The mythographer who has command of scholarly literature, the analytic ability and the lucid prose and the staying power.

These 12 eclectic essays explore the topic for which Campbell was best known: myth and its fascinating context within the human imagination in the arts, literature, and culture, as well as in everyday life.

Riting Myth, Mythic Writing: Plotting Your Personal Story is a both a theoretical as well as interactive book on the nature of personal myth. Its intention is to offer participants who wish to explore further the terms and structure of their personal myth over 80 writing meditations that are spread throughout 9 chapters in order to guide the readers-writers on a pilgrimage into the deepest layers of their personal myth.

The Dictionary of Modern American Philosophers includes both academic and non-academic philosophers, and a large number of female and minority thinkers whose work has been neglected. It includes those intellectuals involved in the development of psychology, pedagogy, sociology, anthropology, education, theology, political science, and several other fields, before these disciplines came to be considered distinct from philosophy in the late nineteenth century. Each entry contains a short biography of the writer, an exposition and analysis of his or her doctrines and ideas, a bibliography of writings, and suggestions for further reading. While all the major post-Civil War philosophers are present, the most valuable feature of this dictionary is its coverage of a huge range of less well-known writers, including hundreds of presently obscure thinkers. In many cases, the Dictionary of Modern American Philosophers offers the first scholarly treatment of the life and work of certain writers. This book will be an indispensable reference work for scholars working on almost any aspect of modern American thought.

True Myth examines the meaning and significance of myth as understood by C.S. Lewis and Joseph Campbell and its place in the Christian faith in a technological society. C.S. Lewis defined Christianity, and being truly human, as a relationship between thepersonal Creator and his creation mediated through faith in his son, Jesus. The influential writer and mythologist Joseph Campbell had a different perspective, understanding Christianity as composed of mythical themes similar to those in other religious and secular myths. While accepting certain portions of the biblical record as historical, Campbell taught the theological and miraculous aspects as symbolic - as stories in which the reader discovers what it means to be human today. In contrast, Lewis presented the theological and the miraculous in a literal way. Although Lewis understood how one could see symbolism and lessons for life in miraculous events, he believed they were more than symbolic and indeed took place in human history. In True Myth, James W. Menzies skilfully balances the two writers' differing approaches to guide the reader through a complex interaction of myth with philosophy, media, ethics, history, literature, art, music and religion in a contemporary world.

In this highly original study Joseph Mali explores how four attentive and inventive readers of Giambattista Vico's New Science (1744) - the French historian Jules Michelet (1798–1874), the Irish writer James Joyce (1882–1941), the German literary scholar Erich Auerbach (1892–1957) and the English philosopher Isaiah Berlin (1909–97) - came to find in Vico's work the inspiration for their own modern theories (or, in the case of Joyce, stories) of human life and history. Mali's reconstruction of the specific biographical and historical occasions in which these influential men of letters encountered Vico reveals how their initial impressions and interpretations of his theory of history were decisive both for their intellectual development and their major achievements in literature and thought. This new interpretation of the legacy of Vico's New Science is essential reading for all those engaged in the history of ideas and modern cultural history.

This collection of essays, written over a period of years, entertains the shared place of psyche and poetics. Dr. Slattery has explored the manner in which the psyche is poetic and how poetry is deeply psycho-mythical. Influenced in part by the archetypal psychologist James Hillman's idea of the "poetic basis of mind" that comprises the soul's foundation, Slattery's writing moves into the interactive field in which myth is the ground for both psyche and poetry. The essays develop a further understanding of what has been called mythopoiesis, the fundamental myth-making and shaping capacity of the soul.

Since its publication in 1939, countless would-be readers of "Finnegans Wake" - James Joyce's masterwork, which consumed a third of his life - have given up after a few pages, dismissing it as a "perverse triumph of the unintelligible." In 1944, a young professor of mythology and literature named Joseph Campbell, working with Henry Morton Robinson, wrote the first "key" or guide to entering the fascinating, disturbing, marvelously rich world of "Finnegans Wake." The authors break down Joyce's "unintelligible" book page by page, stripping the text of much of its obscurity and serving up thoughtful interpretations via footnotes and bracketed commentary. They outline the book's basic action, and then simplify -- and clarify -- its complex web of images and allusions. "A Skeleton Key to Finnegans Wake" is the latest addition to the "Collected Works of Joseph Campbell" series.

Though he published just a handful of major works in his lifetime, James Joyce (1882-1941) continues to fascinate readers around the world and remains one of the most important literary figures of the 20th century. The complexity of Joyce's style has attracted--and occasionally puzzled--generations of readers who have succumbed to the richness of his literary world. This literary companion guides readers through his four major works--Dubliners, A Portrait of the Artist as a Young Man, Ulysses and Finnegans Wake--with chapter-by-chapter discussions and critical inquiry. An A to Z format covers the works, people, history and context that influenced his writing. Appendices summarize notable Joycean literary criticism and biography, and also discuss significant films based on his work.

In studies of psychology’s role in modernism, Carl Jung is usually relegated to a cameo appearance, if he appears at all. This book rethinks his place in modernist culture during its formative years, mapping Jung’s influence on a surprisingly vast transatlantic network of artists, writers, and thinkers. Jay Sherry sheds light on how this network grew and how Jung applied his unique view of the image-making capacity of the psyche to interpret such modernist icons as James Joyce and Pablo Picasso. His ambition to bridge the divide between the natural and human sciences resulted in a body of work that attracted a cohort of feminists and progressives involved in modern art, early childhood education, dance, and theater.