Tripping the Bardo with Timothy Leary is a scathingly honest and breathless autobiographical memoir by Joanna Harcourt-Smith, the British Jet-Set "hippie heiress" scapegoat for Timothy Leary, the Harvard psychologist "Pied Piper" of the Sixties generation. Between 1972 and 1977, Joanna was his lover and voice to the outside world while he was in prison for three-and-a-half of those years. Tripping the Bardo is a missing piece of the Sixties puzzle. Joanna Harcourt-Smith knows. As an eyewitness, she was right at the heart of it. From the Rolling Stones and Andy Warhol to the relentless FBI harassment of the political Left, Tripping the Bardo moves at the fast pace of sex, drugs, and rock'n'roll that the Sixties were known for. The author's voice is that of a spoiled and damaged socialite but with an unrelenting sense of humor and ability to bring to life an outrageous set of characters – aristocrats and drug dealers, rockers and poets, crime lords and double agents. As Hermann Hesse said: I'm beginning to hear the teachings of my blood pulsing within me. My story isn't pleasant, it's not sweet and harmonious like invented stories; it tastes of folly and bewilderment, of madness and dream, like the life of all people who no longer want to lie to themselves.

The life of Timothy Leary is examined through papers and correspondence preserved in his archive. The first collection of Timothy Leary’s (1920–1996) selected papers and correspondence opens a window on the ideas that inspired the counterculture of the 1960s and the fascination with LSD that continues to the present. The man who coined the phrase “turn on, tune in, drop out,” Leary cultivated interests that ranged across experimentation with hallucinogens, social change and legal reform, and mysticism and spirituality, with a passion to determine what lies beyond our consciousness. Through Leary’s papers, the reader meets such key figures as Allen Ginsberg, William S. Burroughs, Ken Kesey, Marshall McLuhan, Aldous Huxley, John Lennon and Yoko Ono, and Carl Sagan. Author Jennifer Ulrich organizes this rich material into an annotated narrative of Leary’s adventurous life, an epic quest that had a lasting impact on American culture. “A fascinatingly intimate record of how this brilliant, courageous, and awed genius changed our world.” —Michael Backes, author of the bestselling Cannabis Pharmacy “[These notes and letters] portray a brilliant and restless genius who never feared to make mistakes or change his views.” —Ralph Metzner, PhD, coauthor, with Leary and Alpert, of The Psychedelic Experience “Hopefully, these letters show people the real Timothy Leary—an inveterate letter writer who took the time to engage with all kinds of people. Few of us would be as generous.” —R. U. Sirius, cofounder of Mondo 2000 and coauthor of Transcendence

Years after the Summer of Love, the promise of the psychoactive 1960s—that deeper self-awareness and greater harmony can be achieved through reality-bending substances and practices—is close to becoming a mainstream phenomenon. The signs are everywhere, from a renewed interest in the therapeutic effects of LSD to the popularity of ayahuasca trips and the annual spectacle of Burning Man. The Psychedelic Experience, created by the prophetic shaman-professors Timothy Leary, Ralph Metzner, and Richard Alpert (Ram Dass), is a foundational text that serves as a model and a guide for all subsequent mind-expanding inquiries. Based on a unique interpretation of The Tibetan Book of the Dead, The Psychedelic Experience remains a vital testament to broadening spiritual consciousness through a combination of Tibetan meditation techniques and psychotropic substances. For a new generation seeking the trip of a lifetime, The Psychedelic Experience is the essential guidebook to getting there.

Originally published: New Hyde Park, N.Y.: University Books, 1965. New introduction by Erik Davis, 2007.

Buddhism and psychedelic experimentation share a common concern: the liberation of the mind. Zig Zag Zen launches the first serious inquiry into the moral, ethical, doctrinal, and transcendental considerations created by the intersection of Buddhism and psychedelics. With a foreword by renowned Buddhist scholar Stephen Batchelor and a preface by historian of religion Huston Smith, along with numerous essays and interviews, Zig Zag Zen is a provocative and thoughtful exploration of altered states of consciousness and the potential for transformation. Accompanying each essay is a work of visionary art selected by artist Alex Grey, such as a vividly graphic work by Robert Venosa, a contemporary thangka painting by Robert Beer, and an exercise in emptiness in the form of an enso by a 17th-century Zen abbot. Packed with enlightening entries and art that lie outside the scope of mainstream anthologies, Zig Zag Zen offers eye-opening insights into alternate methods of inner exploration.

