Outlines Hemingway's life, focusing on his background, his friends, his marriages, and the important influences on his personal and literary life, his novels, short stories, and nonfiction, and concludes with his tragic final years and death. The final chapter evaluates Hemingway as an artist, examining his techniques, motivation, and philosophy.

Literary heroes represent the cultural, moral and spiritual texture of a country. They reflect the spoken and unspoken ideals, the dreams of life and the mundane existence of people of a nation. The concept of the hero generates some of the most existing criticism in the literary history of a country. The emergence of mythological hero or heroes gives proper direction to the people of a nation in formulating religions, morals, cultural and social ideals and values.

The Book Projects Ernest Hemingway As An Artist With A Broader Vision Than He Is Generally Understood. This Vision Highlights The Profound Sympathy For Women And For Those Who Suffer In Indifferent Rather Hostile Society. The Author Has Tried To Attribute That Divine Love To Hemingway S Artistic Vision Often Denoted By The Greek Word Agape. This Make Hemingway Not Only A Great Modernist Artist, But Also A Sage Speaking For The Entire Humanity.That Hemingway Has Obsessively Dealt With Such Violent Themes, As War, Is True. It Is Nonetheless True That By Doing So He Has Exposed The Futility And Destructiveness Associated With It. The Hemingway S Hero Is A Defeated Man But Never Crestfallen. He Is Able To Retain His Dignity Even In The Face Of Crisis. His Tragedy Is The Result Of Love, Which For Him Is An Alternate God, And Ultimately Of Labor, Which He Puts In As A Matter Of Profound Faith. The Book Demonstrates This Effectively, And Should Be A Unique Contribution To The Hemingway Scholarship In India And Abroad.

Presents a collection of essays by leading academic critics on the structure, characters, and themes of the novel.

This supplementary bibliography describes work by and about Ernest Hemingway published between 1966 and 1973. Part One lists publications by Hemingway, including six recent books, new editions of previously published volumes, and work by other authors to which Hemingway contributed. Translations and anthologies are entered, as are previously unpublished writings and material reprinted in newspapers and periodicals (including articles recently attributed to Hemingway). The first half of Part Two lists 448 books and pamphlets on or mentioning Hemingway. The second half describes work that appeared in newspapers and journals, including articles, reviews, poems, critical essays, and textual studies. Foreign publications arc noted throughout Part Two. Omissions to the first volume of the bibliography have been entered in each section. Originally published in 1975. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Ernest Hemingway's depiction of war in his novel For Whom the Bell Tolls is one without clear ideological or moral imperatives. The story wrestles with themes of wartime and violence, as readers follow Robert Jordan, an American teacher, who volunteers to lead an ill-disciplined band of guerrillas during the Spanish Civil War. This illuminating volume explores themes surrounding war as they relate to Hemingway's For Whom the Bell Tolls. A series of essays focus on topics such as the distinction between a war novel and a propaganda novel about war, the war against civilians in Spain, and civil wars being waged in the Middle East today.