Originally written in the First Century, A.D. by Asvaghosha. This may be the oldest known story of the complete life of Buddha, having been written in the first century AD. The author was an educated ecclesiastic Buddhist who traveled throughout India collecting stories and traditions relating to the Buddhas life. He was a famous preacher and musician who then wove them into a Sanskrit poem which he performed musically during his travels. The people of India delighted in this magical tale whenever it was performed with the choir of musicians who traveled with him. It holds many facts that other biographies or stories of the Buddha dont have, which makes this work so important. The entire epic is preserved in this rare book, long out of print, which may have otherwise been lost to the western world.

The Buddhacarita: In Praise of Buddha's Acts is a complete biography of Sakyamuni, from his birth until after his death (parinirvana), when his relics were distributed. Composed by Asvaghosa (early second century CE) the text was rendered into Chinese by Baoyun in 421 CE from the original Sanskrit, creating a simplified version that would be more easily understandable to a Chinese audience. The Buddhacarita reads like a play, describing the incidents and events of the Buddha's life story, from his miraculous birth and early life of wealth and privilege as Crown Prince Siddhartha, to his spiritual journeying and eventual attainment of enlightenment and the teaching and conversion of disciples and followers. Along the way key elements of the Buddha's teaching are revealed and the message of his life is an example of the possibility of awakening and liberation for all.

The Buddhacarita is the most famous work of Asvaghosa, the well-known Buddhist poet-philosopher supposed to have been a contemporary of King Kaniska of the early 2nd century a.c. Of the twenty-eight cantos of the epic poem a little less than half is now available in the original, but complete translations in Chinese and Tibetan have been preserved. This edition consists of three parts. The first part contains the Sanskrit text and the second the translation of the first fourteen cantos, filling up the lacunae in the Sanskrit from the Tibetan, together with an Introduction dealing with various aspects of the poet`s works, with notes which discuss the many difficulites of text and translation, and an Index. The third part contains translation of Cantos XV-XXVIII based on the available Tibetan and Chinese versions so as to arrive as near the meaning of Asvaghosa`s original text. The poem falls into four distinct quarters of seven cantos describing birth and youth of the hero, enlightenment after long questing, how the Buddha made his discovery by teaching available to all beings, a mission ending with a universal conquest in which the hero converts the rulers and people in many countries to the new doctrine and the events leading up to the Parinirvana of the Buddha.

Buddhacharita is an epic poem in the Sanskrit mahakavya style on the life of Gautama Buddha. Asvaghosa was an Indian philosopher-poet, born in Saketa in northern India to a Brahmin family. He is believed to have been the first Sanskrit dramatist, and is considered the greatest Indian poet prior to Kalidasa. He was the most famous in a group of Buddhist court writers, whose epics rivaled the contemporary Ramayana.

"A creative artist of the highest order, Ashva-ghosha's aim is not pure entertainment but deep instruction. His mission is to present the Buddha's teaching as itself the culmination of the Brahmanical tradition."--BOOK JACKET.

In this highly original study of sexuality, desire, the body, and women, Liz Wilson investigates first-millennium Buddhist notions of spirituality. She argues that despite the marginal role women played in monastic life, they occupied a very conspicuous place in Buddhist hagiographic literature. In narratives used for the edification of Buddhist monks, women's bodies in decay (diseased, dying, and after death) served as a central object for meditation, inspiring spiritual growth through sexual abstention and repulsion in the immediate world. Taking up a set of universal concerns connected with the representation of women, Wilson displays the pervasiveness of androcentrism in Buddhist literature and practice. She also makes persuasive use of recent historical work on the religious lives of women in medieval Christianity, finding common ground in the role of miraculous afflictions. This lively and readable study brings provocative new tools and insights to the study of women in religious life.

Retellings of the Buddha's life story have animated and sustained Buddhist thought and practice through some 2,500 years of history. To this day, Buddhist holidays and rituals are pinned to the arc of his biography, celebrating his birth, awakening, teaching, and final nirvana. His story is the model that exemplary Buddhists follow. Often, there is a moment of insight akin to the Buddha's experience with the Four Sights, followed by a great departure from home, and a period of searching that it is hoped will lead to final awakening. The Buddha's story is not just the Buddha's story; it is the story of Buddhism. In this book, twelve leading scholars of South Asian texts and traditions articulate the Buddha-life blueprint--the underlying and foundational pattern that holds the life story of a buddha together. They retell the episodes of Buddha Gautama's extended life story, while keeping in mind the cosmic, paradigmatic arc of his narrative. The contributors have dedicated their careers to exploring hagiographical materials, each applying their own methodological and theoretical interests to shed new light on the enduring story of Buddhism. Using multiple perspectives, voices, and sources, this volume underscores the multivalent centrality of this story. The book will be an invaluable resource to practicing Buddhists and students of Buddhist Studies to help them engage in the most foundational story of the tradition.