In each of these seven vignettes, someone dies and has to make their way through the Tibetan afterlife, also known as the Bardo. In the Bardo, souls wander for forty-nine days before being reborn, helped along on their journey by the teachings of the Book of the Dead. Unfortunately, Volodine's characters bungle their chances at enlightenment, with the recently dead choosing to waste away their afterlife sleeping, crying in empty bars or choosing to be reborn as an insignificant spider. And the still-living aren't much better off, making a mess of things too.

#1 NEW YORK TIMES BESTSELLER • WINNER OF THE MAN BOOKER PRIZE The “devastatingly moving” (People) first novel from the author of Tenth of December: a moving and original father-son story featuring none other than Abraham Lincoln, as well as an unforgettable cast of supporting characters, living and dead, historical and invented One of The New York Times’s 100 Best Books of the 21st Century • One of The Atlantic’s Great American Novels of the Past 100 Years • One of Paste’s Best Novels of the Decade Named One of the Ten Best Books of the Year by The Washington Post, USA Today, and Maureen Corrigan, NPR • One of Time’s Ten Best Novels of the Year • A New York Times Notable Book • One of O: The Oprah Magazine’s Best Books of the Year February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy’s body. From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul. Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices to ask a timeless, profound question: How do we live and love when we know that everything we love must end? “A luminous feat of generosity and humanism.”—Colson Whitehead, The New York Times Book Review “A masterpiece.”—Zadie Smith

Bardo Of Becoming By Mynavati Is A Gripping, Exciting And Unique Novel Set In The Astral World, With The Backdrop Of The Tibetan Book Of The Dead. Paul, The Main Character, Literally 'Wakes Up' And Finds Himself In The Awesome And Bewildering Realm Between Death And Rebirth. This Is The Bardo Of Becoming. In A Heightened Awareness State, Paul Is Torn By His Disbelief, Through A Full Gamut Of His Emotions And Thrilling Experiences. His Journey Leads Him Through Self Discovery Towards The Ultimate Truth.

Like with Antoine Volodine's other works, Post-Exoticism In Ten Lessons, Lesson Eleven takes place in a corrupted future where a small group of radical writers - those who practice post-exoticism' - have been jailed by those in power and are slowly dying off. But before Lutz Bassmann, the last post-exoticist writer, passes away, a couple of journalists will try and pry out all the secrets of this powerful literary movement. This is without a doubt one of the most ambitious literary projects of recent times: a project exploring the revolutionary power of words

An avant garde set of improvisational essays, Richard Grossinger’s The Bardo of Waking Life is a meditation on the Tibetan Buddhist bardo realm which, in popular culture, is viewed as the bridge between lives, the state people enter after death and before rebirth. This book examines waking life and its history and language as if it were a bardo state rather than ultimate reality, and thus seeks a context for life (and dreams), even as it addresses more "mundane issues" including genetic theory, the war in Iraq and George W. Bush's presidency, North Korea, advertising, global warming, Prison Industrial Culture, childhood trauma, even country western music. Written with playfulness and precision, Bardo takes a new, probing approach to all the important questions of creation, destruction, and existence. In these intellectual field notes, Grossinger proves thematically fearless as he crosses quantum mechanics with totemic hexes and draws transcendental insight from the ephemeral space-time we call daily life. If, as Tibetan cosmology holds true, all conditional realms are bardos, then the state we all share is nothing less than the bardo of waking life.

Tripping the Bardo with Timothy Leary is a scathingly honest and breathless autobiographical memoir by Joanna Harcourt-Smith, the British Jet-Set "hippie heiress" scapegoat for Timothy Leary, the Harvard psychologist "Pied Piper" of the Sixties generation. Between 1972 and 1977, Joanna was his lover and voice to the outside world while he was in prison for three-and-a-half of those years. Tripping the Bardo is a missing piece of the Sixties puzzle. Joanna Harcourt-Smith knows. As an eyewitness, she was right at the heart of it. From the Rolling Stones and Andy Warhol to the relentless FBI harassment of the political Left, Tripping the Bardo moves at the fast pace of sex, drugs, and rock'n'roll that the Sixties were known for. The author's voice is that of a spoiled and damaged socialite but with an unrelenting sense of humor and ability to bring to life an outrageous set of characters – aristocrats and drug dealers, rockers and poets, crime lords and double agents. As Hermann Hesse said: I'm beginning to hear the teachings of my blood pulsing within me. My story isn't pleasant, it's not sweet and harmonious like invented stories; it tastes of folly and bewilderment, of madness and dream, like the life of all people who no longer want to lie to themselves.

'A poetic journey into the Shadow. It took courage to write this haunting novel.' - Robert A Johnson, author of 'The Fisher King and the Handless Maiden' A mesmerizing psychological tour de force in which the examination of an individual life becomes a gripping look into the soul of a man who must learn life's most powerful lessons in a fraction of a second.

“A magnificent achievement. In its power to touch the heart, to awaken consciousness, [The Tibetan Book of Living and Dying] is an inestimable gift.” —San Francisco Chronicle A newly revised and updated edition of the internationally bestselling spiritual classic, The Tibetan Book of Living and Dying, written by Sogyal Rinpoche, is the ultimate introduction to Tibetan Buddhist wisdom. An enlightening, inspiring, and comforting manual for life and death that the New York Times calls, “The Tibetan equivalent of [Dante’s] The Divine Comedy,” this is the essential work that moved Huston Smith, author of The World’s Religions, to proclaim, “I have encountered no book on the interplay of life and death that is more comprehensive, practical, and wise.”

A major critical engagement with a major contemporary writer: absolutely essential reading. --Adam Roberts, author of New Model Army (2010), Jack Glass (2012) and Bête (2014), and winner of the British Science Fiction Award This critical anthology, the first devoted exclusively to the works of China Miéville, sets a high standard for the other such volumes that will surely follow. All the chapters in this collection should be highly recommended to the large and growing number of readers who rightly regard Miéville as one of the pre-eminent imaginative writers of the 21st century. --Carl Freedman, Russell B. Long Professor of English at Louisiana State University and author of Critical Theory and Science Fiction (2000) and Art and Idea in the Novels of China Miéville (2015) An exemplary addition to the Gylphi Contemporary Writers: Critical Essays series, this challenging and fascinating collection is as demanding as its subject. Crucial for those interested in the weird, in science fiction and in the turns of contemporary British fiction. --Robert Eaglestone, Professor of Contemporary Literature and Thought, Royal Holloway, University of London Since the publication of his first novel in 1998, China Miéville has distinguished himself as one of the most exciting and inventive writers working in any genre in contemporary British fiction. The author of nine novels and two short story collections to date, as well as comics script-writing, numerous critical works on science fiction, and legal scholarship, Miéville is a critically acclaimed writer who has also achieved popular success. The chapters in this collection respond to the range of interests that have shaped Miéville's fiction from his influential role in contemporary genre debates, to his ability to pose serious philosophical questions about state control, revolutionary struggle, regimes of apartheid, and the function of international law in a globalized world. This collection demonstrates how Miéville's fictions offer a striking example of contemporary literature's ability to imagine alternatives to neoliberal capitalism at a time of crisis for leftist ideas within the political realm.