Poetry. Translated from the Polish by Piotr Florczyk. "'War made me another person, ' said Anna wirszczy ska. BUILDING THE BARRICADE is the outcome of that change in that it took thirty years for these experiences to find their way into language. But the poem is also, undoubtedly, an agent of change, for us well as her. Stanza by stanza we see the speaker transformed, stripped of anything but the terrible truths she is recording." Eavan Boland"

Poetry. Bilingual Edition. Translated from the Polish by Piotr Florczyk. Foreword by Jericho Brown. "In the same way that memory gave birth to the muses, Anna Swir crafted exquisite mnemonic miniatures thirty years after the Warsaw Uprising, miniatures that allowed human hope to shine through bloody rubble. Reading Swir, one longs to know this heroic poet, who, like Whitman, nursed humans broken by war. Piotr Florczyk translates the poems in BUILDING THE BARRICADE with chilling precision, constructing equations that become magical spells to address the twentieth century and serve as cautionary tales for the twenty-first."—Sandra Alcosser "To translate Anna Swir is to translate a cemetery's stories as nakedly and starkly as any human can. It is to tread on hallowed, stunned ground—the ground of an earth stricken not by its own nature but by our species' own warring, bombarding instincts. Only reverence could lead someone properly into the reaches of Swir's numbed witness of the atrocities of WWII. Piotr Florczyk has the reverence and skill to bring Swir into English verse with crystalline witness and warnings."—Katie Ford "These short poems by Anna Swir, keenly translated by Piotr Florczyk, have the urgency and clarity of a poet staring back at a burning building from which she somehow escaped, except the building is Poland and she is looking back in memory, talking to its war-torn corpses, and to us, the lucky recipients of these explosive poems.—Edward Hirsch

"To the barricades!" The cry conjures images of angry citizens, turmoil in the streets, and skirmishes fought behind hastily improvised cover. This definitive history of the barricade charts the origins, development, and diffusion of a uniquely European revolutionary tradition. Mark Traugott traces the barricade from its beginnings in the sixteenth century, to its refinement in the insurrectionary struggles of the long nineteenth century, on through its emergence as an icon of an international culture of revolution. Exploring the most compelling moments of its history, Traugott finds that the barricade is more than a physical structure; it is part of a continuous insurrectionary lineage that features spontaneous collaboration even as it relies on recurrent patterns of self-conscious collective action. A case study in how techniques of protest originate and evolve, The Insurgent Barricade tells how the French perfected a repertoire of revolution over three centuries, and how students, exiles, and itinerant workers helped it spread across Europe.

In Jaime Lee Moyer's A Barricade in Hell, Delia Martin has been gifted (or some would say cursed) with the ability to peer across to the other side. Since childhood, her constant companions have been ghosts. She used her powers and the help of those ghosts to defeat a twisted serial killer terrorizing her beloved San Francisco. Now it's 1917—the threshold of a modern age—and Delia lives a peaceful life with Police Captain Gabe Ryan. That peace shatters when a strange young girl starts haunting their lives and threatens Gabe. Delia tries to discover what this ghost wants as she becomes entangled in the mystery surrounding a charismatic evangelist who preaches pacifism and an end to war. But as young people begin to disappear, and audiences display a loyalty and fervor not attributable to simple persuasion, that message of peace reveals a hidden dark side. As Delia discovers the truth, she faces a choice—take a terrible risk to save her city, or chance losing everything? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

What does it mean to live against a wall? Travel to the world’s most disputed edges to meet the people who live alongside the razor wire, concrete, and steel and how the structure of the walls has influenced their lives. In this ambitious first person narrative, Marcello Di Cintio shares tea with Saharan refugees on the wrong side of Morocco’s desert wall. He meets with illegal Punjabi migrants who have circumvented the fencing around the Spanish enclave of Ceuta. He visits fenced-in villages in northeast India, walks Arizona’s migrant trails, and travels to Palestinian villages to witness the protests against Israel’s security barrier. From Native American reservations on the U.S.-Mexico border and the “Great Wall of Montreal” to Cyprus’s divided capital and the Peace Lines of Belfast, Di Cintio seeks to understand what these structures say about those who build them and how they influence the cultures that they pen in. He learns that while every wall fails to accomplish what it was erected to achieve – the walls are never solutions – each wall succeeds at something else. Some walls define Us from Them with Medieval clarity. Some walls encourage fear or feed hate. Some walls steal. Others kill. And every wall inspires its own subversion, either by the infiltrators who dare to go over, under, or around them, or by the artists who transform them.

How the French invented the barricade, and its symbolic impact on popular protests throughout history In the history of European revolutions, the barricade stands as a glorious emblem. Its symbolic importance arises principally from the barricades of Eric Hazan’s native Paris, where they were instrumental in the revolts of the nineteenth century, helping to shape the political life of a continent. The barricade was always a makeshift construction (the word derives from barrique or barrel), and in working-class districts these ersatz fortifications could spread like wildfire. They doubled as a stage, from which insurgents could harangue soldiers and subvert their allegiance. Their symbolic power persisted into May 1968 and, more recently, the Occupy movements. Hazan traces the many stages in the barricade’s evolution, from the Wars of Religion through to the Paris Commune, drawing on the work of thinkers throughout the periods examined to illustrate and bring to life the violent practicalities of revolutionary uprising.