* In size, price, and elegant packaging, these books will ideal gifts * Beautiful 3-colour jacket designed to give a uniform look * Unique and highly distinctive black and white pattern on each spine * Full cloth, flexible covers * Sewn Binders * Silk Ribbon Markers and Headbands * Gold Stamping on front and spine * Decorative patterned endpapers * Newly designed typographic settings in classic typefaces * Portable format-size 61/4 x 4 ins (15. 75 x 10. 25 cm) * Cream-wove acid-free paper * 256pp each volume

A musical celebration of the garden, from chaff to grass, and all of its lowly weeds, herbs, and creatures Sylvia Legris’s Garden Physic is a paean to the pleasures and delights of one of the world’s most cherished pastimes: Gardening! “At the center of the garden the heart,” she writes, “Red as any rose. Pulsing / balloon vine. Love in a puff.” As if composed out of a botanical glossolalia of her own invention, Legris’s poems map the garden as body and the body as garden—her words at home in the phytological and anatomical—like birds in a nest. From an imagined love-letter exchange on plants between garden designer Vita Sackville-West and Harold Nicolson to a painting by Agnes Martin to the medicinal discourse of the first-century Greek pharmacologist Pedanius Dioscorides, Garden Physic engages with the anaphrodisiacs of language with a compressed vitality reminiscent of Louis Zukofsky’s “80 Flowers.” In muskeg and yard, her study of nature bursts forth with rainworm, whorl of horsetail, and fern radiation—spring beauty in the lines, a healing potion in verse.

In 15 poems, Wong records some of the many dreams--from the familiar to the outlandish and everywhere in between--that she or her friends have had. With Paschkis's paintings, which reflect the glowing colors of dreams, these nighttime visions create a garden, tempting to explore and evocative of dreams of our very own. Full color.

Learn vital processes and procedures about gardening through different types of poetry.

When I first decided to try publishing my poems and art, I knew nothing about the literary publishing industry. I take great pleasure in presenting my favorite poems and the art designed specifically for this book, which is published under iUniverse. I thought of writing quality poems, which is why all the texts and illustrations in this assemblage are all original works of mine intended to reach a wide audience. This book is a collection of fifty impressionistic pictures, one hundred fifty lyrical poems from the Garden of Nature and Love in English, and one hundred fifty similar lyrical poems in Romanian. Author and artist: Estera Nanassy

"The chatty informal rhythms and the mix of everyday detail with the universals make this picture book a great family read-aloud." —Booklist "Dawud's latest book A Picnic of Poems is another masterpiece of poetry that captures the essence of every child's hopes, dreams, and fears, in the most colorful and imaginative way. It is a delectable treat for the whole family, filled with beautiful illustrations. Every part has a wonderful lesson to draw from and will provide all, young and old, with great guidance for generations to come." —Zain Bhikha, South African singer/songwriter A collection of thirty poems to keep the young and young-at-heart entertained for hours. These poems cover a number of topics including motherhood, daily prayer, baby siblings, life on a farm, the animal kingdom, bullying, mosques, Ramadan, appreciating nature, and more. The book comes with an audio CD to sing along to these joyful yet educational poems. "A Picnic of Poems" I've packed some poems for lunch, some rhymes for us to chew, a simple, sippy, soup of songs, to stir and sing and stew. Like all good meals to munch, it would be very rude not to begin with bismillah, to bless our poetry food. Canadian-born Dawud Wharnsby began writing poetry, composing music, and performing in his teens. Since then he has become a voice for socially conscious and spiritually minded individuals in the twenty-first century.

Late in life our most revered poet delivers a verdant collection that rivals the best from his storied career.

The classic book of children's poetry that immortalized "The Land of Counterpane," "The Land of Nod," "My Shadow," and "Foreign Land."

The language employed in these poems is exquisite, often mirroring the delicate and intricate nature of the flowers themselves. The poets utilize vivid imagery and metaphorical language to evoke the sensory experience of being surrounded by blooming flora. Readers can almost feel the softness of petals, hear the rustle of leaves, and inhale the sweet perfume that wafts through the verses. The thematic range of the poems is expansive, reflecting the diverse meanings and cultural associations that flowers hold. Some verses explore the romantic allure of flowers, weaving narratives of love and desire that intertwine with the blooms. Others delve into the melancholy beauty of wilting petals, drawing parallels to the transient nature of life. The poems collectively create a nuanced portrait of the emotional spectrum, using flowers as metaphors to convey sentiments that resonate universally. One of the standout features of this anthology is its ability to fuse botanical knowledge with poetic expression. The poets demonstrate an intimate understanding of flowers, incorporating scientific details seamlessly into their verses. This blend of artistic creativity and botanical precision enhances the depth of the poems, offering readers a richer and more immersive experience as they explore the garden of verses.

Written during the same period as The Glass Bead Game, these poems reflect the book's mysticism and help to illuminate Hesse's physical and metaphysical search for a "sublime alchemy" that would go beyond all images