Originally written in the First Century, A.D. by Asvaghosha. This may be the oldest known story of the complete life of Buddha, having been written in the first century AD. The author was an educated ecclesiastic Buddhist who traveled throughout India collecting stories and traditions relating to the Buddhas life. He was a famous preacher and musician who then wove them into a Sanskrit poem which he performed musically during his travels. The people of India delighted in this magical tale whenever it was performed with the choir of musicians who traveled with him. It holds many facts that other biographies or stories of the Buddha dont have, which makes this work so important. The entire epic is preserved in this rare book, long out of print, which may have otherwise been lost to the western world.

Buddhacharita is an epic poem in the Sanskrit mahakavya style on the life of Gautama Buddha. Asvaghosa was an Indian philosopher-poet, born in Saketa in northern India to a Brahmin family. He is believed to have been the first Sanskrit dramatist, and is considered the greatest Indian poet prior to Kalidasa. He was the most famous in a group of Buddhist court writers, whose epics rivaled the contemporary Ramayana.

This work is my Ph. D. thesis. I have done a critical study of the Buddhacarita which is the most famous work amoungst works of Asvaghosa the Buddhist poet and philospher. Apart from the literary point of view, it has also importance from Various other points of view. This work has historical importance and it also gives a description about the life and activities of Gautama Buddha along with the buddhist philosophy. Besides, we may also know the socio-political and cultural history of the time. Therefore, I have made ceiical study of this work in critical and comparative lines and I hope, this book will be useful for students and researchers.l

About the life of Buddha

What about Buddha's wife? We all know that Prince Siddhartha left his wife and infant son to begin his journey to enlightenment. The Pali canon does not mention the woman he left behind. Yasodharā enters the commentarial tradition around the first century CE and lives on in the folk tradition, growing from a shadowy figure to a nun and arahat (an Enlightened One), even gaining magical powers. In this book, Ranjini Obeyesekere offers a translation of two works from Sri Lanka on this intriguing figure. The Yasodharāvata (The Story of Yasodharā) is a folk poem, whose best-known verses are Yasodharā's lament over the departure of her husband. The Yasodharāpadānaya (The Sacred Biography of Yasodharā) is an account of Yasodharā as a nun capable of miracles, who has traveled through saṃsāra with the Bodhisattva, and who is praised by him. Obeyesekere places these works within their historical and literary context and provides a glossary of Buddhist terms.

Buddhist Thought guides the reader towards a richer understanding of the central concepts of classical Indian Buddhist thought, from the time of Buddha, to the latest scholarly perspectives and controversies. Abstract and complex ideas are made understandable by the authors' lucid style. Of particular interest is the up-to-date survey of Buddhist Tantra in India, a branch of Buddhism where strictly controlled sexual activity can play a part in the religious path. Williams' discussion of this controversial practice as well as of many other subjects makes Buddhist Thought crucial reading for all interested in Buddhism.

Reason's Traces addresses some of the key questions in the study of Indian and Buddhist thought: the analysis of personal identity and of ultimate reality, the interpretation of Tantric texts and traditions, and Tibetan approaches to the interpretation of Indian sources. Drawing on a wide range of scholarship, Reason's Traces reflects current work in philosophical analysis and hermeneutics, inviting readers to explore in a Buddhist context the relationship between philosophy and traditions of spiritual exercise.

Guang Xing gives an analysis of one of the fundamental Mahayana Buddhist teachings, namely the three bodies of the Buddha (the trikaya Theory), which is considered the foundation of Mahayana philosophy. He examines how and why the philosophical concept of three bodies was formed, particularly the Sambhogakaya, which is the Buddha to be worshipped by all Mayahanists. Written in an accessible way, this work is an outstanding research text for students and scholars of Mayahana Buddhism and anyone interested in Buddhist philosophy.

A Companion to Asian Art and Architecture presents a collection of 26 original essays from top scholars in the field that explore and critically examine various aspects of Asian art and architectural history. Brings together top international scholars of Asian art and architecture Represents the current state of the field while highlighting the wide range of scholarly approaches to Asian Art Features work on Korea and Southeast Asia, two regions often overlooked in a field that is often defined as India-China-Japan Explores the influences on Asian art of global and colonial interactions and of the diasporic communities in the US and UK Showcases a wide range of topics including imperial commissions, ancient tombs, gardens, monastic spaces, performances, and pilgrimages.