Alas, Poor Yorick is a darkly funny first-person account of the life of the most famous fool in all literature, one we have known as but a skull in the hands of a brooding Hamlet. From that familiar graveyard setting, the novel’s Yorick speaks to us, angry that Hamlet had forgotten him all this time, hurt that Hamlet never wondered what had become of his witty boyhood companion. Yorick’s clever, compassionate tale tells us of his cruel childhood and father-inflicted deformity, of his passionate love for an Elsinore servant, Philia, of his training and trickery in order to become royal jester. Most of all, of why he ultimately swears revenge on Hamlet’s father, the humorless and self-righteous king of Denmark, and how he schemes to destroy him. The court, in fact, receives three sets of visitors -- King Lear and his Fool, Othello and Iago, Macbeth and Lady Macbeth -- each inspiring Yorick to a different mode of vengeance against the Danish king, each with its own tragic-comic results. Alas, Poor Yorick is a bold, bawdy twist on the Bard, a poetic tale of infinite jest and human frailty for all who love Hamlet in particular and Shakespeare in general.

Drawing on modern field research among elderly women in England and historical research in supernatural traditions, Gillian Bennett offers a clear and thought-provoking discussion of the vigorous survival, nature, and patterns of belief in the supernatural. Focusing on contact with the dead, which was especially emphasized and recounted by her informants, Bennett discusses the role of bereavement in these occurrences, examines how and why narratives are employed to account for personal experiences, and looks at case studies in the history of ghosts and visitations. Book jacket.

Traveling separately to Ornemouth, England, a town by the North Sea where they had spent a summer together as children, Humphrey Clark and Ailsa Kelman reassess the course of their individual lives and decisions over the past thirty years of separation.

Fans of Sarah MacLean, Vanessa Riley, and Julia London will adore this modern take on the Regency, filled with tough, empowered women meeting their matches in a sexy story from rising star Anabelle Bryant. “Delightful.” —Lenora Bell, USA Today bestselling author From the glittering ballrooms of the ton to the city’s grittiest corners, London has no shortage of wrongs in need of righting—and the Maidens of Mayhem are prepared for the challenge. United by secrecy and sisterhood, these daring woman from all walks of life aim to fight injustice wherever it takes them—even into the arms of unexpected love... Scarlett Wynn’s tragic childhood taught her that life can be cruel to women with little power. So when a local seamstress disappears, Scarlett vows to find out why. Armed with a weapon and her courage, Scarlett scours London for clues—and crosses the unlikely path of Ambrose Cross, the Duke of Aylesford, at an unlikely place: an upscale brothel. The Duke is trying to solve a mystery of his own, and Scarlett is sure they can help each other—if she can resist the attraction that draws them together . . . As Duke of Aylesford, Ambrose is duty-bound to protect his family name from scandal no matter the cost. But Scarlett’s fearless spirit forces him to look beyond his world of privilege. Scarlett is as intoxicating as she is dangerous, igniting a fire in him like no other. But when the pair learn both mysteries they’re trying to solve are tied to a string of missing women, the tangled scheme they uncover may put their lives, and their growing love, in mortal danger—and lead them to search their hearts like never before . . . “A delightful historical romance with a liberal dash of adventure, plenty of sizzling heat, and a heart of pure gold. A superb start to Bryant’s new Maidens of Mayhem series” —Lenora Bell, USA Today bestselling author “Duchess if You Dare is a fantastic read that kept me up late and has me anxiously awaiting the next book in the series.”—USA Today Bestselling Author Renee Ann Miller “Brilliant.” —Publishers Weekly

Contains three 'acts' which describe what happens to 'Claire Temple' in her last months.