The fascinating lives and turbulent times of Henry Lawson and Andrew 'Banjo' Paterson - the two men who wrote Australia's story. Today most of us know that Henry Lawson and Andrew 'Banjo' Paterson were famous writers. We know about Matilda, Clancy of the Overflow and the Man from Snowy River; The Drover's Wife, While the Billy Boils and Joe Wilson and his mates, but little else. Here, in a compelling and engaging work, James Knight brings Henry and Banjo's own stories to life. And there is much to tell. Both were country born, just three years and three hundred kilometres apart, Henry on the goldfields of Grenfell and Banjo on a property near Orange, but their paths to literary immortality took very different routes - indeed at times their lives were ones of savage and all too tragic contrasts. Banjo, born into a life of comparative privilege, would rise from country boy to Sydney Grammar student, solicitor, journalist, war correspondent and revered man about town. Henry's formal education only began when his feminist mother finally won her battle for a local school but illness and subsequent deafness would make continuing his lessons difficult, seeing him find work as a labourer, a coach painter and a journalist, all the while wrestling with poverty, alcoholism and mental illness. Both men would become household names during their lifetimes. Both would have regrets. Henry and Banjo details two incredibly fascinating lives and delves into the famous (and not so famous) writings of the two men who had the power to influence and change Australia.

The first book devoted entirely to women in bluegrass, Pretty Good for a Girl documents the lives of more than seventy women whose vibrant contributions to the development of bluegrass have been, for the most part, overlooked. Accessibly written and organized by decade, the book begins with Sally Ann Forrester, who played accordion and sang with Bill Monroe's Blue Grass Boys from 1943 to 1946, and continues into the present with artists such as Alison Krauss, Rhonda Vincent, and the Dixie Chicks. Drawing from extensive interviews, well-known banjoist Murphy Hicks Henry gives voice to women performers and innovators throughout bluegrass's history, including such pioneers as Bessie Lee Mauldin, Wilma Lee Cooper, and Roni and Donna Stoneman; family bands including the Lewises, Whites, and McLains; and later pathbreaking performers such as the Buffalo Gals and other all-girl bands, Laurie Lewis, Lynn Morris, Missy Raines, and many others.

Gracing the cover of this pocket-sized notebook is The Banjo Lesson, the most famous painting by Henry Ossawa Tanner. Featuring 64 blank pages, it's perfect for jotting down notes, appointments, grocery lists, and more.

The banjo has been called by many names over its history, but they all refer to the same sound—strings humming over skin—that has eased souls and electrified crowds for centuries. The Banjo invites us to hear that sound afresh in a biography of one of America’s iconic folk instruments. Attuned to a rich heritage spanning continents and cultures, Laurent Dubois traces the banjo from humble origins, revealing how it became one of the great stars of American musical life. In the seventeenth century, enslaved people in the Caribbean and North America drew on their memories of varied African musical traditions to construct instruments from carved-out gourds covered with animal skin. Providing a much-needed sense of rootedness, solidarity, and consolation, banjo picking became an essential part of black plantation life. White musicians took up the banjo in the nineteenth century, when it became the foundation of the minstrel show and began to be produced industrially on a large scale. Even as this instrument found its way into rural white communities, however, the banjo remained central to African American musical performance. Twentieth-century musicians incorporated the instrument into styles ranging from ragtime and jazz to Dixieland, bluegrass, reggae, and pop. Versatile and enduring, the banjo combines rhythm and melody into a single unmistakable sound that resonates with strength and purpose. From the earliest days of American history, the banjo’s sound has allowed folk musicians to create community and joy even while protesting oppression and injustice.

Henry Lawson is one of Australia's best-known writers and poets. His short stories such as the 'The Drover's Wife' and 'The Loaded Dog' are colorful chronicles of the hardships, struggles and triumphs of Australian bush life at the turn of the nineteenth century.

Klezmer! is the fascinating story of survival against the odds, of a musical legacy so potent it can still be heard dispite assimilation and near annihilation. The scratchy, distant sound of the early recordings discovered and studied by Henry Sapoznik have formed a soundtrack for an entirely new generation of performers.

