"A clear, sympathetic, and informed introduction to these people and their ceremonies ... should give every new onlooker a deeper appreciation of the dance which is really a prayer."--The Denver Post

The place (or absence) of God in Nietzsche’s thought remains central and controversial. Nietzsche’s proclamation of 'the death of God' is one of the most famous (and parodied) slogans in modern philosophy, seeming to encapsulate the nineteenth-century loss of religious faith in the affirmation that God has "turned out to be our oldest lie" and yet the nature of Nietzsche’s own ‘theology’ is far from clear. This volume engages with Nietzsche’s arguments about God, theology, and religion. The volume extends the discussion to an engagement of Nietzsche with alternative models of God, with ancient Greek religions, and with discussions of diversity (race, class, gender, sex) in dis/conjunction with religion. The chapters examine Nietzsche’s genealogy of religion and his claims about the place of God and theology in the history of Western thought ("that faith of the Christians, which was also Plato’s faith"), as well as his engagements with alternative conceptions of God. The volume also examines the historical and contemporary reception of Nietzsche’s arguments about God by religious and non-religious thinkers, asking to what extent Nietzsche’s philosophy of God speaks to the challenges of today's globalized philosophy and religion.

Winner, Association for Latin American Art Book Award, 2010 The Maya of Mexico and Central America have performed ritual dances for more than two millennia. Dance is still an essential component of religious experience today, serving as a medium for communication with the supernatural. During the Late Classic period (AD 600-900), dance assumed additional importance in Maya royal courts through an association with feasting and gift exchange. These performances allowed rulers to forge political alliances and demonstrate their control of trade in luxury goods. The aesthetic values embodied in these performances were closely tied to Maya social structure, expressing notions of gender, rank, and status. Dance was thus not simply entertainment, but was fundamental to ancient Maya notions of social, religious, and political identity. Using an innovative interdisciplinary approach, Matthew Looper examines several types of data relevant to ancient Maya dance, including hieroglyphic texts, pictorial images in diverse media, and architecture. A series of case studies illustrates the application of various analytical methodologies and offers interpretations of the form, meaning, and social significance of dance performance. Although the nuances of movement in Maya dances are impossible to recover, Looper demonstrates that a wealth of other data survives which allows a detailed consideration of many aspects of performance. To Be Like Gods thus provides the first comprehensive interpretation of the role of dance in ancient Maya society and also serves as a model for comparative research in the archaeology of performance.

Trixie dos Santos is always getting into trouble for her pranks. She loves tricks, magic and epic myths - so when the world is suddenly plunged into darkness, Trixie knows exactly what she has to do to bring back the light:STEP ONE: Summon the most mischievous trickster gods of all time.STEP TWO: Convince Maui, Loki and the rest of the gang to steal the electricity back from wherever it's gone.STEP THREE: Save humankind.No problem right? If Trixie can get the gods of trouble and mayhem to behave for once, it'll all be fine . . .

The American Southwest has assumed the status of a cultural icon over the last few decades, and one of the writers who helped it to do so was Erna Fergusson, named by the Hopis Beautiful Swift Fox. An Anglo American whose travel writing featured the multi-ethnicity of her region, she popularized the culture and landscapes of her native New Mexico and its surrounding states in a range of writing that prefigured the genre-defying art that has come to be called the New Journalism.Much has been written about New Mexico's remarkable Fergusson family, especially brother Harvey and his novels. But Erna Fergusson's literary career has been largely overlooked. An iconoclast at the forefront of the Southwest Renaissance movement, Erna gained a wide reputation beginning in the 1930s for her "written versions of the Southwest," which embraced the complexities of regional culture and sympathetically and intelligently portrayed the Indian and Mexican influences.Distinguished Southwestern writer Robert Franklin Gish assesses Fergussons's literary contributions and unlocks the inner workings of the prose stylist who operated at the interstices of genres. With his postmodern reappraisal of the creative nonfiction forms she used, Gish prompts readers to reconsider how they view the art of nonfiction writing. Gish argues persuasively that Fergusson's identity as a native New Mexican and the region's singular landscape informed the attitudes and values present in her art. He explores the ways her entrepreneurial stint as a New Mexico tour guide during the 1920s and 1930s shaped the organizational strategies for her writing. He considers thoughtfully her various forms of writing and how she used travelogue, journalistic report, popular history, and persuasive essay to elevate the Southwest to prominence. Gish shows her writing as highly evocative, descriptive, and metaphorical, defying the conventions of the nonfiction forms she used and paving the way for America's school of New Journalism.Beautiful Swift Fox is not strictly biography; nor does it, in a traditional sense, seek to explicate a body of work. Rather, like its subject, it bridges genres, offering a meditation on one Southwestern writer's sense of place.

Here is a thorough, and long-needed, presentation of the nature of the Pueblo gods and myths. The Pueblo Indians, which include the Hopi, Zuni, and Keres groups, and their ancestors are closely bound to the Plateau region of the United States, comprising much of the area in Utah, Colorado, and–especially in recent years–New Mexico and Arizona. The principal god of the Hopi tribe was and is Masau'u, the god of death. Masau'u is also a god of life in many of its essentials. There is an unmistakable analogy between Masau'u and the Christian Devil, and between Masau'u and the Greek god Hermes, who guided dead souls on their journey to the nether world. Mr. Tyler has drawn many useful comparisons between the religions of the Pueblos and the Greeks. "Because there is a widespread knowledge of the Greek gods and their ways," the author writes, "many people will thus be at ease with the Pueblo gods and myths." Of utmost importance is the final chapter of the book, which relates Pueblo cosmology to contemporary Western thought. The Pueblos are men and women who have faced, and are facing, problems common to all mankind. The response of the Pueblos to their challenges has been tempered by the role of religion in their lives. This account of their epic struggle to accommodate themselves and their society to the cosmic order is "must" reading for historians, ethnologists, students of comparative religion, and for all who take an interest in the role of religious devotion in their own lives.

Examines Nietzsche's complex attitudes toward religion and his understanding of how particular religions and deities affect the intellectual, moral, and spiritual lives of their various proselytes and adherents.

Dominic Baker-Smith has been a leading international authority on humanism for more than four decades, specializing in the works of Erasmus and Thomas More. The present collection of essays by colleagues throughout Europe, Canada, and the United States examines humanism in both its historic sixteenth-century meanings and applications and the humanist tradition in our own time, drawing on his work and that of scholars who have followed him. Contributors include Andrew Weiner, Elizabeth McCutcheon, and Germaine Warkentin. Arthur F. Kinney is Thomas W. Copeland Professor of Literary History at the University of Massachusetts, Amherst. Ton Hoenselaars is Associate Professor of English at the University of Utrecht.

A study of the civilizations of the Zuni Indians, the natives of Dobu, and the Kwakiutl Indians.