"Harryette Mullen is a magician of words, phrases, and songs . . . No voice in contemporary poetry is quite as original, cosmopolitan, witty, and tragic." —Susan Stewart, citation for the Academy of American Poets Fellowship Urban tumbleweed, some people call it, discarded plastic bag we see in every city blown down the street with vagrant wind. —from Urban Tumbleweed Urban Tumbleweed is the poet Harryette Mullen's exploration of spaces where the city and the natural world collide. Written out of a daily practice of walking, Mullen's stanzas adapt the traditional Japanese tanka, a poetic form suited for recording fleeting impressions, describing environmental transitions, and contemplating the human being's place in the natural world. But, as she writes in her preface, "What is natural about being human? What to make of a city dweller taking a ‘nature walk' in a public park while listening to a podcast with ear-bud headphones?"

WHAT IS THIS BOOK ABOUT? Everyone feels small or inadequate at some point in their lives. The Tiniest Tumbleweed is a story written to help children learn more about what they can do to become their best selves, despite whatever may be making them feel small or limited. The characters are two Sonoran Desert neighbors, a tiny tumbleweed and a baby house sparrow, who are both small for their age. Guided by the loving encouragement of their parents, they learn to work within their physical limitations to grow to be the best they can be, rather than measure themselves against others. As a result, they also learn how they can help one another, providing a lesson about the synergy between living things and the boundless opportunities those relationships provide. WHAT MAKES IT UNIQUE? The proven psychological concepts for building self-efficacy combined with a children's literature writing method that helps young readers believe in limitless opportunities are what make The Tiniest Tumbleweed unique. The connection between the characters in the book, a tiny tumbleweed and a sparrow, provides a fascinating look into the real-life desert relationship between tumbleweeds and birds. Following the story, a well-researched curriculum guide captivates young readers, helping them develop a deeper respect for nature.

Has the current political system in the People's Republic of China lost its legitimacy in the eyes of the Chinese public? On the basis of three carefully drawn surveys of Beijing residents between 1995 and 1999, the author finds that diffuse support for the current political system—based on attitudes toward institutions and values—remains strong, at least among city-dwellers, though it is gradually declining. Specific support for current political authorities, as measured by evaluations of their performance in major policy domains, is much weaker, with many citizens evaluating the authorities' performance as mediocre. In analyzing the longitudinal data presented here, the author finds that the same set of key sociodemographic attributes and sociopolitical orientations variably influence citizens' attitudes toward the political system and their evaluations of leaders' performance. Further, the study shows that citizens' attitudes toward the system, on the one hand, and their evaluation of incumbents' performance on the other, have different impacts on forms of political participation, such as voting and contacting authorities.

This book examines how we navigate questions of commitment and flexibility at work and at home in a world where insecurity has become the norm. How do people today, especially parents, think and talk about what we owe each other on the job and in intimate relationships-with partners, children, and others-when so much is perpetually up in the air?

Nishiyama Matsunosuke is one of the most important historians of Tokugawa (Edo) popular culture, yet until now his work has never been translated into a Western language. Edo Culture presents a selection of Nishiyama’s writings that serves not only to provide an excellent introduction to Tokugawa cultural history but also to fill many gaps in our knowledge of the daily life and diversions of the urban populace of the time. Many essays focus on the most important theme of Nishiyama’s work: the seventeenth to nineteenth centuries as a time of appropriation and development of Japan’s culture by its urban commoners. In the first of three main sections, Nishiyama outlines the history of Edo (Tokyo) during the city’s formative years, showing how it was shaped by the constant interaction between its warrior and commoner classes. Next, he discusses the spirit and aesthetic of the Edo native and traces the woodblock prints known as ukiyo-e to the communal activities of the city’s commoners. Section two focuses on the interaction of urban and rural culture during the nineteenth century and on the unprecedented cultural diffusion that occurred with the help of itinerant performers, pilgrims, and touring actors. Among the essays is a delightful and detailed discourse on Tokugawa cuisine. The third section is dedicated to music and theatre, beginning with a study of no, which was patronized mainly by the aristocracy but surprisingly by commoners as well. In separate chapters, Nishiyama analyzes the relation of social classes to musical genres and the aesthetics of kabuki. The final chapter focuses on vaudeville houses supported by the urban masses.

