A Selected Poems by one of contemporary Korea's major voices

In When We Were Birds, Joe Wilkins wrestles his attention away from the griefs, deprivations, and high prairies of his Montana childhood and turns toward "the bean-rusted fields and gutted factories of the Midwest," toward ordinary injustice and everyday sadness, toward the imminent birth of his son and his own confusions in taking up the mantle of fatherhood, toward faith and grace, legacy and luck. A panoply of voices are at play--the escaped convict, the late-night convenience store clerk, and the drowned child all have their say--and as this motley chorus rises and crests, we begin to understand something of what binds us and makes us human: while the world invariably breaks all our hearts, Wilkins insists that is the very "place / hope lives, in the breaking." Within a notable range of form, concern, and voice, the poems here never fail to sing. Whether praiseful or interrogating, When We Were Birds is a book of flight, light, and song. "When we were birds," Wilkins begins, "we veered & wheeled, we flapped & looped-- / it's true, we flew."

Now a Netflix film starring Julia Roberts, Mahershala Ali, Ethan Hawke, Myha'la, Farrah Mackenzie, Charlie Evans and Kevin Bacon. Written for the Screen and Directed by Sam Esmail. Executive Producers Barack and Michelle Obama, Tonia Davis, Daniel M. Stillman, Nick Krishnamurthy, Rumaan Alam A Read with Jenna Today Show Book Club Pick! Finalist for the 2020 National Book Award in Fiction One of Barack Obama's Summer Reads A Best Book of the Year From: The Washington Post * Time * NPR * Elle * Esquire * Kirkus * Library Journal * The Chicago Public Library * The New York Public Library * BookPage * The Globe and Mail * EW.com * The LA Times * USA Today * InStyle * The New Yorker * AARP * Publisher's Lunch * LitHub * Book Marks * Electric Literature * Brooklyn Based * The Boston Globe A magnetic novel about two families, strangers to each other, who are forced together on a long weekend gone terribly wrong. From the bestselling author of Rich and Pretty comes a suspenseful and provocative novel keenly attuned to the complexities of parenthood, race, and class. Leave the World Behind explores how our closest bonds are reshaped—and unexpected new ones are forged—in moments of crisis. Amanda and Clay head out to a remote corner of Long Island expecting a vacation: a quiet reprieve from life in New York City, quality time with their teenage son and daughter, and a taste of the good life in the luxurious home they’ve rented for the week. But a late-night knock on the door breaks the spell. Ruth and G. H. are an older couple—it’s their house, and they’ve arrived in a panic. They bring the news that a sudden blackout has swept the city. But in this rural area—with the TV and internet now down, and no cell phone service—it’s hard to know what to believe. Should Amanda and Clay trust this couple—and vice versa? What happened back in New York? Is the vacation home, isolated from civilization, a truly safe place for their families? And are they safe from one other?

In The Blues of Heaven, Barbara Ras delivers her characteristic subjects with new daring that both rattles and beguiles. Here are poems of grief over her brother’s death; doors to an idiosyncratic working-class childhood among Polish immigrants; laments for nature and politics out of kilter. Ras portrays the climate crisis, guns out of control, the reckless injustice and ignorance of the United States government. At the same time, her poems nimbly focus on particulars—these facts, these consequences—bringing the wreckage of unfathomable harm home with immediacy and integrity. Though her subjects may be dire, Ras also weaves her wise humor throughout, moving deftly from sardonic to whimsical to create an expansive, ardent, and memorable book. Survival Strategies To dig for quahogs, to feel their edges like smiles and pull against their suck to toss them in a bucket. To feel the wind as a friend, to feel its current as luck. To ignore Capricorn and Cancer presuming to slice the globe. To know the lie in “names can never hurt you.” To be a gull breezing the blue, eating nothing but clouds. To measure your ties to the past by the strength of cobwebs. To haunt the widow’s walk, its twelve narrow windows each the size of a child’s coffin. To watch the harbor where the Acushnet runs into Buzzards Bay before it was named a Superfund site full of PCBs. To wonder if that water you swam summer after aimless summer could get you the way something got your brother, too fast, too soon. To bury or burn the whole family you were born to and talk to them only through the smoke of letters you torch at their graves. To see a snake with a ladybug on its back and still refuse to pray.

