A mythic love story set in Trinidad, Ayanna Lloyd Banwo's radiant debut is a masterwork of lush imagination and exuberant storytelling—a spellbinding and hopeful novel about inheritance, loss, and love's seismic power to heal. "Roots the reader in [Trinidad’s] traditions and rituals [and] ... in the glorious matriarchy by which lineage is upheld. The result is a depiction of ordinary life that’s full and breathtaking."—The New York Times Book Review In the old house on a hill, where the city meets the rainforest, Yejide’s mother is dying. She is leaving behind a legacy that now passes to Yejide: one St Bernard woman in every generation has the power to shepherd the city’s souls into the afterlife. But after years of suffering her mother’s neglect and bitterness, Yejide is looking for a way out. Raised in the countryside by a devout Rastafarian mother, Darwin has always abided by the religious commandment not to interact with death. He has never been to a funeral, much less seen a dead body. But when the only job he can find is grave digging, he must betray the life his mother built for him in order to provide for them both. Newly shorn of his dreadlocks and his past, and determined to prove himself, Darwin finds himself adrift in a city electric with possibility and danger. Yejide and Darwin will meet inside the gates of Fidelis, an ancient and sprawling cemetery, where the dead lie uneasy in their graves and a reckoning with fate beckons them both.

In 54 chapters that unfold like a series of yoga poses, each with its own logic and beauty, Williams creates a lyrical and caring meditation of the mystery of her mother's journals in a book that keeps turning around the question, "What does it mean to have a voice?"

In When We Were Birds, Joe Wilkins wrestles his attention away from the griefs, deprivations, and high prairies of his Montana childhood and turns toward "the bean-rusted fields and gutted factories of the Midwest," toward ordinary injustice and everyday sadness, toward the imminent birth of his son and his own confusions in taking up the mantle of fatherhood, toward faith and grace, legacy and luck. A panoply of voices are at play--the escaped convict, the late-night convenience store clerk, and the drowned child all have their say--and as this motley chorus rises and crests, we begin to understand something of what binds us and makes us human: while the world invariably breaks all our hearts, Wilkins insists that is the very "place / hope lives, in the breaking." Within a notable range of form, concern, and voice, the poems here never fail to sing. Whether praiseful or interrogating, When We Were Birds is a book of flight, light, and song. "When we were birds," Wilkins begins, "we veered & wheeled, we flapped & looped-- / it's true, we flew."

If We Were Birds is a shocking, uncompromising examination of the horrors of war, giving voice to a woman long ago forced into silence, and placing a spotlight on millions of female victims who have been silenced through violence. A deeply affecting and thought-provoking re-imagining of Ovid's masterpiece "Tereus, Procne, and Philomela," Erin Shields's award-winning play is an unflinching commentary on contemporary war and its aftermath delivered through the lens of Greek tragedy.

A landmark book that charts humanity's changing relationship with birds - from the ancient Egyptians to the twenty-first century 'A marvellously original slice of social history' Daily Mail 'The facts and folklore of birdlife are dissected in admirable detail in this handsome book' Sunday Times 'Roy and Lesley Adkins are masters of their craft' BBC Countryfile Magazine No other group of animals has had such a complex and lengthy relationship with humankind as birds. They have been kept in cages as pets, taught to speak and displayed as trophies. More practically, they have been used to tell the time, predict the weather, foretell marriages, provide unlikely cures for ailments, convey messages and warn of poisonous gases. When There Were Birds is a social history of Britain that charts the complex connections between people and birds, set against a background of changes in the landscape and evolving tastes, beliefs and behaviours. It draws together many disparate, forgotten strands to present a story that is an intriguing and unexpectedly significant part of our heritage.

'A remarkably accomplished, polished debut.' MALORIE BLACKMAN 'Rightfully tipped for greatness' SUNDAY TIMES 'This moving tale of love and loss ... is well worth the wait' INDEPENDENT ' W hat's distinctive is the modern, multi-ethnic vision of masculinity she presents and the solidarity that emerges from it ... undeniably powerful too.' GUARDIAN ' A sprawling and epic dual narrative ... woven together with gentle urgency; sensitive and with a rare perspective on how our mixed race backgrounds can help form feelings of both internal power and conflict.' I-D MAGAZINE 'You can't exactly stop birds from flying, can you? They go where they will...' 1960s UGANDA. Hasan is struggling to run his family business following the sudden death of his wife. Just as he begins to see a way forward, a new regime seizes power, and a wave of rising prejudice threatens to sweep away everything he has built. Present-day LONDON. Sameer, a young high-flying lawyer, senses an emptiness in what he thought was the life of his dreams. Called back to his family home by an unexpected tragedy, Sameer begins to find the missing pieces of himself not in his future plans, but in a past he never knew. Shortlisted for the Goldsboro Books Glass Bell Award 2022

