#1 NEW YORK TIMES BESTSELLER • WINNER OF THE MAN BOOKER PRIZE The “devastatingly moving” (People) first novel from the author of Tenth of December: a moving and original father-son story featuring none other than Abraham Lincoln, as well as an unforgettable cast of supporting characters, living and dead, historical and invented One of The New York Times’s 100 Best Books of the 21st Century • One of The Atlantic’s Great American Novels of the Past 100 Years • One of Paste’s Best Novels of the Decade Named One of the Ten Best Books of the Year by The Washington Post, USA Today, and Maureen Corrigan, NPR • One of Time’s Ten Best Novels of the Year • A New York Times Notable Book • One of O: The Oprah Magazine’s Best Books of the Year February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy’s body. From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul. Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices to ask a timeless, profound question: How do we live and love when we know that everything we love must end? “A luminous feat of generosity and humanism.”—Colson Whitehead, The New York Times Book Review “A masterpiece.”—Zadie Smith

In each of these seven vignettes, someone dies and has to make their way through the Tibetan afterlife, also known as the Bardo. In the Bardo, souls wander for forty-nine days before being reborn, helped along on their journey by the teachings of the Book of the Dead. Unfortunately, Volodine's characters bungle their chances at enlightenment, with the recently dead choosing to waste away their afterlife sleeping, crying in empty bars or choosing to be reborn as an insignificant spider. And the still-living aren't much better off, making a mess of things too.

Existence is an endless cycle of experience called the four bardos. These four periods include our present life, the process of dying, the after-death experience, and the quest for a new rebirth. Drawing from his intimate knowledge of the innermost Vajrayana teachings, the Tibetan master Chokyi Nyima Rinpoche presents in The Bardo Guidebook straightforward, direct instructions on how to deal with the four bardos.

Provides students of Buddhism with commentary and the text of the Tibetan scripture that examines the mind's projections and offers instructions for liberation and the attainment of enlightenment.

An avant garde set of improvisational essays, Richard Grossinger’s The Bardo of Waking Life is a meditation on the Tibetan Buddhist bardo realm which, in popular culture, is viewed as the bridge between lives, the state people enter after death and before rebirth. This book examines waking life and its history and language as if it were a bardo state rather than ultimate reality, and thus seeks a context for life (and dreams), even as it addresses more "mundane issues" including genetic theory, the war in Iraq and George W. Bush's presidency, North Korea, advertising, global warming, Prison Industrial Culture, childhood trauma, even country western music. Written with playfulness and precision, Bardo takes a new, probing approach to all the important questions of creation, destruction, and existence. In these intellectual field notes, Grossinger proves thematically fearless as he crosses quantum mechanics with totemic hexes and draws transcendental insight from the ephemeral space-time we call daily life. If, as Tibetan cosmology holds true, all conditional realms are bardos, then the state we all share is nothing less than the bardo of waking life.

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Suzanne Paola fuses the Tibetan bardo journey with Western epic tradition in ways that are both comic and harrowing. Bardo is the intermediate state after death when the soul wanders through the heavens and the hells while trying to avoid rebirth into samsara--the realm of the material--and to instead reach nirvana. Paola presents a series of this life's bardo experiences: drug use, the refused birth of infertility, the social implications of the female body, even a trip to the fantastic "afterworld" of pop culture. Bardo's journey travels to a place where "to be human is to be part god, / part sickness, / always wondering which is which."

Bardo Of Becoming By Mynavati Is A Gripping, Exciting And Unique Novel Set In The Astral World, With The Backdrop Of The Tibetan Book Of The Dead. Paul, The Main Character, Literally 'Wakes Up' And Finds Himself In The Awesome And Bewildering Realm Between Death And Rebirth. This Is The Bardo Of Becoming. In A Heightened Awareness State, Paul Is Torn By His Disbelief, Through A Full Gamut Of His Emotions And Thrilling Experiences. His Journey Leads Him Through Self Discovery Towards The Ultimate Truth.

Tripping the Bardo with Timothy Leary is a scathingly honest and breathless autobiographical memoir by Joanna Harcourt-Smith, the British Jet-Set "hippie heiress" scapegoat for Timothy Leary, the Harvard psychologist "Pied Piper" of the Sixties generation. Between 1972 and 1977, Joanna was his lover and voice to the outside world while he was in prison for three-and-a-half of those years. Tripping the Bardo is a missing piece of the Sixties puzzle. Joanna Harcourt-Smith knows. As an eyewitness, she was right at the heart of it. From the Rolling Stones and Andy Warhol to the relentless FBI harassment of the political Left, Tripping the Bardo moves at the fast pace of sex, drugs, and rock'n'roll that the Sixties were known for. The author's voice is that of a spoiled and damaged socialite but with an unrelenting sense of humor and ability to bring to life an outrageous set of characters – aristocrats and drug dealers, rockers and poets, crime lords and double agents. As Hermann Hesse said: I'm beginning to hear the teachings of my blood pulsing within me. My story isn't pleasant, it's not sweet and harmonious like invented stories; it tastes of folly and bewilderment, of madness and dream, like the life of all people who no longer want to lie to themselves.