How an eccentric spiritualist from Trenton, New Jersey, helped create the most famous text of Tibetan Buddhism The Tibetan Book of the Dead is the most famous Buddhist text in the West, having sold more than a million copies since it was first published in English in 1927. Carl Jung wrote a commentary on it, Timothy Leary redesigned it as a guidebook for an acid trip, and the Beatles quoted Leary's version in their song "Tomorrow Never Knows." More recently, the book has been adopted by the hospice movement, enshrined by Penguin Classics, and made into an audiobook read by Richard Gere. Yet, as acclaimed writer and scholar of Buddhism Donald Lopez writes, "The Tibetan Book of the Dead is not really Tibetan, it is not really a book, and it is not really about death." In this compelling introduction and short history, Lopez tells the strange story of how a relatively obscure and malleable collection of Buddhist texts of uncertain origin came to be so revered—and so misunderstood—in the West. The central character in this story is Walter Evans-Wentz (1878-1965), an eccentric scholar and spiritual seeker from Trenton, New Jersey, who, despite not knowing the Tibetan language and never visiting the country, crafted and named The Tibetan Book of the Dead. In fact, Lopez argues, Evans-Wentz's book is much more American than Tibetan, owing a greater debt to Theosophy and Madame Blavatsky than to the lamas of the Land of Snows. Indeed, Lopez suggests that the book's perennial appeal stems not only from its origins in magical and mysterious Tibet, but also from the way Evans-Wentz translated the text into the language of a very American spirituality.

In the heyday of the sixties, during a seven-year stay in the Himalayas, Marilyn Stablein taught herself not only how to cook a curry on a cow-dung patty fire, but to master sadhu rituals like preparing chillums. Whether describing Mishra's bhang lassi shop, the government hash store, her meeting with cannabis guru Ganesh Baba, or a trek to a cave in Kashmir to view Lord Shiva's miraculous ice lingham, Stablein is an intrepid adventurer and humorous chronicler. Pamphlet.

In the Upper Amazon, mestizos are the Spanish-speaking descendants of Hispanic colonizers and the indigenous peoples of the jungle. Some mestizos have migrated to Amazon towns and cities, such as Iquitos and Pucallpa; most remain in small villages. They have retained features of a folk Catholicism and traditional Hispanic medicine, and have incorporated much of the religious tradition of the Amazon, especially its healing, sorcery, shamanism, and the use of potent plant hallucinogens, including ayahuasca. The result is a uniquely eclectic shamanist culture that continues to fascinate outsiders with its brilliant visionary art. Ayahuasca shamanism is now part of global culture. Once the terrain of anthropologists, it is now the subject of novels and spiritual memoirs, while ayahuasca shamans perform their healing rituals in Ontario and Wisconsin. Singing to the Plants sets forth just what this shamanism is about--what happens at an ayahuasca healing ceremony, how the apprentice shaman forms a spiritual relationship with the healing plant spirits, how sorcerers inflict the harm that the shaman heals, and the ways that plants are used in healing, love magic, and sorcery.

Praise for Second Edition of The Psychedelic Renaissance: 'Onward, intrepid explorer, keep your wits, while allowing them to be tickled, as Dr Sessa leads you into a world of remarkable wonders! You are in for a real treat!' Robin Carhart-Harris 'This new book is a succinct, entertaining overview of the emerging "Psychedelic Renaissance" written by an insider, and one of the brightest young architects of this new emerging paradigm.' Dr Dennis J. McKenna 'With intelligence, fact-based optimism and compassion Sessa throws open the doors of perception and guides the reader through the complexities of the history, pharmacology, legality and potential of these miraculous molecules.' Andy Roberts 'This new edition of Sessa's, The Psychedelic Renaissance, will encourage researchers to work in this field, to the benefit of our understanding of how the brain works and to develop new approaches to psychiatric disorders.' David Nutt 'Dr. Ben Sessa prescribes a way forward; mainstreaming psychedelics for a world in deep need of spirituality and inspiration. The Psychedelic Renaissance is a book that deserves to be widely read.' Rick Doblin 'Ben Sessa's energetic review of the research and cultural use of psychedelics provides a unique perspective. The way forward is clear: we urgently need more scientific research, and a rational reform of drug policies.' Amanda Feilding 'The Psychedelic Renaissance will inevitably and rightly be seen as an important marker of their assimilation into the cultural mainstream. I highly recommend it.' Ralph Metzner 'Dr. Sessa skilfully chronicles important developments, perhaps a turning point, in psychiatry and in the understanding of psychedelics in the wider culture. This new updated edition of The Psychedelic Renaissance is informative, entertaining and timely.' Michael Mithoefer