(Banjo). The best-selling banjo method in the world! Earl Scruggs's legendary method has helped thousands of banjo players get their start. The "Revised and Enhanced Edition" features more songs, updated lessons, and many other improvements. It includes everything you need to know to start playing banjo, including: a history of the 5-string banjo, getting acquainted with the banjo, Scruggs tuners, how to read music, chords, how to read tablature, right-hand rolls and left-hand techniques, banjo tunings, exercises in picking, over 40 songs, how to build a banjo, autobiographical notes, and much more! Includes audio of Earl Scruggs playing and explaining over 60 examples!

Includes the open Faces in the Street by Henry Lawson

The extraordinary rise, devastating fall and enduring legacy of an Australian icon Henry Lawson captured the heart and soul of Australia and its people with greater clarity and truth than any writer before him. Born on the goldfields in 1867, he became the voice of ordinary Australians, recording the hopes, dreams and struggles of bush battlers and slum dwellers, of fierce independent women, foreign fathers and larrikin mates. Lawson wrote from the heart, documenting what he saw from his earliest days as a poor, lonely, handicapped boy with warring parents on a worthless farm, to his years as a literary lion, then as a hopeless addict cadging for drinks on the streets, and eventually as a prison inmate, locked up in a tiny cell beside murderers. A controversial figure today, he was one of the first writers to shine a light on the hardships faced by Australia's hard-toiling wives and mothers, and among the first to portray, with sympathy, the despair of Indigenous Australians at the ever-encroaching European tide. His heroic figures such as The Drover's Wife and the fearless unionists striking out for a better deal helped define Australia's character, and while still a young man, his storytelling drew comparisons on the world stage with Tolstoy, Gorky and Kipling. But Henry Lawson's own life may have been the most compelling saga of all, a heart-breaking tale of brilliance, lost love, self-destruction and madness. Grantlee Kieza, the author of critically acclaimed bestselling biographies of such important figures as Banjo Paterson, Joseph Banks, Lachlan Macquarie and John Monash, reveals the extraordinary rise, devastating fall and enduring legacy of an Australian icon. PRAISE FOR GRANTLEE KIEZA OAM 'Engagingly written ... one of the most nuanced portraits to date' The Australian 'Vivid, detailed and well written' Daily Telegraph 'A staggering accomplishment that can't be missed by history buffs and story lovers alike' Betterreading.com.au 'A free-flowing biography of a great Australian figure' John Howard 'Clear and accessible ... well-crafted and extensively documented' Weekend Australian 'Kieza has added hugely to the depth of knowledge about our greatest military general in a book that is timely' Tim Fischer, Courier-Mail 'The author writes with the immediacy of a fine documentary ... an easy, informative read, bringing historic personalities to life' Ballarat Courier

The history of the banjo is as haunting as its music. Made popular in minstrel shows of the nineteenth century, the "banjar" derives from the stringed gourd instrument African slaves brought with them to plantations in the Caribbean and American South. From minstrelsy to the folk music revival of the twentieth century, the banjo has continued to attract audiences and acquire meaning. Picturing the Banjo gives this long history an entirely new dimension by tracing the instrument's representation in American visual culture from the eighteenth century to the present. Published in conjunction with an exhibition of the same name, Picturing the Banjo offers the first examination of the instrument's portrayal in images that range from anonymous photographs of performers to paintings by Thomas Eakins and prints by Dox Thrash. Leo G. Mazow, contributing editor of the volume, and his collaborators demonstrate that the banjo became an American icon that links popular music to fundamental issues of race, class, and gender. Simple and appealing as the instrument may seem in Henry Ossawa Tanner's The Banjo Lesson or Eastman Johnson's Old Kentucky Home, it carries powerful associations with social conflict and change. Through its many color and black-and-white illustrations, this book allows readers to experience the works of visual art and period instruments brought together in the pioneering exhibition organized by the Palmer Museum of Art of The Pennsylvania State University. Picturing the Banjo will be of interest to banjo lovers, scholars in American studies, and all those concerned with the musical and artistic heritage of slavery.