'Was it death he was now waiting for? Or a wild ecstasy of the senses?' For the young army officer of Yukio Mishima's seminal story, 'Patriotism, ' death and ecstasy become elementally intertwined. With his unique rigor and passion, Mishima hones in on the body as the great tragic stage for all we call social, ritual, political.

The third novel in the masterful tetralogy, The Sea of Fertility, in which a brilliant lawyer will go to nearly any length to discover whether a young Thai princess is in fact the reincarnated spirit of his childhood friend. • “Surpassingly chilling, subtle, and original.” —The New York Times Here, Shigekuni Honda continues his pursuit of the successive reincarnations of Kiyoaki Matsugae, his childhood friend. Travelling in Thailand in the early 1940s, Shigekuni Honda, now a brilliant lawyer, is granted an audience with a young Thai princess—an encounter that radically alters the course of his life. In spite of all reason, he is convinced she is the reincarnated spirit of his friend Kiyoaki. As Honda goes to great lengths to discover for certain if his theory is correct, The Temple of Dawn becomes the story of one man’s obsessive pursuit of a beautiful woman and his equally passionate search for enlightenment.

Yukio Mishima was the most internationally acclaimed Japanese author of the twentieth century: prodigiously talented, dazzlingly prolific and a prime candidate for the Nobel Prize. Yet in 1970 Mishima shocked the world with a bizarre attempt at a coup d'etat, which ended in his suicide by ritual disembowelment. In his radically new analysis of an extraordinary life, Damian Flanagan moves away from the stereotypical depiction of Mishima as a right-wing nationalist and aesthete and presents him as a man utterly obsessed with time - time-keeping devices and symbols - arguing that this compulsion was at the heart of the author's literature and life. This book untangles the frequent distortions in the writer's memoirs, which have often been taken at face value, and traces the evolution of Mishima's attempts to master and transform both his sexuality and artistic persona. Though often perceived as a solitary protest figure, this book shows how Mishima was very much in tune with post-war culture: taking up bodybuilding and becoming a model and actor in the 1950s; adopting the themes of contemporary political scandals in his work; courting English translators and even becoming influenced by the student protests and hippy subculture of the late 1960s. Yet while being in thrall to the modern world, the flip side of Mishima's personality - his hidden neuroses and the traumas of his youth - continually pushed him towards a firm rejection of modern Japan and his explosive final act of self-annihilation.

Novelist, playwright, film actor, martial artist, and political commentator, Yukio Mishima (1925-1970) was arguably the most famous person in Japan at the time of his death. Henry Scott Stokes, one of Mishima's closest friends, was the only non-Japanese allowed to attend the trial of the men involved in Mishima's spectacular suicide. In this insightful and empathetic look at the writer, Stokes guides the reader through the milestones of Mishima's meteoric and eclectic career and delves into the artist's major works and themes. This biography skillfully and compassionately illuminates the achievements and disquieting ideas of a brilliant and deeply troubled man, an artist of whom Nobel Laureate Yasunari Kawabata had said, "A writer of Mishima's caliber comes along only once every two or three hundred years."

For the first time in English, a glittering novella about stardom from “one of the greatest avant-garde Japanese writers of the twentieth century” (Judith Thurman, The New Yorker) Winner of the Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature All eyes are on Rikio. And he likes it, mostly. His fans cheer, screaming and yelling to attract his attention—they would kill for a moment alone with him. Finally the director sets up the shot, the camera begins to roll, someone yells “action”; Rikio, for a moment, transforms into another being, a hardened young yakuza, but as soon as the shot is finished, he slumps back into his own anxieties and obsessions. Being a star, constantly performing, being watched and scrutinized as if under a microscope, is often a drag. But so is life. Written shortly after Yukio Mishima himself had acted in the film “Afraid to Die,” this novella is a rich and unflinching psychological portrait of a celebrity coming apart at the seams. With exquisite, vivid prose, Star begs the question: is there any escape from how we are seen by others?

This incisive biography begins with the spectacularly tragic last day of the militant Japanese novelist, perhaps best known for his monumental four-book masterpiece The Sea of Fertility.

The story of a man coming to terms with his homosexuality in traditional Japanese society has become a modern classic.

A tale of youth and warped masculinity, this is the suspenseful, lyrical and page-turning Japanese classic. A band of thirteen-year-old boys reject the stupidity of the adult world. They decide it is illusory, hypocritical and sentimental, and train themselves in a brutal callousness they call ‘objectivity’. When the mother of one of them begins an affair with a ship’s officer, he and his friends idealise the man at first, but it is not long before they conclude that he is, in fact, soft and romantic. They regard this disillusionment as an act of betrayal on his part – and the retribution is deliberate and horrifying. ‘A page turning novel... A timeless classic’ Independent ‘Mishima’s greatest novel, and one of the greatest of the past century’ The Times TRANSLATED BY JOHN NATHAN