This “must-read for fans of Nordic noir” (BookPage, starred review) follows detectives Korner and Werner as they search for a missing teenager and uncover the web of lies that has threatened his life—and may prevent him from ever being found. When fifteen-year-old Oscar Dreyer-Hoff disappears in this “masterpiece” (Booklist, starred review), the police assume he’s simply a runaway—a typically overlooked middle child doing what teenagers do all around the world. But his frantic family is certain that something terrible has happened. After all, what runaway would leave behind a note that reads: He looked around and saw the knife that had stabbed Basil Hallward. He had cleaned it many times, till there was no stain left upon it. It was bright and glistened. As it had killed the painter, so it would kill the painter’s work, and all that that meant. It would kill the past, and when that was dead, he would be free. It’s not much to go on, but it’s all that detectives Jeppe Kørner and Anette Werner have. And with every passing hour, as the odds of finding a missing person grow dimmer, it will have to be enough.

‘The finest harbour deserves the finest book … A colourful, fascinating and enduring account of the greatest waterway in the hemisphere.’Simon Winchester ‘This book is a joy to read. And essential for anyone who loves Sydney Harbour ... And who doesn’t?’Ken Done In the bestselling tradition of Peter Ackroyd's The Thames, a celebration of one of the world’s great waterways. Everyone knows Sydney Harbour. At least, we think we do. Everyone can see the harbour, whether we have ever been to Sydney or not. By as little as a word or two, the harbour floats into our mind’s eye. The Bridge. The Opera House. Fireworks on New Year’s Eve. When we see those images, we feel a sense of belonging. No matter who we are or where we’re from, we see the harbour and we feel good. In this beautiful, authoritative and meditative journey, Scott Bevan takes us from cove to cove, by kayak, yacht and barge to gather the harbour’s stories, past and present, from boat builders, ship captains and fishermen to artists, divers, historians and environmentalists, from signs of ancient life to the submarine invasion by the Japanese and the natural beauty that inspires people every day. This is the ultimate story of Sydney Harbour – a city’s heart and a country's soul.

"The finest writer of sea-stories in the English language."--J. de Courcy Ireland

INTRODUCED BY SARAH WATERS 'Every one of her books is a treat and this is my favourite, because of its wonderful cast of characters, and because of the deftness with which Taylor's narrative moves between them ... A wonderful writer' SARAH WATERS In the faded coastal village of Newby, everyone looks out for - and in on - each other, and beneath the deceptively sleepy exterior, passions run high. Beautiful divorcee Tory is secretly involved with her neighbour, Robert, while his wife Beth, Tory's best friend, is consumed by the worlds she creates in her novels, oblivious to the relationship developing next door. Their daughter Prudence is aware, however, and is appalled by the treachery she observes. Mrs Bracey, an invalid whose grasp on life is slipping, forever peers from her window, constantly prodding her daughters for news of the outside world. And Lily Wilson, a lonely young widow, is frightened of her own home. Into their lives steps Bertram, a retired naval officer with the unfortunate capacity to inflict lasting damage while trying to do good. 'Her stories remain with one, indelibly, as though they had been some turning-point in one's own experience' - ELIZABETH BOWEN 'Always intelligent, often subversive and never dull, Elizabeth Taylor is the thinking person's dangerous housewife. Her sophisticated prose combines elegance, icy wit and freshness in a stimulating cocktail' - VALERIE MARTIN 'A magnificent and underrated mid-20th-century writer, the missing link between Jane Austen and John Updike' - DAVID BADDIEL

Detectives Jeppe Kørner and Anette Werner race to solve a series of sordid murders linked to some of the most vulnerable patients in a Danish hospital in this sequel to the #1 international bestseller The Tenant that is “brimming with personality, eccentric characters, and plenty of mystery and intrigue” (Crime by the Book). Hospitals are supposed to be places of healing. But in the coronary care unit at one of Copenhagen’s leading medical centers, a nurse fills a syringe with an overdose of heart medication and stealthily enters the room of an older male patient. Six days earlier, a paperboy on his route in central Copenhagen stumbles upon a macabre find: the naked body of a dead woman, lying in a fountain with arms marked with small incisions. Cause of death? Exsanguination—the draining of all the blood in her body. Copenhagen investigator Jeppe Kørner, recovering from a painful divorce and in the throes of a new relationship, takes on the case. His partner, Anette Werner, now on maternity leave after an unexpected pregnancy, is restless at home with a demanding newborn and an equally demanding husband. While Jeppe pounds the streets looking for answers, Anette decides to do a little freelance sleuthing. But operating on her own exposes her to dangers she can’t even begin to fathom. As the “thrillingly nerve-racking” (Shelf Awareness) investigation ventures into dark corners, it uncovers the shockingly depraved greed that festers beneath the surface of caregiving institutions—and what Jeppe and Anette discover will turn their blood as cold as ice…

On the centennial of Joseph Mitchell's birth, here is a new edition of the classic collection containing his most celebrated pieces about New York City. Fifty years after its original publication, The Bottom of the Harbor is still considered a fundamental New York book. Every story Mitchell tells, every person he introduces, every scene he describes is illuminated by his passion for the eccentrics and eccentricities of his beloved adopted city. All of the pieces here are connected in one way or another--some directly, some with a kind of mysterious circuitousness--to New York's fabled waterfront, the terrain that Mitchell brilliantly made his own. They tell of a life that has passed--of vacant hotel rooms, deserted communities, once-thriving fishing areas that are now polluted and studded with wrecks. Included are "Up in the Old Hotel," a portrait of Louis Morino, the proprietor of a restaurant called (to his disgust) Sloppy Louie's; "The Rats on the Waterfront," which has inspired countless writers to attempt portraits of these most demonized New Yorkers; and "Mr. Hunter's Grave," widely considered to be the finest single piece of nonfiction to have ever appeared in the pages of The New Yorker. Here is the essential work of a legendary writer.

Snappsy the alligator is having a normal day when a pesky narrator steps in to spice up the story. Is Snappsy reading a book ... or is he making CRAFTY plans? Is Snappsy on his way to the grocery store ... or is he PROWLING the forest for defenseless birds and fuzzy bunnies? Is Snappsy innocently shopping for a party ... or is he OBSESSED with snack foods that start with the letter P? What's the truth? Snappsy the Alligator (Did Not Ask to Be in This Book) is an irreverent look at storytelling, friendship, and creative differences, perfect for fans of Mo Willems.