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Czechoslovak Fairy Tales author: Parker Fillmore This rendering of some of the old Czechoslovak tales is not offered as a literal translation or a scholarly translation. I have retold the stories in a way that I hope will please American children. ..

Presents fifteen traditional tales from the Czech Republic and Slovakia, including stories of witches, kings, and magic, and of virtuous and clever peasants who reap the rewards of their good deeds.

From the INTRODUCTION. The present collection is intended to exemplify the spirit of the Czech race. It may perhaps be objected that folk-tale themes are part of a common stock belonging to all European races, and even to many primitive peoples: but though this is perfectly true, it is also no less certain that the spirit of the nation manifests itself in the manner of their telling. The selection has been made from all sorts of folk tales, artistic and primitive alike; and yet two things are common to all of them: the moral tendency and a sense of humour. By this I do not mean morality in the vulgar sense of retribution for evil, or of filial devotion, or the sentimental insistence upon "" every one living happily ever afterwards,"" and above all upon Jack marrying his Molly. I mean that higher sort of morality which was the mainspring of Protestantism....

Written in the early 1890s, before Czech independence and in an age of patriotic upsurge and romanticism, these thirty-four tales quite naturally reflect a glorification of the Czech past. While the details of the legends are necessarily archaic, peopled by kings and noblemen, ghosts and magic, the themes are universal. Now at the dawn of a new era of Czech independence, they provide a fascinating new perspective to the contemporary situation.

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This delightful collection makes the rich but little-known Slovak folk culture available for English-language readers. Most of the fifty tales assembled here from the collections of folklorist Pavol Dobsinsky are translated into English for the first time. The poetic qualities of the originals have been carefully preserved. The general reader will enjoy these tales immensely, and students will find an insightful introduction to the genres of the folktale and the specifics of Slovak tales. For expert readers, all of the tales have been classified according to the Aarne-Thompson index, and many include short commentaries that draw on the work of Viera Gasparikova.

ÊI remember well the feelings roused in my mind at mention or sight of the name Lucifer during the earlier years of my life. It stood for me as the name of a being stupendous, dreadful in moral deformity, lurid, hideous, and mighty. I remember also the surprise with which when I had grown somewhat older and begun to study Latin, I came upon the name in Virgil, where it means the Light-bringer, or Morning-star,Ñthe herald of the sun. Many years after I had found the name in Virgil, I spent a night at the house of a friend in Milwaukee, Wisconsin, right at the shore of Lake Michigan. The night was clear but without a moon,Ña night of stars, which is the most impressive of all nights, vast, brooding, majestic. At three oÕclock in the morning I woke, and being near an uncurtained window, rose and looked out. Rather low in the east was the Morning-star, shining like silver, with a bluish tinge of steel. I looked towards the west; the great infinity was filled with the hosts of heaven, ranged behind this Morning-star. I saw at once the origin of the myth which grew to have such tremendous moral meaning, because the Morning-star was not in this case the usher of the day but the chieftain of night, the Prince of Darkness, the mortal enemy of the Lord of Light. I returned to bed knowing that the battle in heaven would soon begin. I rose when the sun was high next morning. All the world was bright, shining and active, gladsome and fresh, from the rays of the sun; the kingdom of light was established; but the Prince of Darkness and all his confederates had vanished, cast down from the sky, and to the endless eternity of God their places will know them no more in that night again. They are lost beyond hope or redemption, beyond penance or prayer. I have in mind at this moment two Indian stories of the Morning-star,Ñone Modoc, the other Delaware. The Modoc story is very long, and contains much valuable matter; but the group of incidents that I wish to refer to here are the daily adventures and exploits of a personage who seems to be no other than the sky with the sun in it. This personage is destroyed every evening. He always gets into trouble, and is burned up; but in his back is a golden disk, which neither fire nor anything in the world can destroy. From this disk his body is reconstituted every morning; and all that is needed for the resurrection is the summons of the Morning-star, who calls out, ÒIt is time to rise, old man; you have slept long enough.Ó Then the old man springs new again from his ashes through virtue of the immortal disk and the compelling word of the star. Now, the Morning-star is the attendant spirit or ÒmedicineÓ of the personage with the disk, and cannot escape the performance of his office; he has to work at it forever. So the old man cannot fail to rise every morning. As the golden disk is no other than the sun, the Morning-star of the Modocs is the same character as the Lucifer of the Latins.

The stories that inspired Antonin Dvorak's enchanting operas Once upon a time, deep in the forests of Bohemia...enchantment was as thick as the trees, and young men and women of all kinds met and fell in love under the spell of the silver moon. Many years later, Czech composer Antonin Dvorak (1841-1904) set some of their stories to music. As the stories came to life on stage, they found an audience in the hearts of grownups and children around the world. Here are three of Dvorak's Bohemian tales, richly told and lovingly illustrated. Meet Rusalka, Bohemia's own little mermaid; and Lidushka, the peasant who danced with a king. Then there is Kate, saved from certain doom by her own bad temper! Just as in all the best fairytales, love suffers and is rewarded in these stories, and a good heart and quick thinking are enough to win the day. Antonin Dvorak's own life had a bit of a fairy tale in it, as readers learn in these pages. His musical talent lifted him from the shopkeeper's life he was born to, up to the heights of international stardom. But his art was always deeply rooted in the folktales and songs of his homeland. Silver Moon celebrates that wellspring of creativity in a new and luminous way.