* In size, price, and elegant packaging, these books will ideal gifts * Beautiful 3-colour jacket designed to give a uniform look * Unique and highly distinctive black and white pattern on each spine * Full cloth, flexible covers * Sewn Binders * Silk Ribbon Markers and Headbands * Gold Stamping on front and spine * Decorative patterned endpapers * Newly designed typographic settings in classic typefaces * Portable format-size 61/4 x 4 ins (15. 75 x 10. 25 cm) * Cream-wove acid-free paper * 256pp each volume

“A visual treat as well as a literary one…for gardeners and garden lovers, connoisseurs of botanical illustration, and those who seek a deeper understanding of the life and work of Emily Dickinson.” —The Wall Street Journal Emily Dickinson was a keen observer of the natural world, but less well known is the fact that she was also an avid gardener—sending fresh bouquets to friends, including pressed flowers in her letters, and studying botany at Amherst Academy and Mount Holyoke. At her family home, she tended both a small glass conservatory and a flower garden. In Emily Dickinson’s Gardening Life, award-winning author Marta McDowell explores Dickinson’s deep passion for plants and how it inspired and informed her writing. Tracing a year in the garden, the book reveals details few know about Dickinson and adds to our collective understanding of who she was as a person. By weaving together Dickinson’s poems, excerpts from letters, contemporary and historical photography, and botanical art, McDowell offers an enchanting new perspective on one of America’s most celebrated but enigmatic literary figures.

A collection of poems evoking the world and feelings of childhood.

Late in life our most revered poet delivers a verdant collection that rivals the best from his storied career.

The Paradise of Revenge is a sizzling psychological drama novel of judicial corruption, passion, uncommon courage and the dramatic love story of young Josefina Camarillo. Seduced by Satan’s whispered promise to restore her precious innocence, devout young Josefina turns her back on God and schemes her wicked biblical revenge on Shy Lanier, the teenaged son of the man she believes brutally raped and disfigured her. Meanwhile, the dazzling and brilliant Lonnie Lanier, the devoted wife of Josefina’s convicted rapist, swallows her pride and morality to work undercover in a Lawyers Only escort service gathering the evidence she needs to prove her husband’s innocence and to bring to justice the ruthless courthouse crime family that framed her husband. Share the passion of devout young Josefina Camarillo—uncensored, uncut, as it happened—as she schemes her wicked biblical revenge. Live this intimate, emotion-packed story of dear sweet Josefina, her battle with Satan ́s emissaries and her discovery of Truth— *We are never alone *God is everywhere *Love is the ultimate revenge The Paradise of Revenge presents love, sex, passion and romance on the bed of judicial corruption in a powerful story with a shocking and heartfelt resolution, a story inspiring courage and faith, a story that will haunt you for years. A bold, capitivating book you ́ll enjoy reading twice—once for the mind and again for the heart. A scintillating read for you and your friends. Visit the author at www.Authorsden.com/richardleeorey

A Finalist for the Kingsley Tufts Award for Poetry A New York Times Notable Book of the Year From the Winner of the Whiting Award, an American Book Award, and finalist for a Lambda, Tommy Pico's Feed is the final book in the Teebs Cycle. Feed is the fourth book in the Teebs tetralogy. It's an epistolary recipe for the main character, a poem of nourishment, and a jaunty walk through New York's High Line park, with the lines, stanzas, paragraphs, dialogue, and registers approximating the park's cultivated gardens of wildness. Among its questions, Feed asks what's the difference between being alone and being lonely? Can you ever really be friends with an ex? How do you make perfect mac & cheese? Feed is an ode of reconciliation to the wild inconsistencies of a northeast spring, a frustrating season of back-and-forth, of thaw and blizzard, but with a faith that even amidst the mess, it knows where it's going.

"Harryette Mullen is a magician of words, phrases, and songs . . . No voice in contemporary poetry is quite as original, cosmopolitan, witty, and tragic." —Susan Stewart, citation for the Academy of American Poets Fellowship Urban tumbleweed, some people call it, discarded plastic bag we see in every city blown down the street with vagrant wind. —from Urban Tumbleweed Urban Tumbleweed is the poet Harryette Mullen's exploration of spaces where the city and the natural world collide. Written out of a daily practice of walking, Mullen's stanzas adapt the traditional Japanese tanka, a poetic form suited for recording fleeting impressions, describing environmental transitions, and contemplating the human being's place in the natural world. But, as she writes in her preface, "What is natural about being human? What to make of a city dweller taking a ‘nature walk' in a public park while listening to a podcast with ear-bud headphones?"

In What Gardens Mean, Stephanie Ross draws on philosophy as well as the histories of art, gardens, culture, and ideas to explore the magical lure of gardens. Paying special attention to the amazing landscape gardens of eighteenth-century England, she situates gardening among the other fine arts, documenting the complex messages gardens can convey and tracing various connections between gardens and the art of painting. What Gardens Mean offers a distinctive blend of historical and contemporary material, ranging from extensive accounts of famous eighteenth-century gardens to incisive connections with present-day philosophical debates. And while Ross examines aesthetic writings from the seventeenth and eighteenth centuries, including Joseph Addison’s Spectator essays on the pleasures of imagination, the book’s opening chapter surveys more recent theories about the nature and boundaries of art. She also considers gardens on their own terms, following changes in garden style, analyzing the phenomenal experience of viewing or strolling through a garden, and challenging the claim that the art of gardening is now a dead one. (ed.)

"A graceful and moving glimpse into a rare and giving artist's refined poetics, garden aesthetics, and spirituality."—Booklist Throughout his life (1905-2006) Stanley Kunitz created poetry and tended gardens. This book is the distillation of conversations, none previously published, that took place between 2002 and 2004. Beginning with the garden, that "work of the imagination," the explorations journey through personal recollections, the creative process, and the harmony of the life cycle. A bouquet of poems and a total of 26 full-color photographs accompany the various sections. The Wild Braid received a 2006 American Horticultural Society Book Award.