WINNER OF THE JHALAK PRIZE 'The Bone Readers is a page-turner, but its insights and language are equally testament to a literary novel of impressive depth and acuity' Guardian Secrets can be buried, but bones can speak . . . After standing witness to a murder on the streets of the Caribbean island of Camaho, young Michael 'Digger' Digson is recruited into a unique plain clothes homicide squad, an eclectic group of semi-official police officers, led by the enigmatic DS Chilman. Digger becomes enmeshed in Chilman's obsession with a cold case, the disappearance of a young man. But Digger has a murder to pursue too: that of his mother, killed by a renegade police squad when he was a boy. He has two weapons at his disposal - his skill in forensics, and Chilman's latest recruit, the mysterious, observant Miss Stanislaus. Together, the two find themselves dragged into a world of dangerous secrets that demands every ounce of their courage to survive. This award-winning crime debut by highly acclaimed author Jacob Ross marks the thrilling start to a new series following forensics genius Michael Digson. 'It's masterly. I've started to read it again with increasing admiration' Crime Time 'A breath-taking, thought-provoking, and yes brilliant read. I know this is a book I shall go back to again and again' Sunny Singh 'Ross's novel is one that effortlessly draws together the past and the present, gender, politics and the legacy of colonialism in a top quality Caribbean set crime thriller. The Bone Readers is a wonderful read' Catherine Johnson 'By turns thrilling, visceral and meditative, and always cinematic' Musa Okwonga 'An unconventional crime novel, and one that exposes the dark underbelly of 'paradise'' Book Muse (blog) 'I was fascinated by Ross' ability to create characters with depth and diversity. A great read' Not Chai tea (blog) 'A unique read, paced to the islands where it takes place with a group of interesting characters I will enjoy following into future books' Word Dreams (blog) 'An engaging, poetic and twist-filled Caribbean crime-noir novel. Masterful' Book Witty (blog)

From one of Granta’s Best Young British Novelists, a stunningly insightful, emotionally powerful new novel about an outsider haunted by an inescapable past: a story of loneliness and survival, guilt and loss, and the power of forgiveness. Jake Whyte is living on her own in an old farmhouse on a craggy British island, a place of ceaseless rain and battering wind. Her disobedient collie, Dog, and a flock of sheep are her sole companions, which is how she wants it to be. But every few nights something—or someone—picks off one of the sheep and sounds a new deep pulse of terror. There are foxes in the woods, a strange boy and a strange man, and rumors of an obscure, formidable beast. And there is also Jake’s past, hidden thousands of miles away and years ago, held in the silences about her family and the scars that stripe her back—a past that threatens to break into the present. With exceptional artistry and empathy, All the Birds, Singing reveals an isolated life in all its struggles and stubborn hopes, unexpected beauty, and hard-won redemption. This eBook edition includes a Reading Group Guide.

Two sisters unite to survive a traumatic upbringing—from absentee parents to a wilderness camp for troubled teens—in this “relentless and spooky” (Joy Williams) debut novel from an essential new voice. “A story that’s so weird, it has to be true. . . . Keeps our attention in a chokehold.”—The New York Times ONE OF THE BEST BOOKS OF THE YEAR: Good Housekeeping “When the Juvenile Transportation Services come for you in the night in a preordained kidnapping, complete with an unmarked van and husky guardsmen you can’t outmatch, you have been sold for a promise.” A young woman thinks she has escaped her past only to discover that she’s been hovering on its edges all along: She and her younger sister bide their time in a dilapidated warehouse in a desolate town north of New York City; their parents settled there with dreams of starting an art commune. But after the girls’ father vanishes, all traces of stability disappear for the family, and the girls retreat into strange worlds of their own mythmaking and isolation. As the sisters both try to survive their increasingly dark and dangerous adolescences, they break apart and reunite repeatedly, orbiting each other like planets. Both endure stints at the Veld Center, a wilderness camp where troubled teenage girls are sent as a last resort, and both emerge more deeply warped by the harsh outdoor survival experiences they must endure and the attempts by staff to break them down psychologically. With a mesmerizing voice and uncanny storytelling style, this is a remarkable debut about two women who must struggle to understand the bonds that link them and how their traumatic history will shape who they choose to become as adults.

From the New York Times bestselling author of The Genius of Birds, a radical investigation into the bird way of being, and the recent scientific research that is dramatically shifting our understanding of birds -- how they live and how they think. “There is the mammal way and there is the bird way.” But the bird way is much more than a unique pattern of brain wiring, and lately, scientists have taken a new look at bird behaviors they have, for years, dismissed as anomalies or mysteries –– What they are finding is upending the traditional view of how birds conduct their lives, how they communicate, forage, court, breed, survive. They are also revealing the remarkable intelligence underlying these activities, abilities we once considered uniquely our own: deception, manipulation, cheating, kidnapping, infanticide, but also ingenious communication between species, cooperation, collaboration, altruism, culture, and play. Some of these extraordinary behaviors are biological conundrums that seem to push the edges of, well, birdness: a mother bird that kills her own infant sons, and another that selflessly tends to the young of other birds as if they were her own; a bird that collaborates in an extraordinary way with one species—ours—but parasitizes another in gruesome fashion; birds that give gifts and birds that steal; birds that dance or drum, that paint their creations or paint themselves; birds that build walls of sound to keep out intruders and birds that summon playmates with a special call—and may hold the secret to our own penchant for playfulness and the evolution of laughter. Drawing on personal observations, the latest science, and her bird-related travel around the world, from the tropical rainforests of eastern Australia and the remote woodlands of northern Japan, to the rolling hills of lower Austria and the islands of Alaska’s Kachemak Bay, Jennifer Ackerman shows there is clearly no single bird way of being. In every respect, in plumage, form, song, flight, lifestyle, niche, and behavior, birds vary. It is what we love about them. As E.O Wilson once said, when you have seen one bird, you have not seen them all.