“A unique travelogue” that “explores the nature of terror, its place in the post-9/11 world and how it unites and galvanizes those in the throes of it” (Kirkus Reviews). Using several ageless questions—“Where do we come from? Where are we going? What shall we do?”—as his point of departure, journalist and award-winning poet Christopher Merrill explores the related issues of terror, modernity, tradition, and epochal transformation. In three extended essays, Merrill observes the performance of a banned ritual in the Malaysian province of Kelatan; traces Saint-John Perse’s epic voyage from Beijing to Ulan Bator in 1921 and relates it to the China of today; and embarks on a trip across the Levant in 2007 in the wake of the American wars in Iraq and Afghanistan. Merrill asserts that it is in this trinity of human actions—ceremony, expedition, war: all devised to keep terror at bay—that history is formed, and that the technological, political, environmental, and social changes we are witnessing now presage the end of one order and the creation of another. “Merrill is a ‘writer’s writer’: he spins sentences made of gold.” —Publishers Weekly

New York Times Bestseller Finalist for the Los Angeles Times Book Prize A Library Journal Best Science and Technology Book of the Year An exhilarating exploration of the science and wonder of global bird migration. In the past two decades, our understanding of the navigational and physiological feats that enable birds to cross immense oceans, fly above the highest mountains, or remain in unbroken flight for months at a stretch has exploded. What we’ve learned of these key migrations—how billions of birds circumnavigate the globe, flying tens of thousands of miles between hemispheres on an annual basis—is nothing short of extraordinary. Bird migration entails almost unfathomable endurance, like a sparrow-sized sandpiper that will fly nonstop from Canada to Venezuela—the equivalent of running 126 consecutive marathons without food, water, or rest—avoiding dehydration by "drinking" moisture from its own muscles and organs, while orienting itself using the earth’s magnetic field through a form of quantum entanglement that made Einstein queasy. Crossing the Pacific Ocean in nine days of nonstop flight, as some birds do, leaves little time for sleep, but migrants can put half their brains to sleep for a few seconds at a time, alternating sides—and their reaction time actually improves. These and other revelations convey both the wonder of bird migration and its global sweep, from the mudflats of the Yellow Sea in China to the remote mountains of northeastern India to the dusty hills of southern Cyprus. This breathtaking work of nature writing from Pulitzer Prize finalist Scott Weidensaul also introduces readers to those scientists, researchers, and bird lovers trying to preserve global migratory patterns in the face of climate change and other environmental challenges. Drawing on his own extensive fieldwork, in A World on the Wing Weidensaul unveils with dazzling prose the miracle of nature taking place over our heads.

Part detective story, part love affair, and pure adventure storytelling at its best, a celebration of the thrill of exploration and the lure of wild places during the search for the elusive Nechisar Nightjar. In 1990, a group of Cambridge scientists arrived at the Plains of Nechisar in Ethiopia. On that expedition, they collected more than two dozen specimens, saw more than three hundred species of birds, and a plethora of rare butterflies, dragonflies, reptiles, mammals, and plants. As they were gathering up their findings, a wing of an unidentified bird was packed into a brown paper bag. It was to become the most famous wing in the world. This wing would set the world of science aflutter. Experts were mystified. The wing was entirely unique. It was like nothing they had ever seem before. Could a new species be named based on just one wing? After much discussion, a new species was announced: Nechisar Nightjar, or Camprimulgus Solala, which means "only wing." And so birdwatchers like Vernon began to dream. Twenty-two years later, he joins an expedition of four to find this rarest bird in the world. In this gem of nature writing, Vernon captivates and enchants as he recounts the searches by spotlight through the Ethiopian plains, and allows the reader to mediate on nature, exploration, our need for wild places, and the human compulsion to name things. The Rarest Bird in the World is a celebration of a certain way of seeing the world, and will bring out the explorer in in everyone who reads it.