Harryette Mullen's fifth poetry collection, Sleeping with the Dictionary, is the abecedarian offspring of her collaboration with two of the poet's most seductive writing partners, Roget's Thesaurus and The American Heritage Dictionary. In her ménage à trois with these faithful companions, the poet is aware that while Roget seems obsessed with categories and hierarchies, the American Heritage, whatever its faults, was compiled with the assistance of a democratic usage panel that included black poets Langston Hughes and Arna Bontemps, as well as feminist author and editor Gloria Steinem. With its arbitrary yet determinant alphabetical arrangement, its gleeful pursuit of the ludic pleasure of word games (acrostic, anagram, homophone, parody, pun), as well as its reflections on the politics of language and dialect, Mullen's work is serious play. A number of the poems are inspired or influenced by a technique of the international literary avant-garde group Oulipo, a dictionary game called S+7 or N+7. This method of textual transformation--which is used to compose nonsensical travesties reminiscent of Lewis Carroll's "Jabberwocky"--also creates a kind of automatic poetic discourse. Mullen's parodies reconceive the African American's relation to the English language and Anglophone writing, through textual reproduction, recombining the genetic structure of texts from the Shakespearean sonnet and the fairy tale to airline safety instructions and unsolicited mail. The poet admits to being "licked all over by the English tongue," and the title of this book may remind readers that an intimate partner who also gives language lessons is called, euphemistically, a "pillow dictionary."

The development of modern urban housing in China over the past 160 years is examined in this unique volume for the first time. From the beginnings of China's modernization after the Opium Wars to the latest trends adopted after the market reforms of the 1980s, this publication offers a broad overview of the developments in building construction and design. Extensively illustrated and written by a team of Chinese and Western experts, it is a must-have for anyone interested in the architecture of China. Urban housing in China is one of the most important components of China's modernization, industrialization, and urbanization. The period from 1840 to 2000 saw great changes in Chinese policy and society and is discussed in three stages: the modernization of China's semi-feudal, semi-colonial society, the rise of publicly owned housing under socialism in the People's Republic of China, and the rapid growth of a new market economy under Deng Xiaoping in the late 1970s. When examining changes in urban housing types, the authors take into account not only conventional architectural history, but also underlying political, economic, social, technological, and cultural forces. The result is a complete picture of the history of modern urban housing in China based on extensive literature and numerous field studies.

The Temple of the Wild Geese, a semi-autobiographical account of Mizukami's childhood, tells the tale of Jinen, a Buddhist monk raised by villagers after his mother, a beggar, abandoned him. Sent to live at a temple at the age of ten, his resentment smolders for years until it explodes in a shocking climax. In Bamboo Dolls of Echizen, no woman is willing to marry the diminutive Kisuke, a bamboo artisan, until Tamae, a prostitute, comes to pay her respects at the grave of Kisuke's father. In Tamae, Kisuke sees shadows of his own mother, who died when he was young, and the two eventually marry. Since Kisuke seeks only motherly affection from Tamae, the two never become lovers. Instead, Tamae devotes herself to caring for Kisuke as a mother would, and he thrives as a renowned maker of bamboo dolls.

Poets Forrest Gander and John Kinsella offer an experiment, a collaborative volume of prose and poetry that investigates--both thematically and formally--the relationship between nature and culture, language and perception. They ask whether, in an age of globalization, industrialization, and rapid human population growth, an ethnocentric view of human beings as a species independent from others underpins our exploitation of natural resources. Does the disease of Western subjectivity constitute an element of the aesthetics that undermine poetic resistance to the killing of the land? Why does "the land" have to give something back to the writer?

Since the 1930s, Korean American writers have come to maintain an important place in our national literature, publishing some of the most exciting fiction of the twentieth century. The stories in this first anthology of Korean American fiction represent the very best work of these writers, including several pieces published for the first time. Contributors include Patti Kim, Chang-rae Lee, Susan Choi, Heinz Insu Fenkl, Leonard Chang, Nora Okja Keller, and Richard E. Kim.