Riting Myth, Mythic Writing: Plotting Your Personal Story is a both a theoretical as well as interactive book on the nature of personal myth. Its intention is to offer participants who wish to explore further the terms and structure of their personal myth over 80 writing meditations that are spread throughout 9 chapters in order to guide the readers-writers on a pilgrimage into the deepest layers of their personal myth.

Dante has it right: we are on more than a journey; we are on a pilgrimage. Author Dennis Patrick Slattery, who has been teaching Dantes works for more than twenty years, believes that our life stories are embedded in the journey of this pilgrim. In Day-to-Day Dante, Slattery presents passages from Dante Alighieris fourteenth-century poem The Divine Comedy to assist you in searching for the core elements of your personal myth. Day-to-Day Dante is divided into 365 entries and reflections so you may explore and meditate on one page per day for a year. Each entry and reflection is followed by a writing meditation to help you arrive at your own insights about your personal travels and travails. This examination of Dantes pilgrimage will help you deepen the understanding of yourself and the larger political, social, and religious worlds. Through Day-to-Day Dante you can connect more deeply with your own narrative, following Dantes journey from out of a dark wood to a vision of the transcendent.

We all tell stories about who we are, where we come from, and where we are going. These personal myths in turn shape who we become and what we believe—as individuals, families, and nations. This book offers readers the tools to detect the story line in their own lives and to write and tell it to others, opening up a hidden world of self-discovery and meaning. The numerous accessible exercises are followed by examples of personal stories and inspiring quotes to stimulate the journey to the center of one's purpose. "By the art of fantasy and imagination, story and image, these authors map the ways personal stories deepen into transpersonal mythic journeys." —David Miller, Ph.D., Watson-Ledden Professor of Religion, Syracuse University

This book presents contributions from different authors covering the mythical basis for different religions. It also shows how psychology and philosopy have been influenced by myths.

Explores the wounded body in literature from Homer to Toni Morrison, examining how it functions archetypally as both a cultural metaphor and a poetic image.

Beneath our conscious minds, our personal mythology directs our actions and organizes your experiences. Psychologists Feinstein and Krippner explain how our current rate of social change is outpacing our culture's capacity to renew its traditions and guiding mythsand offer a twelve-week course for each of us to understand and transform our personal mythology. In the process, we move from past influences to taking charge of our own future.

Our Daily Breach: Exploring Your Personal Myth Through Herman Melville’s Moby-Dickoffers both a way of understanding what has generally been called the greatest novel of the American myth while simultaneously exploring one’s own personal myth. Its added feature is that it is an interactive book in allowing reader’s to meditate on one question per page for each day of the year and to undercover many facets of one’s personal myth through cursive writing. It has been long understood that classics of literature are their own form of therapy in that they frequently tap into some of the most shared concerns of being human. This book makes such a connection between our interior life and the plot of the story through the power of mythopoiesis, namely the imaginative act of giving a formative shape to the myth we are each living in and out through the power of analogy, correspondence or accord with the classic poem. Using Melville’s epic of America, the reader may enter the deepest seas of his/her own mythic waters to realize and give language to the myth that resides in our daily plot line.

One day a teenage boy gets on his bike and rides forty miles up California’s Pacific Coast Highway to avoid causing an earthquake he fears will endanger his mother and sister. But the quake he is experiencing is not coming from beneath the earth; it’s the onset of bipolar illness. Blinded by Hope describes what it’s like to have an unusually bright, creative child—and then to have that child suddenly be hit with an illness that defies description and cure. Over the years, McGuire attributes her son’s lost jobs, broken relationships, legal troubles, and periodic hospitalizations to the manic phase of his illness, denying the severity of his growing drug use—but ultimately, she has to face her own addiction to rescuing him, and to forge a path for herself toward acceptance, resilience, and love. A wakeup call about the epidemic of mental illness, substance abuse, and mass incarceration in our society, Blinded by Hope shines a light on the shadow of family dynamics that shame, ignorance, and stigma rarely let the public see, and asks the question: How does a mother cope when love is not enough?

In his 30th published volume, The Way of Myth: Stories' Subtle Wisdom, Dennis Patrick Slattery reaches back in "Part I: Mining the Myths Anew," to some earlier essays on classic films and works of literature. He also includes extended meditations on the thought of mythologist Joseph Campbell; on creativity's hungers; on beliefs as mythic constructs; and on the joys of painting. Many of the essays explore the act of reading and the importance of stories as they relate to one's personal myth. In "Part II: The Social Fabric of Stories," Slattery includes a series of 19 short op-ed essays on a range of topics: the classroom as sacred space; uncertainty; the fact of myth; compassion; moral injury; peace; the gifts of conversation; gall-bladder surgery; the 'pan'-demic; and the poetics of myth, among others. Reflections on several of Joseph Campbell's volumes are also included in this section. The author's reflective interests are trans-disciplinary, analogical and depth-psychological. These essays stretch out over many years of writing. Now, in this volume they are gathered so they can speak and engage one another to reveal the subtle wisdom of stories. "In The Way of Myth, the culminating book of the prolific Dennis Patrick Slattery's career, I find an abundance of wonder and a plenitude of what the poet-astronomer Rebecca Elson called our 'responsibility to awe.' For him, mythology is everywhere if only we develop "the mythic slant," the ability to see its wild wisdom all around us. What vitalizes his writing is how he encourages the reader to venture beyond theory to experience one of the least appreciated aspects of mythology-the sheer joy that can come from identifying with its characters-to the point where we no longer feel alone in our own struggles. The sheer range here of essays, poems, reminiscences, reviews and retellings underscores Slattery's ardent belief that mythmaking is one of the constants in cultures throughout history. I especially value his uncanny awareness of what he calls the 'weathervanes of the soul, ' the cultural devices, if you will, found in art, literature, theater and cinema, as well as in sports, religion, psychiatry, nature and our romantic lives, which indicate the direction of our mythologically-inclined minds." From the Foreword by Phil Cousineau

For Bataille, the absence of myth had itself become the myth of the modern age. In a world that had lost the secret of its cohesion, Bataille saw surrealism as both a symptom and a beginning of an attempt to address this loss. His writings on this theme are the result of a profound reflection in the wake of World War Two. The Absence of Myth is the most incisive study yet made of surrealism, insisting on its importance as a cultural and social phenomenon with far-reaching consequences. Clarifying Bataille's links with the surrealist movement, and throwing revealing light on his complex and greatly misunderstood relationship with Andre Breton, The Absence of Myth shows Bataille to be a much more radical figure than his postmodernist devotees would have us believe: a man who continually tried to extend Marxist social theory; a pessimistic thinker, but one as far removed from nihilism as can be.