Poetry. Bilingual Edition. Translated from the Polish by Piotr Florczyk. Foreword by Jericho Brown. "In the same way that memory gave birth to the muses, Anna Swir crafted exquisite mnemonic miniatures thirty years after the Warsaw Uprising, miniatures that allowed human hope to shine through bloody rubble. Reading Swir, one longs to know this heroic poet, who, like Whitman, nursed humans broken by war. Piotr Florczyk translates the poems in BUILDING THE BARRICADE with chilling precision, constructing equations that become magical spells to address the twentieth century and serve as cautionary tales for the twenty-first."—Sandra Alcosser "To translate Anna Swir is to translate a cemetery's stories as nakedly and starkly as any human can. It is to tread on hallowed, stunned ground—the ground of an earth stricken not by its own nature but by our species' own warring, bombarding instincts. Only reverence could lead someone properly into the reaches of Swir's numbed witness of the atrocities of WWII. Piotr Florczyk has the reverence and skill to bring Swir into English verse with crystalline witness and warnings."—Katie Ford "These short poems by Anna Swir, keenly translated by Piotr Florczyk, have the urgency and clarity of a poet staring back at a burning building from which she somehow escaped, except the building is Poland and she is looking back in memory, talking to its war-torn corpses, and to us, the lucky recipients of these explosive poems.—Edward Hirsch

Poetry. Translated from the Polish by Piotr Florczyk. "'War made me another person, ' said Anna wirszczy ska. BUILDING THE BARRICADE is the outcome of that change in that it took thirty years for these experiences to find their way into language. But the poem is also, undoubtedly, an agent of change, for us well as her. Stanza by stanza we see the speaker transformed, stripped of anything but the terrible truths she is recording." Eavan Boland"

Anna Swir's poetry is featured in the best-selling anthologies Ten Poems to Set You Free and Risking Everything Anna Swir (1909-1984) famously said "A poet should be as sensitive as an aching tooth." Swir was one of Poland's most distinguished poets, and she was open in her feminism and eroticism, with poetry that explored the life of the female body--from the agonizing depths of wartime to delirious sensual delight. The New York Times wrote that Swir's poetry pointed toward a "ferocious internal life." A member of the Resistance during the Nazi occupation and a military nurse in a makeshift hospital during the Warsaw Uprising, Swir once waited an hour fully expecting to be executed. Affected deeply by her experience, she wrote a poetry which rejected the grand gestures of war in favor of a world cast in miniature, a world in which the body and individual survive. Co-translated by Nobel Laureate Czeslaw Milosz and Leonard Nathan, with an introduction by Milosz, who writes: "What is the central theme of these poems? Answer: Flesh. Flesh in love and ecstasy, in pain, in terror, flesh afraid of loneliness, giving birth, resting, feeling the flow of time or reducing time to one instant. By such a clear delineation of her subject matter, Anna Swir achieves in her sensual, fierce poetry a nearly calligraphic neatness." Reviews: "The poems delight in all things physical, painting a passionate picture of the soul as a reified, pulsating entity that argues with the body."--San Francisco Review "Talking to My Body is an extremely rewarding book... Her best poems are so original as to deliver that mild shock we've come to recognize as real poetry."--Boston Book Review

Poems dealing with love, ecstacy, pain, terror, fear, loneliness, happiness, fulfillment, maternity, mortality, and friendship.

Dariusz Sosnicki's poems open our eyes to the sublime just beneath the surface of the mundane: a train carrying children away from their parents for summer vacation turns into a ravenous monster; a meal at a Chinese restaurant inspires a surreal journey through the zodiac; a malfunctioning printer is a reminder of the ghosts that haunt us no matter where we find ourselves. Among the perpetrators and victims, buzzed or wasted to the bone, gliding without their blinkers on in the ruts of the national fate—they're not at home. Dariusz Sosnicki is an award-winning poet, essayist, and editor in Poland.

"We are fortunate to now have them in English so that we who don't read Polish can now read these, and enjoy their insight and wry wit."––Mary Jo Bang In his triumphant collection The Folding Star and Other Poems, poet of the imagination Jacek Gutorow offers thirty-one gems that that will help change our understanding of Polish poetry. Jacek Gutorow has been nominated for the Nike Award, the Cogito Award, and the Gdynia Award. He teaches at the University of Opole. Piotr Florczyk has taught at the University of Delaware, Antioch University Los Angeles, and University of California-Riverside. He lives in Los Angeles, California.

In How Does It Hurt?, acclaimed poet and biographer Stephanie de Montalk tells the story of the chronic pain that has invaded her life for more than 10 years. She considers how her early experiences have been cast into fresh relief by what she has endured, then goes back in time to investigate the lives and works of three writers who also lived with and wrote about pain: "the consolator," English social theorist Harriet Martineau (1802–1876), "the vendor of happiness," French novelist Alphonse Daudet (1840–1897), and "the imago," Polish poet Aleksander Wat (1900–1967). Through these explorations de Montalk confronts the paradox of writing about suffering: where we can turn when the pain is beyond words? A unique blend of memoir, imaginative biography, and poetry, How Does It Hurt? is a groundbreaking contribution to the understanding of chronic pain and a spellbinding literary achievement.

Combining critical research with memoir, essay, poetry and creative biography, this insightful volume sensitively explores the lived experience of chronic pain. Confronting the language of pain and the paradox of writing about personal pain, Communicating Pain is a personal response to the avoidance, dismissal and isolation experienced by the author after developing intractable pelvic pain in 2003. The volume focuses on pain's infamous resistance to verbal expression, the sense of exile experienced by sufferers and the under-recognised distinction between acute and chronic pain. In doing so, it creates a platform upon which scholarly, imaginative and emotional quotients round out pain as the sum of physical actualities, mental challenges and psychosocial interactions. Additionally, this work creates a dialogue between medicine and literature. Considering the works of writers such as Harriet Martineau, Alphonse Daudet and Aleksander Wat, it enables a multi-genre narrative heightened by poetry, fictional storytelling and life-writing. Coupled with academic rigour, this insightful monograph constitutes a persuasive and unique exploration of pain and the communication of suffering. It will appeal to students and researchers interested in fields such as Medical Humanities, Autobiography Studies and Sociology of Health and Illness.