which freely inserted gods into the earthly realm of the courts. By juxtaposing visual and literary sources, Dehejia demonstrates the harmony between the sacred and the profane in classical Indian culture. Her synthesis of art, literature, and cultural materials not only generates an all-inclusive picture of the period but also revolutionizes our understanding of the cultural ethos of premodern India.

The Adorned Body is the first truly comprehensive book on what the ancient Maya wore, a systematic survey of dress and ornaments, from head to toe and everything in between.

OVER 100,000 COPIES SOLD! Winner of the 2018 Christian Book Award® (Bible Study Category) Known for her wisdom, warmth, and knowledge of Scripture, Nancy DeMoss Wolgemuth has encouraged millions through her books, radio programs, and conferences. Now she’s back with a legacy work on Titus 2 and its powerful vision for women: Woman to woman. Older to younger. Day to day. Life to life. This is God’s beautiful plan. The Titus 2 model of older women living out the gospel alongside younger women is vital for us all to thrive. It is mutually strengthening, glorifies God, and makes His truth believable to our world. Imagine older women investing themselves in the lives of younger women, blessing whole families and churches. Imagine young wives, moms, and singles gaining wisdom and encouragement from women who’ve been there and have found God’s ways to be true and good. Imagine all women—from older women to young girls—living out His transforming gospel together, growing the entire body of Christ to be more beautiful. This is Christian community as God designed it. Read this book and take your relationships to new depths, that your life might find its fullest meaning as you adorn the gospel of Christ.

Ignite your imagination with this immersive fantasy read! My name is Etan, and I am Adorned. A living piece of art, I exist to please the divine rulers of Kered. With nowhere to turn after my father died, I tried my luck in the capital city. Little did I know how quickly I would be robbed, beaten and forced to sell myself into servitude. But I was lucky enough to gain the attention of Roberd Tallisk, an irascible but intriguing tattoo artist who offered to mark me with enchanted ink for the enjoyment of the nobles. I was given a chance to better my station in life, and I could not refuse. But the divine rulers want not only the art but the body that bears it. In their company I can rise above the dregs of society and experience a life most only dream of, at the cost of suffering their every desire as a pawn in games of lavish intrigue. Their attention is flattering, but I find I'd rather have Tallisk's. Caught between factions, I learn that a revolution is brewing, one that could ruin Kered—and Roberd and myself along with it… 101,000 words

When Adorned in Dreams was first published in 1985, Angela Carter described the book as "the best I have read on the subject, bar none." From haute couture to haberdashery, "deviant" dress to Dior, Elizabeth Wilson traces the social and cultural history of fashion and its complex relationship to modernity. She also discusses fashion's vociferous opponents, from the "dress reform" movement to certain strands of feminism. Wilson delights in the power of fashion to mark out identity or subvert it. This brand new edition of her book follows recent developments to bring the story of fashionable dress up to date, exploring the grunge look inspired by bands like Nirvana, the "boho chic" of the mid 90's, retro-dressing, and the meanings of dress from the veil to soccer player David Beckham's pink-varnished toenails.

Young women are deeply dissatisfied with society's standards (and double standards). They want more for themselves--but sometimes they don't quite know what that more should be. That's where Miss Black New Jersey 2018 and Teen Vogue "It Girl" turned fashion writer Tarah-Lynn Saint-Elien comes in. Through her insightful comments on media, pop culture, and pervading cultural myths about beauty, fashion, and womanhood, Tarah-Lynn dismantles the messages that feed into the insecurities, fears, doubts, and guilt that young women experience today. She introduces them to an understanding of God as a loving Father and the King of all kings, who bestows upon his daughters a crown of love, worth, and power. And she shows them how to not only claim the promises of God but also walk purposefully in them as independent women (no prince necessary!) who respond to adversity with righteousness and authority.

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} As an art form, jewelry is defined primarily through its connection to and interaction with the body—extending it, amplifying it, accentuating it, distorting it, concealing it, or transforming it. Addressing six different modes of the body—Adorned, Divine, Regal, Transcendent, Alluring, and Resplendent—this artfully designed catalogue illustrates how these various definitions of the body give meaning to the jewelry that adorns and enhances it. Essays on topics spanning a wide range of times and cultures establish how jewelry was used as a symbol of power, status, and identity, from earflares of warrior heroes in Pre-Colombian Peru to bowknot earrings designed by Yves Saint-Laurent. These most intimate works of art provide insight into the wearers, but also into the cultures that produced them. More than 200 jewels and ornaments, alongside paintings and sculptures of bejeweled bodies, demonstrate the social, political, and aesthetic role of jewelry from ancient times to the present. Gorgeous new illustrations of Bronze Age spirals, Egyptian broad collars, Hellenistic gold armbands, Japanese courtesan hair adornments, jewels from Mughal India, and many, many more explore the various facets of jewelry and its relationship to the human body over 5,000 years of world history.

Contemporary theory across a wide range of disciplines denaturalizes the body and reveals it to be a social construction. Cultural practices which deform, adorn, mutilate, and obliterate the body illustrate that it is an important site for the inscription of culture. The authors draw on cross currents in feminist theory, literary criticism, anthropology, and history to analyze several such cultural practices as examples of the power of culture to encode its messages on the human form.

Published to accompany the exhibition held at the Metropolitan Museum of Art, New York, 6 December 2001 - 3 March 2002.