Drawing on modern field research among elderly women in England and historical research in supernatural traditions, Gillian Bennett offers a clear and thought-provoking discussion of the vigorous survival, nature, and patterns of belief in the supernatural. Focusing on contact with the dead, which was especially emphasized and recounted by her informants, Bennett discusses the role of bereavement in these occurrences, examines how and why narratives are employed to account for personal experiences, and looks at case studies in the history of ghosts and visitations. Book jacket.

Ghost-hunter Cas Lowood returns to find out what happened to Anna Dressed in Blood.

On a September afternoon in Santa Barbara, a private jet carrying the members of Poor Ghost—one of America’s most storied rock bands—plunges into the backyard of Caleb Crane, a retired insurance salesman. Poor Ghost moves back and forth between the impact of the plane crash on Caleb’s life, and an oral history of Poor Ghost, from its beginnings as a working-class punk band to rock icons.

Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.

Drawing on theoretical paradigms from gender and cultural studies, Martin develops a participatory model of modernist literature and culture.

Features main character smoking, possessing pills; contains references to sexual harassment and violence.

Creak... Crash... BOO! Shivering skeletons, ghostly pirates, chattering corpses, and haunted graveyards...all to chill your bones! Share these seven spine-tingling stories in a dark, dark room.

Today, genes are called upon to explain almost every aspect of our lives, from social inequalities to health, sexual preference and criminality. Based on Darwin's theory of evolution and natural selection, Evolutionary Psychology with its claim that 'it's all in our genes' has become the most popular scientific theory of the late 20th century. Books such as Richard Dawkins's The Selfish Gene, Edward O.Wilson's Consilience and Steven Pinker's The Language Instinct have become bestsellers and frame the public debate on human life and development: we can see their influence as soon as we open a Sunday newspaper. In recent years, however, many biologists and social scientists have begun to contest this new biological determinism and shown that Evolutionary Psychology rests on shaky empirical evidence, flawed premises and unexamined political presuppositions. In this provocative and ground-breaking book, Hilary and Steven Rose have gathered together the most eminent and outspoken critics of this fashionable ideology, ranging from Stephen Jay Gould and Patrick Bateson to Mary Midgley, Tim Ingold and Annette Karmiloff-Smith. What emerges is a new perspective on human development which acknowledges the complexity of life by placing at its centre the living organism rather than the gene.

Shakespeare's Hamlet contains a profound spiritual message for mankind that has been largely unrecognized for centuries. The meaning of Hamlet so perplexed critics over the last four hundred years that many finally concluded, after immense struggle, that the play lacks a binding philosophy. Nothing, in fact, is more wrong. Quintessence of Dust now explains how Shakespeare meticulously crafted every scene to convey, through our emotional involvement in the drama, a central spiritual message. The book also explains by a single coherent theme practically every aspect of the play that has puzzled critics for centuries. It demonstrates that Hamlet is nothing short of an artistic miracle, reflected both in its poetic brilliance and in its profound meaning.