FROM THE BESTSELLING CREATORS OF FIRST DAY AND WHEN I GROW UP It's the first day of school, and none of my old friends are in my new class! Making new friends can be hard, but in this gorgeous new picture book, it can also be a whole lot of fun!

For fans of Nina LaCour's We Are Okay and Adam Silvera's History Is All You Left Me, this heartfelt and ultimately uplifting novel follows one sixteen-year-old girl's friend breakup through two concurrent timelines--ultimately proving that even endings can lead to new beginnings. "Stunning." --Nic Stone, bestselling author of Dear Martin and Odd One Out You can't rewrite the past, but you can always choose to start again. It's been twenty-seven days since Cleo and Layla's friendship imploded. Nearly a month since Cleo realized they'll never be besties again. Now Cleo wants to erase every memory, good or bad, that tethers her to her ex-best friend. But pretending Layla doesn't exist isn't as easy as Cleo hoped, especially after she's assigned to be Layla's tutor. Despite budding friendships with other classmates--and a raging crush on a gorgeous boy named Dom--Cleo's turbulent past with Layla comes back to haunt them both. Alternating between time lines of Then and Now, When You Were Everything blends past and present into an emotional story about the beauty of self-forgiveness, the promise of new beginnings, and the courage it takes to remain open to love. "Breathtakingly beautiful....Woodfolk has a way of making words sing and burst with light." --Tiffany D. Jackson, award-winning author of Monday's Not Coming and Let Me Hear A Rhyme

‘The finest harbour deserves the finest book … A colourful, fascinating and enduring account of the greatest waterway in the hemisphere.’Simon Winchester ‘This book is a joy to read. And essential for anyone who loves Sydney Harbour ... And who doesn’t?’Ken Done In the bestselling tradition of Peter Ackroyd's The Thames, a celebration of one of the world’s great waterways. Everyone knows Sydney Harbour. At least, we think we do. Everyone can see the harbour, whether we have ever been to Sydney or not. By as little as a word or two, the harbour floats into our mind’s eye. The Bridge. The Opera House. Fireworks on New Year’s Eve. When we see those images, we feel a sense of belonging. No matter who we are or where we’re from, we see the harbour and we feel good. In this beautiful, authoritative and meditative journey, Scott Bevan takes us from cove to cove, by kayak, yacht and barge to gather the harbour’s stories, past and present, from boat builders, ship captains and fishermen to artists, divers, historians and environmentalists, from signs of ancient life to the submarine invasion by the Japanese and the natural beauty that inspires people every day. This is the ultimate story of Sydney Harbour – a city’s heart and a country's soul.

"Art auctions have long captured the public imagination. They regularly make news headlines and have become synonymous with glamour, money and social distinction. The marketing of auction houses and the works they sell has resulted in firms attaining authoritative positions and the ability both to influence and reflect collecting tastes. Pedigree and panache is the first comprehensive history of the art auction in Australia. In this fascinating work, Shireen Huda investigates the construction of the glamorous reputation of art auctions and art auction houses. Featuring absorbing case studies of key art auctions and major art auction houses in Australia (including Christies, Sothebys and Deutscher-Menzies) the work provides an overview of the origin and international development of art auctions. The development of the Australian marketplace is then explored, detailing colonial inception and continuing until Christies' withdrawal of its saleroom presence in 2006."--Provided by publisher.

The fascinating lives and turbulent times of Henry Lawson and Andrew 'Banjo' Paterson - the two men who wrote Australia's story. Today most of us know that Henry Lawson and Andrew 'Banjo' Paterson were famous writers. We know about Matilda, Clancy of the Overflow and the Man from Snowy River; The Drover's Wife, While the Billy Boils and Joe Wilson and his mates, but little else. Here, in a compelling and engaging work, James Knight brings Henry and Banjo's own stories to life. And there is much to tell. Both were country born, just three years and three hundred kilometres apart, Henry on the goldfields of Grenfell and Banjo on a property near Orange, but their paths to literary immortality took very different routes - indeed at times their lives were ones of savage and all too tragic contrasts. Banjo, born into a life of comparative privilege, would rise from country boy to Sydney Grammar student, solicitor, journalist, war correspondent and revered man about town. Henry's formal education only began when his feminist mother finally won her battle for a local school but illness and subsequent deafness would make continuing his lessons difficult, seeing him find work as a labourer, a coach painter and a journalist, all the while wrestling with poverty, alcoholism and mental illness. Both men would become household names during their lifetimes. Both would have regrets. Henry and Banjo details two incredibly fascinating lives and delves into the famous (and not so famous) writings of the two men who had the power to influence and change Australia.

“An unforgettable story of friendship, love, and finding your flock.” —Erin Entrada Kelly, Newbery Medal-winning author of Hello, Universe In this exceptional debut, one young girl’s determination to save the flock she calls family creates a lasting impact on her community and in her heart. Gorgeous and literary, this is an unforgettable animal story about friendship, family, home, and belonging. For readers who love books by Kate DiCamillo and Katherine Applegate. Ten years ago, an impossible thing happened: a flock of pigeons picked up a human baby who had been abandoned in an empty lot and carried her, bundled in blankets, to their roof. Coo has lived her entire life on the rooftop with the pigeons who saved her. It’s the only home she’s ever known. But then a hungry hawk nearly kills Burr, the pigeon she loves most, and leaves him gravely hurt. Coo must make a perilous trip to the ground for the first time to find Tully, a retired postal worker who occasionally feeds Coo’s flock, and who can heal injured birds. Tully mends Burr’s broken wing and coaxes Coo from her isolated life. Living with Tully, Coo experiences warmth, safety, and human relationships for the first time. But just as Coo is beginning to blossom, she learns the human world is infinitely more complex?and cruel?than she could have imagined. This remarkable debut novel will captivate readers from the very first line. Coo examines the bonds that make us family, the possibilities of love, and the importance of being true to yourself. Fans of Katherine Applegate, Kate DiCamillo, and Barbara O’Connor will devour this extraordinary story. Features black-and-white spot art throughout.

Collection of essays and case studies outlining Australian book production and consumption, from the 1880s to the end of World War II. Explores all aspects of print culture including authorship, editing, design and printing, publication, distribution, bookselling, libraries and reading habits. Includes photos, contributor notes, bibliography and index. Two further books in the 'A History of the Book in Australia' project are planned. Lyons is Professor of History at the University of New South Wales. He has previously written (with Lucy Taksa) 'Australian Readers Remember'. Arnold is Deputy Director of the National Centre for Australian Studies, Monash University. He has previously co-edited the 'Biography of Australian Literature: A-E'.